Deep Space Radio Episode 2 presented by Kevin Saunderson

🍓SUBSCRIBE NOW 👉 http://bit.ly/BlueStrawberryRadioYT , click the “🔔” bell button and don’t miss any video from Blue Strawberry Radio!

Jansons feat. Notelle - Stutter (Original Mix)

Label: CIRCUS RECORDINGS
Artists: JANSONS, NOTELLE
Release: 25-03-2022
Genre: TECHNO, TECH HOUSE

Beatport: https://www.beatport.com/track/stutter/16221239
Traxsource: https://www.traxsource.com/title/1754327/stutter-ep

#Jansos #Stutter #CircusRecordings
#Notelle #BlueStrawberryRadio #BlueStrawberrySongbook #BlueStrawberryRadioDaniloRuo #DaniloRuo #UndergroundMusic #Techno #TechHouse #TechnoMusic #TechHouseMusic #HouseMusic #DeepHouse #DeepHouseMusic

©NOTE: All rights of the musical contents are reserved to the respective authors and owners, mentioned in the description, and not our property.

Stutter EP

Stutter (Original Mix)

Jansons Feat. Notelle - Stutter (Original Mix)

II OUT NOW https://defected.lnk.to/FAITH12023D II

Cevin Fisher - Freaks Come Out (Nicole Moudaber Remix)

Sometimes / Ghost Train

Sometimes (Extended Mix)

The Deep

Bailamos / When We Were Young

When We Were Young

Cream Deam's(https://soundcloud.com/cream-dream) contribution to the Easy Bay label's debut compilation, 'House, Disco, Boogie, and Other Oddities'.

Out now as a cassette/free digital download: https://easybay.bandcamp.com

House, Disco, Boogie, and Other Oddities

Cassette/Free Download

Cream Dream - Spice

Rumble

Funky Skull

Future Disco, Vol. 7 - 'Til the Lights Come Up

Suddenly Funk

early support from laurent garnier, adam beyer, stephan bodzin, john digweed, joris voorn, steve bug, satoshi tomiie

Coming in two versions, a '3am Remix' and a 'Remake', the remixes retain the rousing Reese bassline of the original and the pitch shifted vox which made the track so unforgettable, but employ them in different ways. 

The '3am Remix' teases the bassline out until dropping it full force into the break eliciting a 'this mix is f*cking brilliant, I LOOOVE IT i will hammer it everywhere LOOOOOOOOOOOOOOOVE THIS' comment from the original author Laurent Garnier – enough said! 

The 'Remake' is truer to the original stylistically. Running the bass from the off, toying with low pass filters and a slow burning build, the '3AM Remix' teases the bassline out until dropping it full force into the break. 

Laurent Garnier - Flashback (Christian Smith & Wehbba 3am Mix) soundcloud edit

Metro Dance Club - Tension 2000 by José Rives

Free at Last

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.