As they sip the syrupy sauce of sorcery they quietly fall into apathy... Video on youTube https://www.youtube.com/watch?v=u6lKli1peOE&feature=youtu.be

Smelly Newscast

apathy

Extreme surf rock with my modified 1985 Kramer. Hope you like and thanks for listening! ;-)

GEAR:
- 1985 Kramer Focus 3000 with Floyd Rose and JB Humbucker
- Cry Baby Wah-Wah
- Ibanez Mikro Short-Scale Bass
- Apogee Jam 96k
- Apple GarageBand

01/09/18: Replaced original file with updated mix.
01/12/18: Replaced file with mix 7.1
01/16/18: Replaced file with mix 8
12/19/18: Replaced file with lossless AIF
05/02/19: eMastered mp3

Shut Up & Play

Wah-Wah Watusi

iTunes

Beg, Steal and Borrow - Original Song by Hope Street

Joe Tibbits - Vocals and Guitar
Barry Harman - Bass
Steve Tibbits - String arrangements

Beg Steal And Borrow

This is a song about running to the source of life.  Many times we are running away from something but who or what are we running to?

running to you

Sacrilege

Flank Exposed

I put my foot in my mouth, twice a day
Spouting out words with nothing to say
I put my doom on you, and then I watch my world unglue
'Cause picking up the pieces - that's what I do

When my baggage starts to grow
I've gotta let go, go, go, go, go
When it impacts on you
I've gotta change my mood - for good              

Spending time in a dead-end job
Pencil in time just to sound it off
Didn't see how it brings you down
Didn't try to find some common ground
'Cause sprawling 'round for pieces - that's what I do

When my baggage starts to grow
I've gotta let go, go, go, go, go
When it impacts on you
I've gotta change my mood - for good

I see things that I hate in me
You may think that I let them be
I need to learn to think things through
Stop letting all the bullshit through
'Cause sprawling'round for pieces - that's what I do

If my baggage starts to grow
I've gotta let go, go, go, go, go
When it impacts on you
I've gotta change my mood - for good


'Cause losing all my pieces - that's what I do



Music & words © Sean Parsons Music

Let Go

That One Song With the Sax

Queen In Your Dreams

Descent

Elegy for Two Bassoons and Piano
Duration ca. 10'
Performers: American Modern Ensemble; Charles McCracken and Gilbert DeJean, bassoons; Elizabeth DiFelice, piano
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=1073

PROGRAM NOTES (SHORT VERSION — FOR PROGRAMS)
After hearing my music, and in particular, my Sonata for Bassoon and Piano, bassoonist Charles McCracken asked me to write Elegy for two bassoons and piano in memory of his father, Charles P. McCracken, a well-known and highly-regarded cellist in the New York musical community. His only request was that I quote a work that his father loved to play, one of the cello suites by J.S. Bach. I also love Bach’s music, so this was an easy request. I quote Bach’s Fifth Cello Suite, one of his father’s favorite pieces, and also Bach’s Third Cello Suite, a work that Charles Jr. likes, creating a sort of father and son pairing of references. Although Charles described his father as gregarious, fun loving and larger than life, this work is perhaps more earnest than humorous, but with a sense of playfulness in the way I manipulate the musical materials.

Elegy was commissioned by Charles McCracken and Gordon Harris through the American Composers Forum and is written in memory of Charles P. McCracken.

running to you

Kevin Hawk

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