Deep Space Radio  Episode 3-2014 Live From The Rex Club Paris

Andrew Weatherall | July 1993 @ The Haçienda

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Slam

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314 - Slam - Past Lessons / Future Theories - Disc 1 (2000)

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Cajmere/Derrick Carter

471 - DJ Sneak & Cajmere - The Future Sound Of Chicago (1995)

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Jeff Mills

481 - Jeff Mills - Choice 'A Collection of Classics - Disc 2 (2004)

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X-mix-6: The Electric Storm

667 - X-MIX 6 - Mr.C 'The Electric Storm' (1996)

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X-Mix-3: Richie Hawtin & John Acquaviva

669 - X-MIX 3 - John Aquaviva 'Enter Digital Reality' (1994)

One of the hottest residencies in dance music during the late 90's was the Josh Wink and King Britt's seminal party entitled "The Womb" at Fluid Nightclub. The night started as an outlet for the Ovum co-founders as a residency on the last Wednesday of each month where they could play for they local fanbase an intimate setting as most weekends had them on the road.  Over time the duo invited friends to join them and it became "the party" you had to play whether you were a US artist or someone coming in from abroad. During the residency the likes of Carl Cox, Richie Hawtin, Dubfire, DJ Sneak, and of course our brother Doc Martin joined the dynamic duo. We are happy to share with you this special evening from June of 1997 and Wink, Britt, and Doc took the Philly faithful on epic journey. Kick back and enjoy and please stay safe!

King Britt, Josh Wink, and Doc Martin @ Fluid Nightclub (The Womb) - Philadelphia, PA (6 - 11 - 97)

Class of 88 is a weekly DJ mix live stream by Mr.C on his socials containing music from 1986-1992 that became the backbone of the Acid House revolution & birth of Rave Culture itself. Mr.C has now made Class of 88 a bi-weekly podcast where he's now inviting his favourite 80s House & Techno DJs to join the podcast party. Join Mr.C in his Facebook Page for his Class of 88 live stream every Friday at 1pm LA time. 
This mix is available for download at freqstream.com

COEE1: Class of 88 ft Mr.C

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From Saturday To Sunday - Volume 3 [Disc 2]

778 - John Acquaviva - From Saturday To Sunday Vol.3 - Disc 2 (2002)

The Essential Mix is a weekly radio show on BBC Radio 1 currently broadcast between 0:00 - 2:00 AM UK time on Saturday morning. Originally broadcast on 30 October 1993, the Essential Mix features contemporary DJs and music producers of electronic dance music. The show has been presented since its inception by Pete Tong and features an uninterrupted two-hour mix from a different artist each week, overlaid with occasional continuity announcements delivered by Tong. With a broadcast run in excess of 25 years, the Essential Mix is one of the longest-running programmes in the current BBC Radio 1 schedule, and is one of very few Radio 1 shows which is not broadcast live.

Essential Mix 2000-11-12 - Craig Richards & Lee Burridge

Listen to Melodica now: https://found.ee/EDancer-Melodica

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Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.