The seventh song from my serialized full-length album for 2013, Triskaidekaphile.

download, read more about the project, and subscribe here:
http://bit.ly/trisk13

This song marks the halfway-point of this project. The pattern I’ve recognized in the past few months of releases has been one of consistent contrast, in tempo and mood, and while I’ve embraced it here, I think I may approach the last six tracks from a different perspective. It’s very and immediately gratifying to me to write a compelling melody and throw a breakbeat behind it. Some interesting things might come out of consciously resisting that impulse. Here though, I’ve satisfied it. This song, to me envokes that pull towards the urgent resonance one might feel with a sound or a place.

dipole

Settlement

Zughenruhe

High Anxiety

Through Walls

unreleased/ experimental
instrumental/ 2013-2016
test materia
vocals- TBA

Blessing of Innocent Blood

[Never]
Programming, Production and Mixing by Kether
Mastered by Nic Heidt

Vocals/Vocoder/Programming -Jason Woyak
Lead Synth/Programming - Dave Eckblad
Guitar/Programming - Tom Burt


Never

The fifth song from my serialized full-length album for 2013, Triskaidekaphile.

download, read more about the project, and subscribe here:
bit.ly/trisk13

This month I spend quite a lot of time generating musical ideas, which then all came together rather quickly as the deadline approached. Much of this took place in hotel rooms in unfamiliar parts of the country as I have been traveling a lot lately.  It felt good to come home and sit down in my own studio with a lot of material to draw from to piece together the whole. May stuck in my head as a title not only in reference to the month, but also to the sense of ability and possibility which I feel in this new season.

The sixth song from my serialized full-length album for 2013, Triskaidekaphile.

download, read more about the project, and subscribe here:
http://bit.ly/trisk13

This song started on the tempest, building layers and sounds from a very minimal starting point. I played live through a ‘prototype’ version of the entire arrangement, including some of the glitched out  drum patterns and chords, and recorded the parts individually into the computer. I started with the mind to make a song with a much different feel which is why I reached for the vocoder, but by the time it came to track some vocals, the parts had taken on a much darker life of their own.

Never

ketherband