'89-'91: The KMS studio began in downtown Detroit, which lead to the birth of KMS Records. 

Here's the story behind it.

-Kevin

How KMS Got Started

𝗧𝗘𝗖𝗛𝗡𝗢|𝗛𝗔𝗥𝗗|𝗜𝗡𝗗𝗨𝗦𝗧𝗥𝗜𝗔𝗟

Booking: tpd.techno.music@gmail.com

Labels: Rave Session 🇷🇺 / Sub Terra Trax

Booking/Inquiries/Promos/Remixes:  aguilaofficial@gmail.com

Dress 2 Sweat.FM archives below on Beloved Radio

SERIOUSLY into House, in most of it's various forms....DEEP, tech, disco, french.  Also love space type techno as well.  i appreciate most forms of Dance, except cheesy mainstream.  Also love old Disco!  like the kind dimtri from paris and joey negro play.  

Started DJing in 1994, born from the underground.

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Counting with big supports from names as: Amine Edge, Gabe, Sirus Hood, Manda Moor, amongst others, Riffel presents in his track's the Yin-Yang concept, bringing balance between elegance and aggressivity in his sound identity. 

Constantly present in his sets and productions, strong grooves, striking vocals and old school influence are factors that make part of his sound identity, where he started his journey around 2014. Nowadays, his authorial tracks have brought a lot of value in his presentations, and glueing his eclecticism with the underground concept, Gabriel runs through House and its subgenres in a very versatile way.

Funk You Harder ♛

Electronic Music & High Tech Community - Here is our music selection area ! We also surf worldwide web for sharing interesting articles & we show behind the scenes of the events we are working on in our photo albums in order to promote sound & light technology. Check our facebook page https://facebook.com/tv303.net and if you like it follow us

Communauté électronique High Tech depuis le classique Rock 2 the Beat ! Nous parcourons le web pour écouter du bon son et partager des articles sympas sur les technologies audiovisuelles, nous montrons aussi les coulisses des évènements sur lesquels nous travaillons en tant qu’équipe technique sur https://facebook.com/tv303.net 
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