This is a beautiful track. The production is perfect to bring out your nuanced performance. Great work, thank you for sharing!!

This piece feels like raindrops hitting the window of an old house... I enjoyed it.

TransparentMind | Alienizer

Croatia

Took the picture myself while at the beach. Sun and rain, and look at the child that made.

Sunshine and Rain

Shadow Dancer

menuju

from the album 'Lektraphase' 
sparkybonehead.bandcamp.com/album/lektraphase

Lektraphase 28

I wrote this one about a best friends struggling relationship,  He put up with a lot before he passed. 2025 October 
Features my Vox organ .
 I live in the " Real World  " lyrics by Glenny G
What's the matter with the car your driving it seems to be running fine 
"Fine Fine Fine Fine "
Why complain about the place your living it's just for doing time
" Time Time Time Time "
I can't worry about your mental state , I'm sick and tired of trying
" Bye Bye Bye Bye "
In just in case you can't relate ,  inside I feel like dying " I feel like crying "
But I'm working on me even though your walking out
I live in the real world not the one all filled with doubts 
So don't lay it on me girl cause I know what I need
 I live in the real not alone in fantasy
What's the matter with this watch I'm wearing it must be running slow
" Time time time time "
I thought I had so much more to do but I need some place to go
" Fun Fun Fun Fun "
Cruising down the lost highway it seemed to be where I'm bound
" Bounce Bounce Bounce Bounce "
I'm satisfy me a real soul someone who wont let me down
 " Wont Let me down "
Cause I'm working on me even though I'm running free
I live in the real world not a lone in fantasy
So don't lay it on me girl cause I know what I need
I live in the real world not alone in fantasy
I'm gonna take a long vacation and write myself a  sad sad song
Shake loose all this aggravation , heal my heart up oh so strong
I live in the real world . I live in the real world , I live in the real world
I LIVE IN THE REAL WORLD >>>>>>>>>>>>>

I live in the " Real World " !

A collaborative work by Babacane (https://soundcloud.com/babacane) and FaceOnFigure
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The Ab'us trial
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In the innermost sanctum of certain temples there's a pool in which the darkness resides, ever pulsing, ever in flux. When one's life cycle is about to reach its end, they are offered the Ab'us trial, a ceremonial confrontation with the void.
Entering the sanctum, leaving the crutches of religious practices behind, they are given the chance to engage in battle with the dark unknown.
The abyss reacts with menacing pulses, periodically pushed back by the unique harmonies of the participant's spirit, a back and forth culminating in the vocal manifestation of the person's innermost wish to end the battle, either by domination or with a truce.
Hence this incantation is unique for each individual, aggressive and threatening for some, calming and harmonious for others, based on the characteristics of their spirit.
If the battle is unsuccessful, the participant's soul is dissolved in white noise, their spirit put to sleep until their cycle can start anew.
If the individual manages to forge a harmonious cooperation with the darkness, together they reach the Plane of Rest, a place void of earthly thoughts and desires.
The harmonies and beats of the spirit merge with the tamed pulses and noises of the abyss, taking the form of unique and improvisative music in which the spirit can rest until they are ready to continue their journey.
Moving on to a destination of their own choice, freely travelling across the vast oceans of white noise, with the darkness as their companion.

- 0.00 - 0.40 -- introduction to the sounds of the abyss
- 0.40 - 0.55 -- the participant enters the sanctum, a bell sound signals the start of the confrontation
- 0.55 - 1.10 -- the abyss is alerted by the presence and reacts to it in the form of distorted sounds
- 1.10 - 1.35 -- the participant moves closer and challenges the abyss
- 1.35 - 2.05 -- the first push
- 2.05 - 2.35 -- the abyss reacts with strong pulses
- 2.35 - 3.05 -- a sharper and harsher second push, aiming to cut and wound the darkness
- 3.05 - 3.15 -- the darkness is weaker and pushed back
- 3.15 - 4.00 -- the incantation as the final blow, words offering the choice of cooperation or defeat
- 4.00 - 4.25 -- the dark pulse is disjointed, a bell sound signals the end of the confrontation
- 4.25 - 4.50 -- the last, mellow push, offering a hand to the defeated opponent
- 4.50 - 5.00 -- the darkness yields
- 5.00 - 9.00 -- the well deserved rest after the confrontation
---------------------------------------------------------------

The Ab'us trial

Another snippet from Caligo Paean -

Caligo Paean is a 1 hour long sound piece installed on river front property in the town of Franklin, Tasmania as part of the exhibition "When The Fog Clears". It formed part of the Ten Days on The Island Festival March 2025.
The work was installed in several locations across the property including a stack of subs under an old bus, in the main exhibition space and in an abandoned shed some 40 metres from the main area . The speakers were 'tuned' quite differently depending on their location and the sound was not delay corrected with the result of each mini-installation merging with each other in odd sonic ways - kind of calling the listener from one spot to another. The the work features field recordings, percussion, piano, bass guitar and Intonarumori as well as this special one off choir : )

Caligo is the Ancient goddess of Chaos. Born of the fog she controls the darkness, dwells in the void and is as old as the primordial matter that created the universe. This work is a tribute to the goddess as she continues to influence our lives and, in the case of this installation, the site and concept informing the show.

Official press release below for The Fog Clears

Every day, the mists of the Huon Valley perform a seductive dance, gently obscuring and revealing contours of the fertile land and waters. Situated in The Watershed Franklin, When The Fog Clears features six artists from lutruwita / Tasmania exploring the region’s iconic mists through a variety of mediums including installation, sculpture, illustration, sound, and video.

Developed exclusively for Franklin, this exhibit extends from the waterfront itself into the chambers, kilns, and rafters of the shed, inviting visitors to consider fog as an atmosphere that can cloak us in unexpected ways.

Errance

Kevin Chaulier

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