I was reading a survey-of-neuroscience text from Andy Clark and decided to reverse engineer a genetic algorithm described in the book. 50 sawtooth waves draw upon a database of 1024 pitches, these pitches lose amplitude and "die" according to fitness parameters, as soon as a new pitch is extracted from the database, it is tested against another previously untested pitch in the database, if it is closer to the pitch that has been selected to "evolve" towards, it replaces the pitch it is tested against in the database. This causes an initially rapid truncation in pitch range as the unfit pitches die out and you get a lot of that raw waveform beating the kids are so crazy about these days. Eventually the database reaches total homogeneity and individual waveforms can only be distinguished by their envelope and phase relationship.

I made this while hungover this morning, before I could be bothered to put on my pants.

Absolute Biological Equality

https://unionfinale.bandcamp.com/album/3e-libido-autres-gestes

Le soir tombe

LIES-092
Tzusing-東方不敗 lp
to be released Feb 28th 2017

東方不敗

Buy Vinyl Direct

Tzusing-東方不敗 lp Snippets (LIES-092)

Taken from the album 's/t' released as 2LP and Download

Jaap Vink 'En Dehors' (excerpt) (REGRM 018EXT)

KEVIN GAN YUEN: guitar, field-recordings (source), percussion and computer, ZOOM H4 and RECORDED 2012-2015 // ARRANGED and POST PRODUCTION 2015

« kevin@viraloptic.com « sutekhhexen.org « viraloptic.com 

« In the Shadows // Part 1 Queue: 0m - 5m
« Fear and Well-being // Part 1 Queue: 5m15s - 12m18s
« Good Bye, Vergerus Part 2 Queue: 1:25:45 - 1:32:43

"BH-97 - Frozen In Time III: Music to Accompany the Films of Ingmar Bergman 3xC40 compilation

A third edition of the compilation to enjoy in time with the given films of Ingmar Bergman. The artists involved include; Common Eider, King Eider, Jute Gyte, Victor Eremita, Æther, Kevin Gan Yuen, and Thoabath doing soundtracks / dedications to Winter Light from the first three artists, followed by Through A Glass Darkly, The Magician, and Fanny And Alexander from the last three, respectively. Each artist with a 20 minute contribution. As with the first and second editions, all submissions are bleak and dark affairs, yet with stylistic variations typical of the Black Horizons line-up. Packaged in an all clear 3-up norelco case, the large 4-panel j-card is with silver offset printing on black linen paper. Black tapes and silver labels. Edition of 200 copies." 

Available for purchase here:
http://www.black-horizons.com/bh97.html

The Magician - Good Bye, Vergerus Part 2 Queue: 1:25:45 - 1:32:43

Playlist and other information available at: http://www.freeformfreakout.com/fffoxy-podcast-94-the-helen-scarsdale-agency-feature/

FFFoxy Podcast #94: The Helen Scarsdale Agency feature

V/A AlamGtr

COME UNDONE

Death Like Mass “Jak Zabija Diabeł” MC
AZOTH16
www.TriangulumIgnis.com

Jak Zabija Diabeł

Death Like Mass “Fausta Ciemna Noc Duszy”

From the EP "Pierrot"
https://identitytheft.bandcamp.com/album/pierrot
KTBTK006 
Released May 1st, 2017

Pierrot

Identity Theft - BCNU

Unwound

Aigokeros is a musical project based on explorations of sonic architectonics, aural synesthesia, manipulation of linear time experience and the limits of conceived dimensionality of space through various rave, computer music techniques and modular synthesis.

Aigokeros | Fault Radio DJ Set at Classic Cars West, Oakland (February 27, 2019)

Aural/Visual-surrealist Kevin Gan Yuen, who is also a member of San Francisco's celebrated blackened noise group SUTEKH HEXEN, as well as OGHAM, FERMENTÆ, CIRCLE OF EYES and NVLL illuminates the underside of nature-inspired dark ambient with passages manipulating foreboding, discordant overtones.  

Culturally, the glossolalic denotes an act synonymous with the phenomenon of purportedly speaking in tongues, which, in turn, constructs a new mode of articulating thoughts by uttering words rooted in an unknown language; in this case the delivery through the electrical guitar, being his primary instrument of communication.

Disclosing sonic, yet speech-like syllables exercised in a ritualistic context, Kevin Gan Yuen inculcates an idea of language that reintroduces the threat and allure of the magical through sonic-practice.



The Magician - Good Bye, Vergerus Part 2 Queue: 1:25:45 - 1:32:43

Kevin Gan Yuen

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S. GREY

Orb Weaver Collective

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