Command & Conquer: Red Alert 3 (Original Soundtrack)

American Cowboys

Zero Paths Left - Vocal Version (Eren Yeager vs Lelouch) [Attack On Titan vs Code Geass]

07 - Entropy

By Avenza

Go watch the Original so they can get views too since they made the music: https://youtu.be/bE70BSLdkjM?si=nI-Nm4r4JrGjSYN2

Music from Animation vs. Coding

Kostas Maskalides - Autumn

Music composed, arranged, performed and mastered by Kostas Maskalides.
BPM: 113

- Synthesizers -
Strings Pad: Solina (Arturia)
Arpeggio: Jun-6 (Arturia)
Lead: The Legend (Synapse Audio)

Additional Modules:
Fragments - Granular FX (Arturia)
RV 7000 MkII - Reverb (Reason Studios)

Canvas

Autumn

The Field Between: Music and Anti-Music

This artistic manifesto explores sound in the liminal space between music and anti-music—a generative field where the "unheard" insists on being felt rather than understood.
Music as Architecture: Music is framed as humanity's system for creating order and meaning from sonic chaos. It organizes, names, and classifies sound, offering maps and directions through auditory experience. Music builds bridges of meaning, structures time into comprehensible sequences, and domesticates temporal flow so it "makes sense." Fundamentally, music expresses gratitude for the recognizable, providing belonging and comfort through shared patterns and familiar structures.

Anti-Music as Invitation: Contrary to negation or rupture, anti-music is a profound expansion of sonic possibility. It doesn't destroy—it invites. This is an invitation to perceive differently, to embrace the unmapped and un-coded as valid artistic territory. Anti-music offers "foreignness not as exile, but as adventure"—a chance to be a stranger in one's own sensory experience. It presents the sublime: beauty in what escapes comprehension, abysses that aren't empty but full of strange possibilities "without baptism." Where music domesticates time, anti-music offers time without domestication. It expresses gratitude for mystery itself.

The Fertile In-Between: The work's core focus is the vibrant field existing between these poles—not a void but a charged space of becoming where the "inaudito" (unheard) insists, overflows, conspires, and expands. This recognition acknowledges that understanding is also limitation; every definition closes secret doors. Each act of comprehension loses infinite other readings.
Intuitive Reconnection: The practice seeks to reconnect with pre-lingual perception—sensing vibrations the body intuits without understanding. "In this not-understanding, I reconnect." This return to the un-codified is the core artistic act.

Unified Philosophy: Music and anti-music aren't opposing forces but symbiotic partners coexisting in the same sonic space. The work celebrates both the understood and its beyond, residing in what anti-music reveals: a "fenda linda"—a beautiful fissure in the fabric of the known, from which new ways of hearing and being emerge.

Ignoto (140 BPM)

So I got challenged to make a version of "Metal Crusher" from Undertale using only sounds of Mr. Game&Watch from Super Smash Bros (in this case Brawl).

I hope you guys like it!

Undertale - Metal Crusher (Game and Watch Version)

(Theme of the Eater of Worlds in Terraria: ProvEdition.)

this was surprisingly fun to make, and i really like this theme, i hope you like it too. - Prov


ProvEdition Discord Server: https://discord.gg/uyR7R23

“Magnificence of Evil” [OUTDATED]

Metal version of Robotnik Themes from the Sonic The Hedgehog games for Genesis/MegaDrive

Sonic The Hedgehog Themes - Robotnik (Metal)

Original soundtrack by Clint Bajakian, Peter McConnell and Michael Z. Land.
Conroy Bumpus performed by Tony Pope.

Music from Animation vs. Coding

Kevin Is Nice