Here's what Alexi has told us about this podcast:
Playing music for your music-loving friends is always a pleasure, and when that friend/s run a club and invite their music-loving friends to come to listen and dance, you get something like the Analog Room, an intimate setting with exceptional sound system full of music lovers. I believe that i’ve played A.R. the very first year they started and I’ve continued on a few more times sense, the crowd is always open for any style at any time... for this mix, I was imagining me being there taking them on one of my “Deep to Techno” rides.... obviously it’s not the same without them... but hopefully soon we will dance together again.

MIXCLOUD

AR 021 - Alexi Delano

Recorded at WORK (6am Group & Synthetik Minds production) in Los Angeles, CA, on 30 Oct 2021, with David Castellani (Live) and Alejandro Franco also on the bill. 

Also shouts to Warehouse Systems in Detroit for the great show on 29 Oct! Highly recommended.  

Join the brand new Hotflush Discord - https://discord.gg/tYG9xYNe

Kiimi's new single 'Trust' is out now on Hotflush Recordings, check it at all the usual outlets.

SCB Radio Episode #091 - LIVE at WORK Los Angeles Part 1

Techno great, D-Knox flows through a mix of timeless cuts for number 198 in the LWE series.

A living legend and integral member of techno’s history, D-Knox has been delivering funk-laden grooves, deep Detroit and hard-hitting Techno for the past 3 decades.  Growing up in Kalamazoo, Michigan, a city halfway between Detroit and Chicago, he spent his childhood summer vacations in the two cities, where he'd tape radio shows from The Wizard (Jeff Mills) and Hot Mix 5. 

Releasing high-octane Midwest techno as D-Knox in his late teens for various key labels including Elypsia, Morbid, Magic Trax and Denham’s Black Nation, he would go on to start his own acclaimed Sonic Mind imprint, which continues to this day. D-Knox’s latest release ‘Underground Railroad’ features on the debut EP of Boxia’s highly anticipated new label ‘Outerworld’.

@d-knox

198 - LWE MIX -  D-Knox

Deep Space Radio Episode 4 Movement 2014 Edition

Groove Podcast 38 - Robert Hood

I really cannot wait to get real equipment!! If I DO NOT asap. This amateur is retiring! lol

OH YEAH!!! ….. LIVIN IT! .m4a

blancmas 7/21 🎄

RedVibes - UK RAW

@redvibesmusic

Free Download

RedVibes - UK RAW

Dave Clarke John Peel-6th December 2000

Marcel Fengler is one of Berlin’s most prominent techno artists. For the last decade he’s earned recognition through crafting meticulously as a producer, which can mainly be found on the city’s powerhouse imprint Ostgut Ton. He also earned his stripes playing as one of the residents at Berghain, but Fengler’s sound is one that stands out in its own right. There are striking contrasts running through much of Fengler’s music: industrial enough to keep things dark, and yet jackin’ enough to keep bodies moving.

Fengler demonstrated this flair for versatility best during his last appearance with us back at the start of the year. After Slam had brought some serious peak time heat to soundtrack the night’s middling hours, he stepped up to drive things home with a set balancing chilling atmospherics, scattered broken beats and groove-edged techno.  

Before we welcome him back to Farringdon for his Room One debut this Friday, we’re proud to unlock part of this set for everyone to hear in anticipation. 

Marcel Fengler plays RM1 on 24/06: fabricldn.co/iyv5r4

Tickets for 24/06

Marcel Fengler Recorded Live at fabric 14/01/2017

Richie Hawtin delivers a brilliant 'Decks, EFX & 909' era set featuring extensive use of the 909 live in the John Peel studio.

Richie Hawtin - live @ Maida Vale Studios 26-04-00 (John Peel)

Paul Johnson at Jaeger Oslo 
live recording 22/08/2019

Eulogising the ghetto roots of House music, stripping back arrangements to their bare functionality, Paul Johnson has carved out a unique legacy on the more provocative corners of Chicago’s House roots. Vibrant, energetic and corporeal, infused with elements of Funk, Acid, Gospel and Soul, the DJ and producer’s music and sets have stayed close to the original blueprint of the genre with 100’s of records and 6 LPs veering little from his distinctive sound. His biggest success came with “Get Get Down” in the late nineties, but records like “So Much” and  “A change is Gonna Come” and LPs like “Second Coming” have made severe impressions in House music over the last three decades.

He arrived at Jaeger and Daniel Gude’s Retro a few weeks back to bring that infectious Chicago spirit to our booth, laying down an intense and energetic set for our Thursday crowd. Skipping over tracks, from obscure acid cuts to chart topping dance music like Dennis Ferrer’s “Hey Hey,” Paul Johnson kept feeding the dance floor with infectious tracks, and even the torrential rain flowing over our tiles could hardly keep us away. We were locked on and so was our recorder, capturing the sounds that live on today through this recording.

Paul Johnson at Jaeger Oslo - live recording 22/08/2019

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.