Life on a String

This is a studio recording from 2012 for the BBC film 'Loving Miss Hatto'. A biopic penned by the British comedian Victoria Wood about pianist Joyce Hatto.

The character piece is like the art song's fun-loving cousin who always shows up to the party with a bottle of emotional perfume. It's perfect for those intimate gatherings or solo rendezvous with your piano. Thanks to the piano's rise to fame in the 1800s, character pieces were popping up everywhere, and composers were flaunting their creations at the hottest recital events of the time. Basically, character pieces were the 19th century's version of a hot new single. If you thought Franz Liszt's music was boring, think again! This guy was all about giving his character pieces creative and whimsical titles, like "Sposalizio" and "Vallée d'Obermann". But don't worry, he didn't forget about those of us who like our music titles to be a little more straightforward - he also composed plenty of works with no-nonsense names like "Album Leaves" and "Klavierstücke". With his "Consolations" (a.k.a. "Six Poetic Thoughts"), Liszt took a page out of Chopin's book and delved into the world of nocturnes. And let me tell you, the third Consolation in D-flat major is pure Chopin - even the key is pianist-friendly, unlike those pesky "easy" keys like C major. Looks like Liszt knew a thing or two about pleasing his audience! If you're a Chopin fan, you're gonna love Liszt's "Consolation No. 3"! I mean, talk about a tribute - this piece is basically a carbon copy of Chopin's Opus 27, no. 1. And while it might not have the same flashy piano solos that Liszt is known for, it more than makes up for it with its dreamy, slow-moving melodies. Plus, it's in the same key as Chopin's original, so you know it's gotta be good.

Despite the unusual title, the Consolations were inspired by both poetry and religious contemplation, just like Harmonies Poétiques et Religieuses. Some say the title comes from an 1830 poetry collection by Sainte-Beuve, while others think it's based on a poem by Lamartine called A Tear (or Consolation). Either way, it seems like Liszt was in a pretty contemplative mood when he wrote these pieces. But don't worry, Liszt didn't completely forget his roots - he snuck in a little Hungarian folk song as the primary theme, which he later used in his "Hungarian Rhapsody No. 1". So even though this piece might not match the wild, hair-flailing image we have of Liszt, it's still got a little bit of that old-school flavor. Liszt's "Consolation No. 3" wasn't just a musical masterpiece - it was also a major turning point in the composer's life. And let me tell you, Liszt's early life was a doozy - it was basically one big, crazy party. But don't take my word for it, just ask his first mistress (and mother of his three children) Marie d'Agoult, who wrote all about it under the pen name Daniel Stern. And if you're feeling really adventurous, you can even watch the 1975 film "Lisztomania" for all the juicy details. Talk about living the dream! Liszt's life was like something out of a Hollywood movie - seriously, this guy was breaking class barriers and performing like a superstar. But as he got older, he decided to trade in the limelight for a little bit of privacy. He started conducting orchestras and composing more, and even started teaching aspiring pianists from around the world. I guess you could say he was the original piano man!

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Official Website: http://www.archiechen.com
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Festival Website: http://www.pianofestival.ie
Teaching Website: http://www.pianoacademy.ie

Piano: Yamaha C7
Piano Technician: Martin Walsh
Recorded at Cauldron Studios, Dublin
Recording Engineers: Ciarán Byrne & Michael Manning
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Franz Liszt Consolation no. 3 in D flat Major, S. 172

Wolfgang Amadeus Mozart, Vol. 1

Requiem in D minor, K. 626 Lacrimosa

Etude in C Minor, Op. 10, No. 12

Amazon

Bach - Prelude in C Major

Prelude No. 1 In C Major, BWV 846, From The Well - Tempered Clavier By Johann Sebastian Bach.

Winter Wonderlust

Ludwig van Beethoven: Rondo a capriccio in G Major, Op. 129, "Rage over a lost penny" Misuzu Tanaka, piano

Official Website: http://misuzutanaka.com/
Misuzu's Fan Page: https://www.facebook.com/misuzupiano

Beethoven: Rondo a capriccio in G Major, Op. 129, "Rage over a lost penny"

Ave Verum Corpus, K. 618 composed by Wolfgang Amadeus Mozart.
Arrangement by Emanuel Johnsson.

I wanted to record this peaceful piece, I think it tells an important message. Mozart has so many beautiful melodies.

I made this a little less loud, since classical music usually is little less loud.

Ave Verum Corpus, K. 618

Ave Verum Corpus, K. 618 - Wolfgang Amadeus Mozart (Solo Piano)

A contemporary version Erik Satie's timeless Gymnopédie No.1 - Brought to you by Remixdj.

Satie Amazon
https://www.amazon.com/Erik-Satie-Essential-Collection/dp/B00J0LBFIG/

Satie iTunes
https://music.apple.com/gb/album/erik-satie-the-essential-collection/918615441

Best of Satie
https://play.google.com/store/music/album?id=Bditbkfgfdqvxx7hansrl6qhy4y

Satie Compilation
https://open.spotify.com/album/0vzKMInu4PzU2Qyi6NgmRK

Erik Satie Album
https://www.deezer.com/us/album/7540311

Best of Satie Playlist
https://www.youtube.com/watch?v=mk2SNcpTNbs&t=68s

Erik Satie The Essential Collection

Jazzopédie

🎥 VIDEO

Rachmaninoff - Little Red Riding Hood (Etude Tableau Op. 39 No. 6)

Franz Liszt-Liebestraum No. 3 in A-Flat Major

VSQ Performs Modern Rock Hits 2012 Vol. 2 is available now: http://vsq.io/mrh12v2

1. Sail (AWOLNATION)
2. I Will Wait (Mumford and Sons) 
3. Stubborn Love (The Lumineers)
4. Radioactive (Imagine Dragons)
5. Some Nights (fun.)
6. The A Team (Ed Sheeran)
7. Take a Walk (Passion Pit)
8. Madness (Muse)

Vitamin String Quartet Performs AWOLNATION's "Sail"

A cello sextet arrangement of this hauntingly beautiful piece by Sergei Rachmaninoff. Originally for voice (soprano or tenor) and piano, and published in 1912.

Arranged and performed by Deryn Cullen

Mixed, produced and mastered by Dan Cullen

Rachmaninoff - Vocalise Op. 34, No. 14

Executive Producers: Kevin "K-O." Olusola and Endless Noise 
Arrangement by: Kevin "K-O." Olusola and Ben Bram
Produced by: Kevin "K-O." Olusola, Jeff Elmassian, Mary Catherine Finney, Grant Cornish and Ben Bram
Engineered by: Grant Cornish and Ben Bram
Mastered by: Bob DeMaa

Solo Cello and Beatboxer: Kevin "K-O." Olusola
Piano: Ben Bram
Violin 1: Mona Tian
Violin 2: Andy Studer
Viola: Alessandra Barrett
Cello: Judy Kang


And check out the websites of those that helped me in the process :)
www.endlessnoise.com
www.thebenbram.com
www.dunotran.com

Franz Liszt-Liebestraum No. 3 in A-Flat Major

Kevin Likai Kao

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