ROADMOVIE (SFERA)

URBAN WESTERN

A rare bit of politics from me :), in a jokey punky style

Half of what I say is fantasy
Nay more than half - look at my graph
Analyse the line - we are doing just fine
Of course I'm not lying

CHORUS
I abuse my powers
From my lofty towers
In the castle of promises
We talk out of our orifices
And we talk for hours and hours

The picture you shot and the revelations you got
They are not me, most probably
Look over there!  Oh my what a pair!
The outlook is fair

CHORUS

Castle Of Promises

I decided, after looking at several of Martin's paintings, that I wanted to focus on that precision repetition, the light/dark alternation, and the subtle gradations of field.

The track is an improvisation inside Live, with one instance of the Buchla Music Easel (providing the upper-register track) and one of ARP 2600 V3 (providing the lower one), with Live's BrainDance and Squishy Beat Repeat effects to put in additional emergent rhythmic effects. I potted down both synths, gradually faded them in, and then slowly tweaked the filter frequency and resonance on the ARP, gradually adding in ore modulation from the ring modulator, then slowly removing it. The Buchla's variations came from tweaking the effects following it, but basically leaving the patch alone to imitate the regular ruled lines.

The Tree, 1964 [disquiet0456]

Original Track - https://youtu.be/rFQzcakOrlg
MOSNAR DET - Remixing, Drum Programming

Loop Diggers Around The World 3 Track 2 - T E R R E S T R I A L

I sat down to make music with the intention of finding a way to express my emotions at the moment, and I was confronted with a wall of mental noise, presented to me by all the music technology at my disposal. While I struggled to find my heart, my mind was busy thinking about technology and technique. After a bit of discussion with @dr.no and @Hawthorn, decided to run with that as the concept for the piece. This is the result. 

I decided to also take inspiration from #disquiet0460 and start with a tortured, complicated sound (evocative of the mental "noise" that comes from using music tech for expression) and transitions to the starting point, then returns to the chaos. 

I started with a simple arpeggio on a nylon guitar (which I later changed to a synth sound). Added a Bitwig Micro-pitch device set to an obscure Wilson scale, and added a send track with Output Portal (granulated pitch transformations in this case) & Thermal (more glitchy feedback fx) on it. Added automation to start with Micro-pitch wet, FX send volume, and global tempo set very high, decrescendo, and then re-crescendo, over the course of the track.

TS 1:2 - Microtonal Emoji - disquiet0460

For https://llllllll.co/t/disquiet-junto-project-0467-toolbox-show-tell

Thanks to the lockdown and the lack of proper work on these past 2 months I decided to (finally) open and old box of DAT I got from my storage place in Argentina when I was forced to close it and decide what to keep (bring it home on the plane), what to sell, what to discard.
These DAT (my go-to recording/archival media in the 90s)  included loads of tapes with Jams and impromptu encounters that I recorded there live and never ever listened to.
I realize now how good that attitude was,( just tape everything that happens at home or archival purposes), I did that all the time, stopped later, I promise to do it again in the future.

I discovered many gems, funny and intense moments, I include here one rehearsal for a song I composed in 1985 (one of my first proper composition) . I make a little bass solo that's pretty lame, but my partners live-at-home performance is awesome and I'm glad to make this available for you to listen and criticize.

This happened in Buenos Aires, March 9th 1995 at my home/studio in the Julian Alvarez street of the Palermo Viejo area. Recorded live to DAT (one mic for the guitar, one for the bass, a stereo AT mic for the percussion set.

Gabriel Kirschenbaum: spanish guitar
Ricardo Hambra: percussion (tabla, bombo) @udfmusic1
Daniel Diaz: acoustic bass guitar


Photo: Palermo Viejo, Plaza Cortazar by DD, Circa 2000.

La China (live studio rehearsal) - disquiet0467

The JAILs are we using to create chaos necessary to establish consciousness  - Clearing from Celebrating the New Beginnings of Possibilities with Gary Douglas & Dr. Dain Heer January 1st 2021

JAILs Are We Using To Create Chaos - Clearing from Gary Douglas & Dr. Dain Heer

Never Be Controllable Again - Clearing from Celebrating the New Beginnings of Possibilities with Gary Douglas & Dr. Dain Heer January 1st 2021

Never Be Controllable Again -Clearing from Gary Douglas & Dr. Dain Heer

First go at an Ableton track from five months ago.

First Trip

Disquiet Junto Project 0473: Placebo Effect
The Assignment: Record the second third of a trio that others will complete.

Step 1: This week’s Disquiet Junto project is the second in a sequence intended to encourage and reward asynchronous collaboration. This week you’ll be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0472). Note that you aren’t creating a duet — you’re creating the second third of what will eventually be a trio. Keep this in mind. Leave space for what is yet to come.

Step 2: The plan is for you to record a short and original piece of music, on any instrumentation of your choice, as a complement to the pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are tracks by 68 musicians in all to choose from, 62 as part of this playlist:

https://soundcloud.com/disquiet/sets/disquiet-junto-project-0472


------------------------

For this track I chose moduS ponY's track "new unit" (https://soundcloud.com/moduspony/new-unit-disquiet0472).

polychaotiC feat. moduS ponY(disquiet0473)

Some guitar melody added to ikjoyce's synth track: https://soundcloud.com/ikjoyce/disquiet0472-jamtimebacking

I chose to play in F harmonic minor instead of natural minor. The sharp 7th sounds a little off sometimes but I like it.

More on this 473rd weekly Disquiet Junto project — Placebo Effect (1 of 3) / The Assignment: Record the second third of a trio that others will complete — at:

https://disquiet.com/0473/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0473-placebo-effect/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Israel Avila, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/5bFGMU

https://creativecommons.org/licenses/by-nc-sa/2.0/

JAILs Are We Using To Create Chaos - Clearing from Gary Douglas & Dr. Dain Heer

Keshett Barkai