This whole mix is amazing... still waiting on the tracklist though ;)  Kevin pls

I've listened to this mix so many times... oh man, so good.  When can we get that tracklist? It was never up on deepspaceradio.com

https://soundcloud.com/giulio-vacilotto/cold-wind

Spencer Parker Essential Mix Feb 2021 (Low Res Broadcast Version)

Deep Space Radio  Episode 3-2014 Live From The Rex Club Paris

Tresor (German for safe or vault) is an underground techno nightclub in Berlin and a record label.

History:

The club was founded in March 1991 in the vaults of the former department store Wertheim at Leipziger Strasse 126-128 in Mitte, the central part of East Berlin, next to the Potsdamer Platz. The history of the club goes back to 1988 when the electronic music label Interfisch opened the Ufo Club in Berlin. Ufo was the original centre of Berlin house and techno, but due to financial problems that club closed in 1990.
After Ufo closed, Interfisch's head, Dimitri Hegemann, and some investors in the club found the new space in East Berlin. This was advantageous timing, as it was only a few months before Germany unified. The vaults under the Wertheim department store proved to be the perfect location for a club, and Tresor quickly became the place to be in Berlin. Tresor continued to be a popular club, having expanded and reconstructed continuously several times to include an outdoor garden area, and a second "Globus" floor. The Tresor floor in the basement was reserved specifically for hard techno, industrial and acid music, while Globus was featured mainly more mellow house sound. The record label Tresor Records was founded soon after the club first opened, in October 1991. Featured artists on the label include Jeff Mills, Blake Baxter, Juan Atkins, Robert Hood, Drexciya, Stewart Walker, Joey Beltram, DJ Surgeon, Pacou, Cristian Vogel and many others.
In 2004 the documentary "Tresor Berlin: The Vault & the Electronic Frontier" was released. Directed by Mike Andrawis, it features interviews with Hegemann, Carola Stoiber, and DJs & artists associated with the club & label. The film covers the period from Hegemann's involvement with the Fishladen and UFO clubs in Berlin-Kreuzberg to the final months prior to Tresor's closure.
Tresor closed on 16 April 2005, after several years' prolonged short-term rent. The city sold the land to an investor group to build offices on the Leipziger Straße location. It was open for each night of April 2005, with the final event starting the Saturday night with queues stretching all the way down the road, and still going Monday morning.
Tresor reopened on 24 May 2007 in the decommissioned southern tract of the combined heat and power plant Heizkraftwerk Berlin-Mitte in Köpenicker Straße. 
Since November 2019 the club has a subsidiary in the city of Dortmund called Tresor.West. 
In September 2022, Tresor published a photobook, Tresor: True Stories, to document the past 30 years of its history.

live @ tresor 13th birthday, berlin (13-03-2004)

Francois Kevorkian Live @ Tresor, Berlin Germany 13-03-2004

@RalphLawson from @2020Vision made his Sub Club debut on the very same night as a young Glaswegian DJ called Domenic Cappello in 1992.  He has since been a regular guest over the years while Domenic went on to become the resident DJ for Subculture. It seems fitting that both 2020Vision and Subculture celebrate 20 years in the game in 2014 as they have both stuck to their guns and consistently provided people with sounds from the underground over those years. 

This mix was recorded the week before 2020Vision brought their Content tour to Subculture on October 4th with Lawson and Ejeca taking over the controls. Lawson dives into his memories of times spent in The Subbie over those years and pulls out a selection of bona fide classics that have rocked the club. Recorded in one take to get a live feel. You can read more about Lawson’s Sub Club years and get a full track listing over at his blog: bit.ly/1rzeNiI

Ralph Lawson // 20 Years of Subculture // 2020

Details: http://ravetapes.com/post/108110073751/laurent-garnier-live-at-magic-wednesdays-8-28-1996

Laurent Garnier Live at Magic Wednesdays 8-28-1996

Club Banger by -Prodsouljah.wav #club #clubmusic #clubbanger #dj #viral #newmusic

Club Banger Vol 1

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François K

Buy on Discogs

362 - Frequencies mixed by Francios K -  Disc 2 (2006)

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Laurent Garnier

384 - Laurent Garnier's Excess Luggage: Mix In Detroit (2003)

DJ, producer, auteur: Five years on from his masterpiece debut album, Daniel Avery is back with ‘Song For Alpha’, another insight into his distinctive, alternative take on techno, influenced by everything from ambient to shoegaze. No-one else does it quite like this.

Listen to the exclusive cover mix now.

Grab tickets to Daniel Avery's Mixmag Live show here: https://www.skiddle.com/whats-on/Liverpool/Underground-Liverpool/Mixmag-Live-w-Daniel-Avery/13133223/

More exclusive music

The Cover Mix: Daniel Avery

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—
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From Saturday To Sunday - Volume 3 [Disc 2]

778 - John Acquaviva - From Saturday To Sunday Vol.3 - Disc 2 (2002)

The Essential Mix is a weekly radio show on BBC Radio 1 currently broadcast between 0:00 - 2:00 AM UK time on Saturday morning. Originally broadcast on 30 October 1993, the Essential Mix features contemporary DJs and music producers of electronic dance music. The show has been presented since its inception by Pete Tong and features an uninterrupted two-hour mix from a different artist each week, overlaid with occasional continuity announcements delivered by Tong. With a broadcast run in excess of 25 years, the Essential Mix is one of the longest-running programmes in the current BBC Radio 1 schedule, and is one of very few Radio 1 shows which is not broadcast live.

Essential Mix 2000-11-12 - Craig Richards & Lee Burridge

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Deep Space Radio Episode 3-2014 Live From The Rex Club Paris

Kevin Saunderson

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