Bobby Blanco & Miki Moto - 3Am

Wham Bam Peppermint Jam!
New music from Mousse T.
All I Want Is The Bass is a ruthless club track with a dutty
bassline and probably the most beautiful drop that we have
heard in a long time.
Some proper energy right there and a dope vocal sample
courtesy of Raze ( Bass Power ) which was actually original-
ly written and produced by the don Vaughan Mason!
Huge!

All I Want Is The Bass

Mousse T. - All I Want Is The Bass (Extended Mix)

Pete Heller - Big Love (The Dronez Mix)  8.22

Uploaded this from my own CD collection, Youtube only has 5.15 version whats that all about!!!

Pete Heller - Big Love (The Dronez Mix)

Shud'a Looked Back with a Smile No

Shud'a Looked Back with a Smile No (Original Mix)

Buy on Beatport

Originally composed by the French artist Plage 84, the track “Inyeon;;;” has now a deep club and strong version by the one and only Demuir, one of the king of the Canadian and US jackin house scene. His version focus on the minimalist textures to make it a club hit with a loud drum pattern that never miss from the Toronto based producer. This version is exclusively released on his own label Purveyor Underground Ltd.

STREAM/DL

Plage 84 - Inyeon;;; (Demuir's Playboi Edit)

𝐌𝐈𝐗𝐓𝐀𝐏𝐄

Re-igniting the dancefloors twenty years after its original release, Steve Bug refreshes this classic Chez Damier production, originally from 1992. ‚Can You Feel It‘ is one of those classic New York / Chicago House jams that just defines a moment in dance music history. Dessous label boss Steve Bug arranges two special mixes that celebrate and re-juvinate this very special record.

Steve‘s straight up remix maintains the classic vibes with a sensitive 90s themed re-work that calls upon clean, fresh drums and smooth sub bass as its initial building blocks. The instantly recognisable vocal is included, as is the hey-day chord vibes and glorious US house melodies. Simply deadly in the right moments... A Re-Dub version is also included that spaces things out and opens up the strings in a breezy and superbly mixed club tool.

A ‚New York Dub‘ has also been included, dug out from the Chez Damier vaults and re-mastered for 2012 - highly prized vibes on this and his trademark, pushing, swinging drums keep us going ‚on and on‘!

Get the vinyl

Chez Damier - Can You Feel It (Steve Bug Re-Dub)

EBTG vs. Soul Vision - Tracey In My Room (Lazy Dog Bootleg Dub)

Sophie Lloyd featuring Dames Brown - Calling Out (Riva Starr Warehouse Remix)

Sophie Lloyd Featuring Dames Brown - Calling Out (Riva Starr Warehouse Remix)

Stefano Noferini is back on LoudBit after super results of "Cool Summer" with a a new super track "Disco Revenge" Exclusive on Beatport from 26.12, Don't miss it out !

Stefano Noferini - Disco Revenge -

Clubstar Session 2014 (Compiled by Henri Kohn & Giorgio Gee)

Big Fun 2013 (Full Intention 88 Remix) [feat. Inner City]

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.