On this unreleased and original track I'm playing my (electronically processed) 1886 Steinway 'C' grand piano along with computer generated soundscapes with the aim of creating a unique, alternate sonic universe. 

This NFT downloadable file is a high resolution 24bit/48K AIFF Audio File

Eyes of The Shepherdess

robert henke // plankton // imbalance computer music
submersion // memory // wil-ru records
severence // reflection // binemusic
kit clayton // inapiseptili // ~scape
alva noto // xerrox monophaser 2 // raster-noton
sirens of atlantis // phoenix (ft. rim) // heldernacht
dean de benedictis // the mocking of consequence // hypnos
thomas köner // 42° 7' N 19° 6' E hour eleven // fario
deathprod // journey to the centre of the first 1.1 // rune grammofon

severence // descent

百鬼夜行 第一章・第二章

故事源自於古老的神聖空間
荒蕪的空間唱述著自己的古調
和大自然成為一體的廟宇
乘載著無數的低語與祈禱
生靈們唱著、哼著、嘶吼著


作品中我扮演著無數的生靈
成為所有的鳥兒 動物 植物 大地
我運用仿生和有些無序亦或者有序的手法製造出整個時空
並和整體一起舞著

我帶著這樣的心情演出三場甚至更多的練習
每一次都是獨一無二的時空狀態
而這是這部作品在ZABU的最後一場
特此製作出來留作紀念的作品

特別感謝

林拙、ZABU全體人與空間、衣食父母、還有全體觀眾和自己

百鬼夜行 第一章・第二章  ～ 現場聲響 Live recording

1 Hour OF Tremendous 呼麦 Tuvan Throat Singing  Huun Huur Tu Youtube Original

Shift into Freedom

Glimpse Practice: Cave of the Heart

Poet and philosopher David Whyte discusses his inner life and the importance of loneliness: "I've always felt that when you do feel loneliness, it's always a kind of inverse measure of what you actually belong to." Part three of The Lonely Hour's mini-series, Inner Lives. 

Original illustration by Payton Cosell Turner.

#33 How Loneliness Tells You Where to Go, with David Whyte

Perfectionist

Married to the Music

Grammy Award-winning jazz pianist, composer, and singer/songwriter Kevin Hays, is internationally recognized as one of the most original and compelling musicians of his generation. His many recordings have received critical acclaim from The New York Times, Downbeat Magazine and Jazz Times, as well as the “Coup de Coeur” award from the Académie Charles Cros (France).

Kevin has appeared on over 60 albums as a guest artist, recording with Chris Potter, Bill Stewart, Joshua Redman, Jeff Ballard, Nicholas Payton, and Al Foster, among others. Notable collaborations include a widely-acclaimed piano duo project with Brad Mehldau (Modern Music - Nonesuch), performances with James Taylor, Sonny Rollins, John Scofield, Joe Henderson, and Roy Haynes.  

In addition to his celebrated work as pianist and composer, Kevin has become increasingly known as a gifted and expressive singer/songwriter. In 2015 he released the critically acclaimed recording New Day (Sunnyside), on which he performed his own songs and a riveting performance of the Jimmy Webb classic ‘Highwayman’. 

In 2017 Hays joined the Steve Gadd Band. The group released their eponymous album which garnered a 2019 GRAMMY Award for Best Contemporary Instrumental Album. He co-wrote several compositions with the other band members, and the album features Kevin’s own “Spring Song”, the sole vocal track. 
 
Hope, a highly anticipated August 2019 release on Edition Records, will highlight the beauty of Kevin’s duets with Beninese guitarist Lionel Loueke, who came to the world’s attention through his stellar work with Herbie Hancock.
	

A jolt of joy! – The New York Times

There are plenty of talented pianists… but few have Hays’s melodic charms and sense of style.  – The New Yorker “Best of the Year” list

Kevin Hays is a true original. Everything he plays has a deep intelligence and swing.  
– Brad Mehldau

He’s all encompassing. Phenomenally so! – John Scofield

I’ve never met a musician who is as perfect in their approach to improvisation. – Nicholas Payton

Eyes of The Shepherdess

kevinhaysmusic

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