2025 New Releases (In Progress)

Part of the “Refreshed” series, this SSATBaB (with vocal percussion) update of “Selfless, Cold and Composed” reworks my 2008 chart originally written for the Sacramento State Jazz Singers’ feature on Ben Folds Presents College A Capella. Now in a key suited for a baritone/tenor lyric soloist (in the spirit of Folds’ recording), with a more accessible bass range and shared melodic opportunities across sections. A 3/4 jazz waltz feel throughout, with richly varied ensemble textures and polyphony via open-score writing. Includes scat solo space. Best programmed mid-set.

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Selfless Cold and Composed "Refreshed" (SSATBaB Lv 5) - KerryMarsh.com Demo

This brand new accompanied version of Jamiroquai’s “Virtual Insanity” brings fresh life to one of our most popular early-2000s charts. Part of the “Refreshed” series, this update includes fully-notated piano, bass and drums parts while retaining all the slick harmony, bounce, and groove that made Kerry’s original version a favorite among students and directors. Still built around a super danceable shuffle-funk groove, the chart includes the iconic, jazz-inspired 7-bar verse progression and layered, syncopated ensemble rhythms. A soprano/alto soloist carries the lyric, with two spots for a breakout S/A soli group in the texture and space for vocal improv solos (open to any voice part) in the middle and at the end. Altogether, this is a hard-grooving, crowd-pleasing tune that disguises its darker lyrical undertones behind infectious rhythm and vibe. Great as an opener, closer, or anywhere in your set—it’s a guaranteed audience-mover, and now it’s easier than ever to put together with your group.

Fully-notated piano, bass and drums

Virtual Insanity "Refreshed" (Accompanied) (SATB Lv 4) - KerryMarsh.com Demo

Jamiroquai’s “Virtual Insanity” is back in our catalog with a fresh coat of paint! This “Refreshed” edition brings all the funky goodness of the original arrangement, now with updated notation, part tracks, and a brand-new studio demo featuring Julia and me. By popular demand, we’ve also added an accompanied version with fully notated rhythm section parts so your group has more flexibility than ever in how you bring this chart to life. A soprano or alto is featured on a soulful, expressive lyric solo, and there are spots for a small S/A soli group adding a layer to the music. There’s also space for a vocal improv solo (any voice part) in the middle and optionally again at the end as things ramp up to a strong finish. The whole chart rides a shuffle-funk pocket, with that iconic 7-bar form in the verses keeping everyone on their toes. The chart can be supported by vocal percussion or, alternatively, instrumental percussion like cajon, which is heard on the “Refreshed” demo. As always, the groove is infectious and super danceable, even if the lyrics are contrastingly grim and plaintive. With enough punch to work as an opener or closer, and chill enough to live mid-set, it’s a great chart to build energy and connection with your audience. They’ll be clapping by the second chorus and on their feet by the end.

Virtual Insanity "Refreshed" (Aca) (SATBaB Lv 4) - KerryMarsh.com Demo

This SSATB arrangement of Billie Eilish’s “Ocean Eyes” is a reimagining of Jacob DuPre’s inventive version, infused with a bluesy New Orleans second-line groove and a splash of jazz fusion. The groove is central here—drums are carefully notated to match DuPre’s concept (as heard in our demo). Features a brief alto lyric solo mid-chart, a fun ensemble soli, and an optional keyboard solo (fully notated but open for improv). Chorus sections repeat consistently for easier rehearsal flow. Scored for keyboard/piano, bass, and drums. A cool, hard-grooving surprise that works anywhere in your set—opener, closer, or mid-program.

Fully-notated piano, bass and drums

Ocean Eyes (SSATB Lv 5) - KerryMarsh.com Demo

This SSATB arrangement of Little River Band’s “Reminiscing” stays true to the original recording while adding subtle vocal jazz harmonic flavors. Features a soprano/alto lyric solo (or high tenor, as in the original), and some vocal improv near the end. Lightly swinging pop feel throughout, with a nostalgic mood that mirrors the lyric. Scored for keyboard/piano, guitar (optional but recommended), bass, drums, and optional aux. percussion. Accessible overall, with a bigger voicing stretch at the finish. Best programmed mid-set, though could work as a light opener.

Fully-notated piano, bass and guitar, drums

Reminiscing (SSATB Lv 3.5) - KerryMarsh.com Demo

Laila Biali’s serene and subtly intricate composition gets a vocal jazz treatment here that mirrors the graceful flow of the original. With a gently pulsing groove and modal harmonies that feel both fresh and approachable, this arrangement brings out the tune’s peaceful, reflective nature without tipping into sentimentality. A Soprano/Alto soloist floats in briefly with a pair of wordless lines, and the vocal ensemble shifts fluidly between unison textures and harmony of varying density levels, with limited S2 divisi, making this chart accessible to a wide range of groups. Rhythm section parts (fully notated for piano, bass, and drums) capture the subtlety and spirit of Biali’s recorded version, keeping things steady without weighing the piece down. No improv sections featured. Ideal for mid-set programming, especially when your group needs a moment to breathe and draw the audience in with something quietly compelling.

Alpha Waves (SSATB Lv3.5) KerryMarsh.com Demo

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