Diamond Gotti- Real

A track off Mizero's debut album Always NOW available at bandcamp.com

1. So Distracted - Mizero

First Aid Budapest

If the pillows could talk, there would be no more secrets on earth. Me, I prefer that the pillows are silent because certain confessions must remain for their sole owners. I dedicate this melody to Madame Hérivale de La Fontaine who inspired me with her poem '' L’Oreiller ''.
                …  
L’Oreiller 

Tu es toujours près de moi,  
Depuis ma tendre enfance. 
Et c'est comme une évidence,  
De te garder sous mon toit. 
Ma tête le soir sur toi, 
Vient se poser sans méfiance.
 Quelquefois mes peines immenses, 
T'inondent de leur émois.   

Passe passe passe les tourments.  
Passe passe passe les amants.
 Passe passe passe les sentiments,
 Mais tu restes toujours bienveillant   

Que serait ma vie sans toi ?
Un long chemin sans jouissance. 
Instrument de mon aisance, 
Quand je m'endors avec toi,  
Mon sommeil est sans effroi.  
Mon oreiller quand j'y pense, 
Tu me permets l'insouciance. 
En toi, chaque nuit je me noie. 
 
Passe passe passe les tourments.  
Passe passe passe les amants. 
Passe passe passe les sentiments,
 Mais tu restes toujours bienveillant.

   	                                   Hérivale de La Fontaine.
https://www.poeme-france.com/auteur/herival-de-la-fontaine/

L'oreiller

SUMMER SNOWFLAKES: variations on a theme. Intended to be released at the first snow fall, but it never came... So I kept recording.

INSTRUMENTS used: Electric Guitar, two steel 6-stringed guitars, 12s guitar, classical guitar, two hardware keyboards (rendering the pianos, organs, bass guitar, chimes, bells, flutes, strings), pedal effects.

The music grew like a fractal in all directions and became quite vast in scope: should I have split it into shorter tracks? Many would say yes, but I didn't fancy that and instead went for the ”LP option"; an instrumental, meditative journey, inspired by the genre invented by Mike Oldfield in the 70s.

When I first heard his work, many years ago, I didn't first get it, but I was intrigued. "What is the purpose?" was my early reaction. But I couldn't shake it off and became hooked to the complexity of his instrumental music, and how it seemed to constantly mutate into new sections. I kept listening, and gradually discovered the many hidden secrets. And it led me to become very interested in classical music.

SUMMER SNOWFLAKES is made in this tradition. Not explicitly trying to mimic Mr. Oldfield, but admittedly clearly influenced by his method. And why not? Was it wrong that Brahms wrote symphonies just because Beethoven already had done nine legendary ones? Would the world have been a better place if Shostakovich had stayed away from writing Preludes and Fugues for the piano? Should no pop songs have been allowed after Beatles? I say, let us be shamelessly inspired by the gigants and make some efforts to create something! Throw an egg if you must, but I think any sincere attempt to compose is welcome.

When I decided to go for a full length track, my vision was (somewhat childishly) the thought of the younger myself; the days when I was a die-hard Oldfield fan and had stumbled upon a new release: always a rare event, an instant buy, running home, headphones on, expectations high, launching it: the first sacred discoveries ... My track may not live up to this, but is a tribute to those days and that feel.

The recording was quite an undertaking and I didn't want to let myself down. I worked on it since December 2018, and was occasionally quite frustrated about it. I avoided midi, and tried to hand-play it all (for the fun of it) - often leaving me in big trouble. I admit there are some sun spots due to this, but I consider them as my finger prints and evidence that a human did this, not a machine. .

Art cover: by DS 2021, reflecting the heavy reliance and overlaying of pianos and organs, and the combinational nature of the music.

Special Thanks to Mark Hermse, Mike Hilton and Wojciech Langner for support and inspiring discussions!

SUMMER SNOWFLAKES

RAWR!

*pew pew pew*

>:O

Seriously though thanks for the support and kind words, I really appreciate it. Also, I have my keyboard again! :)

Godzilla

Siberia

Ed Millican wrote the lyrics inspired by Philippe Petit who gained fame for his high-wire walk between the Twin Towers.
 
Vocals & lyrics by Ed Millican aka Ed Phoenix : https://soundcloud.com/cousinit
Music, arrangement and piano by Lise Jonsson ©2019
Release Date : 25/10/19
Original Music by : https://soundcloud.com/lise-jonsson/mountain-high 
On Spotify : https://open.spotify.com/album/7FHU0zxe7JUfVKAUHbJgoy?si=6melmbTkT9ecPq3WWMHTlg

INVINCIBLE

Chorus:
With every step I grow invincible
I am the master of the clouds
Wind on my back, I'm barely visible
To the masses on the ground

V1:
I can see this glorious city
Behold the torch of liberty
From Across the sea to the land of dreams I have come for my greatest feat


Chorus:
With every step I grow invincible
I am the master of the clouds
Wind on my back, I'm barely visible
To the masses on the ground

V2:
2 Towers become as one
In the wire's tight embrace
What's begun can't be undone
Fear must leave no trace

Bridge:

Final Chorus:
With Every step
I am invincible
I am the master of the clouds
Everyone  said,
"It is impossible!"
But they're all believers now!

V3:
Now I feel all eyes on me
While thriving on adversity
I look down at the glorious crowd
Perhaps 10, 000 strong

Outro : 
Some would come to say  I gave the Twin Towers a soul On the day of it's birth, now decades old, that was long ago Memories of GOLD So long ago


© Ed Millican, 2018/2019

Invicible

Invincible - feat Ed Millican aka Ed Phoenix

This is a collaboration with my soundcloud friends Foresto and Ken Minty, where I had the pleasure to contribute with bass and with providing the final mix.
I have made foresto´s guitars fly by massive use of the panner hwich gives this track something very airy and light.
I hope you all enjoy it very much.

Credit to:
Andrea Martini aka Foresto (electric guitar) @user-959329289
Ken Minty (Vocals, lap steel and slide guitars)@Kcm069
N.O.B.S. (Bass, Final Mix)

Please give as well a try to previous collaborations with Ken, Foresto and Tot.:
I promise it is worth it:
https://soundcloud.com/kcm069/long-time-gone?in=kcm069/sets/eccentricity
https://soundcloud.com/kcm069/heart-of-snow-w-tot-foresto-n-meyer?in=kcm069/sets/collaborations

7 October

7 October | Foresto, Ken Minty & N.o.b.S.

Produced in the ARAPA Music Studio, Sydney - Australia
2021


Some people feel this way because of certain situations.

HOPE I NEVER (Feat. Heidi - Marie)

Love will tear my tears away

Been making music since I was a kid (tracks towards the bottom date as far back as 2002). I like to mess around with many different styles and moods. I play the piano, trumpet, drums, and a few other instruments. Always down for collaborations & trying to improve.

4/26/2018 Update: I've had less time this year unfortunately, but I am still active and will follow back/respond to messages/check out your new releases etc.; just not as quickly as I used to.  Thanks for stopping by!

Like/Repost/Follow & thanks for dropping by :)
KStroSEO@gmail.com

Godzilla

Kevin Strohmenger