salinas country

THAI FUNK •  SLEEPY SOUL •  ETHIOPIAN JAZZ

Dad Rock Essentials

gentle

“Cool girl”  - 4

The Rip – Portishead

Cafe72_slowRound_LB_08-2019

Discover Weekly Archive

Mulatu Of Ethiopia

Kulunmanqueleshi (Stereo Master)

Worst (I Assume)

Prender el Alma

Cumbia del Olvido

Crushing

Don't Know How To Keep Loving You

Un dandy en exil (Algérie- France 1969-1983)

Écoute-moi camarade

Swans (Unkle Bob Cover)

White Gloves

Palm Trees and Power Lines

Memory

Third

The Rip

Bridge Over Troubled Water

The Boxer

Anything Goes

Confession

Here's To The Good Times

Round Here

Still Bill

Lean on Me

Sunlight

I Thought It Was You

Heligoland

Paradise Circus (feat. Hope Sandoval)

Let England Shake

The Last Living Rose

Songs Of Leonard Cohen

Suzanne

Yankee Hotel Foxtrot

Heavy Metal Drummer

Greatest Hits

Streets of Philadelphia (Single Edit)

Talking Book

You Are The Sunshine Of My Life

All-Time Greatest Hits

Forever In Blue Jeans (Single Version)

Red Eyes

OK Computer

Karma Police

Bloodbuzz Ohio

Brasil Round Midnight

Águas De Março

Man Made Object

Branches Break

City Music

Enter The 37th Chamber

Can It All Be So Simple

No controles

Amo amor a tres

Ga Ga Ga Ga Ga

The Underdog

Youngblood

The new album 'To Believe', out now on Ninja Tune: https://tco.lnk.to/tobelieveSo

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To Believe

Zero One/This Fantasy (feat. Grey Reverend)

Keeping Score

Keeping Score (Acoustic)

Old Dominion

Some People Do

Exactly 15 years ago this show was recorded somewhere in Europe, likely in Germany.  It's one of the few soundboard recordings I have from that time.  I will slowly add a few tracks from the show here and there.

Live 2004 Europe Somewhere

Pinback - Boo Live Somewhere in Europe 2004 Soundboard

Midnight Mess Around

Skinshape - Mandala (Slowed)

I am a 43-year-old man with a full-time job I love and a full-time family I love the most. Since I was a kid, I have also always loved playing music. As I got older and busier, I played less often. Time to sit down and play felt scarce. Eventually I got a stand to keep my guitar out and easily accessible. That helped some, and reminded me how much I love to play. So I decided to give myself a challenge of making short songs in the short amounts of time available, rather than just playing randomly. That really helped. 10 minutes here, 15 minutes there, sometimes at home, sometimes in a parking lot, ideas would come out. I started video recording them on my phone and putting them on my Instagram account for a little motivation and feedback. So a maximum of 60 seconds per song. Over time, more and more came. After awhile, I had a lot. This collection is sixty of my favorite of those 60-second songs, made in small bursts of time over the past few years. The aim was never perfection, the aim was simply to play. And I am. 

Mostly original tracks, all fingerstyle, with some interpretations of songs that mean something to me. Open and slack key tunings, and a tiny bit of standard. Played on one steel string, one classical, one Weissenborn, and one 1/2 size nylon I keep in my trunk.

*Cover drawing by Nate Denver, who’s book of fifty 50-word poems inspired the collection. Love and thanks to Trina, Miya and Aila for always listening.

20. I Set My Face To The Hillside (Tortoise)

Navigator

Something

Jesus Saves, I Spend

These Days

Live in San Francisco '16

The River (Live in San Francisco '16)

For Kevin Morby, the “little wide open” is the big sky, the small lives, it’s his origins in the Midwest, and every duty and modesty and familiarity and isolation: the land, the people, and the parts of that inside him. “There’s something unintentionally musical about the Midwest; cicadas chirping in the trees, a train passing, a tornado siren going off,” explains Morby. “If you listen, there are these almost ominous sounds taking place beneath the wide-open sky—its ugliness and its beauty and how the two are often working together simultaneously. And while the Midwest isn’t technically the badlands, it’s my badlands.”

Little Wide Open is the title of Kevin Morby’s eighth studio album, produced by Aaron Dessner. In the summer of 2024, Dessner had asked Morby to support The National at their London show in Crystal Palace Park. Shortly after, Dessner—who was on a hot streak, having produced albums for Taylor Swift, Ed Sheeran, and Gracie Abrams—reached out to Morby to say he’d love to produce his next album. They began recording at Aaron’s Long Pond Studio in Stuyvesant, NY, early in 2025 and finished in September of that year.

The album, which includes a host of contributors such as Dessner—who plays multiple instruments across it—Amelia Meath, Andrew Barr, Justin Vernon, Katie Gavin, Lucinda Williams, Meg Duffy, and more, has been described by Morby as the third in a trilogy of releases, following 2020’s Sundowner and 2022’s This Is a Photograph, which catalogued his time in the Midwest after moving back to Kansas City. This time out, Dessner’s production elevates Morby’s recordings while never losing focus of the songs themselves. There’s a newfound confidence and clarity in both Morby’s writing and Dessner’s production that recalls Tom Petty’s 1994 classic Wildflowers.

Now primarily living in LA, the atmosphere that runs through Little Wide Open has changed somewhat from its predecessors. As Rachel Kushner writes of Morby in the album’s accompanying essay: “It’s about time, about feeling like he has shifted from nostalgia and the losing game, losing but beautiful, of holding onto the past. He has accepted that time is ceaselessly flowing, and you can’t stop it. Instead, he feels like he’s riding it. He’s riding passenger with time.”