Berghain Music

Kevin Saunderson – History Elevate Remixed

Techno classics

Berghain Music - Part 1

dennis

My mix of some of the best Ibiza trance classics:

1. Cygnus X - The Orange Theme (Moonmans OJ Mix) 
2. Mauro Picotto - Lizard 
3. Warrior - Warrior 
4. Gouryella - Gouryella
5. Three Drives - Greece 2000
6. Chicane - Saltwater
7. Y-Traxx - Mystery Land
8. Age of Love (Cosmic Gate remix)
9. Veracocha - Carte Blanche
10. Vincent de Moor - Flowtation
11. Delerium - Silence
12. Paul Van Dyk - For an Angel
13. Solarstone - Seven Cities
14. Rank 1 - Airwave
15. Southside Spinners - Luvstruck
16. Ayla - Ayla (Taucher remix)
17. BBE - Seven Days and One Week
18. Tiesto - Adajio for Strings
19. N-Trance - Set you Free (2001 release)
20. Energy 52 - Cafe Del Mar
21. ATB - Till i come
22. York - OTB
23. Binary FInary
24. CRW - I feel Love (Pete Pritchard mix)
25. Signum  - Coming on Strong
26. Freefall - Skydive
27. BT - Flaming June
28. Push - Universal Nation (Ferry Corsten remix)
29. Blank and Jones - Cream
30. Da Hool - Meet her at the love parade
31. Rui Da Silva - Touch Me
32. Reflekt - Need to Feel Loved
33. Chicane - Offshore

Classic Ibiza trance mix

Quadrophonia - Quadrophonia (Extended Mix)

Octave One - I Believe (FC EDIT)

History Elevate Remixed

Just Want Another Chance (John Tejada Remix)

Bassline (Joris Voorn 07 Remix)

Big Fun

Till We Meet Again (Carl Craig Remix)

Bounce Your Body to the Box (Miek Shannon's Flashback Mix)

History Elevate 4

Good Love (Luciano's Good Love Remix)

Big Fun (Simian Mobile Disco Remix)

Little Black Book Remixes

Superstylin' (Joris Voorn Remix)

Don't You Worry Child

Don't You Worry Child (Joris Voorn Remix) [feat. John Martin]

Nitzer Ebb - Let Your Body Learn

Jam & Spoon "Stella" KÖLSCH Remix https://www.beatport.com/track/stella-kolsch-remix-long/11876550

Stella

Jam And Spoon - Stella - Kölsch Remix

"RYO" - THE NEW SINGLE 
NOW AVAILABLE VIA SPECTRUM MUSIC
 
After ‘Ringo’, Joris Voorn’s beautiful dedication to his firstborn son, became his most successful production, the Dutch producer now reveals its follow-up. ‘Ryo’ is his new single, made in honour of his youngest son, Ryoma.

“Since the day I played ‘Ryo’ in my sets, a bit less than two years ago, many people have asked me about the song, So I’m happy it’s finally out there!“
- Joris

Buy it, here: https://jorisvoorn.lnk.to/RyoWE

Ryo (Edit)

Avance  Jeff Mills + Sven Vath + Marco Carola @ BCM

Landscape

Landscape (Answer Code Request Remix)

Like A Wolf / Horses / In A Silent Way

In A Silent Way

Like A Wolf

Nothing Much

Decompression

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.