Deetron delivers stripped-back nod to Detroit with rework of Tal Fussman's 'Release' via SEVEN.

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Premiere: Tal Fussman - Release (Deetron Remix) [SEVEN]

Megaton

Buy/Stream

DCLVIII OFC - Motor City

DCLVIII OFC - Resistance

Hi my dear friends!
This week's Club Room opens with something really special, my new remix for The Cure coming out this Friday!  Can you believe it? THE CURE!
I'm so honored and honestly a little proud at the same time :)
I hope you enjoy it, let me know what you think!!!
Love, Anja

The Cure - Drone No Drone  (Anja Schneider Remix)
Efdemin - A thousand Shades Of Green
Shinedoe - Stay On It
Sol Ortega - Dabz
Harry Romero - Blackout
Nicole Moudaber - Slap Back
Jerome Sydenham, Dennis Ferrer - Timbuktu (Pan African Electro Dub)
Bleak - Mynonys
Wallace - Pivot Point
DEFLEE - 6 Shots
Perel - Eisbär
Daniel Avery - Drone Logic (Harvey McKay Re- Edit)
Rafa Barrios- Everybody Dancing!


Club Room 370 with Anja Schneider

inner-city,-thando,- ft Rahh---destination-(ext-mix)

"Celebration” by Madben is taken from the upcoming Groove On EP, set for release on EPM Music on the 25th of July.

Following EPM's recent vinyl collaboration with Paris' Yoyaku on Reel By Real's "Surkit – Remixed and Remastered", EPM present a new project, again with a French touch. Madben returns (this time solo) for the "Groove On EP".

🎧More 👉: https://tinyurl.com/42e2dbkh


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Premiere: Madben - Celebration [EPM Music]

Out July 25th

Following EPM's recent vinyl collaboration with Paris' Yoyaku on Reel By Real's "Surkit – Remixed and Remastered", EPM present a new project, again with a French touch. Madben returns (this time solo) for the "Groove On EP".

Born in the North of France, Madben has retained a taste for DIY culture and a nickname that comes direct from the warehouse. The Lille resident has been "living" techno since his emergence in the scene. From the 1990s, he followed this new scene closely via the flyers he found at local record stores. With his friends, he spent nights in Belgium; Fuse in Brussels, Kozzmozz parties in Ghent or in disused factories in Kortrijk - free and perfect territory to listen to the best sounds of the time.

In 2010, Benjamin put his savings into a rudimentary studio, a pair of speakers, a monitor, a MIDI keyboard and a computer equipped with Reason and Ableton and eventually starts broadcasting it in real time on Soundcloud. Pushed by his friends, he sends demos to Laurent Garnier who immediately responds: Garnier plays a track on his radio show, It is What It Is, on Le Mouv. Madben's name begins to grow and he teams up with Brest festival Astropolis, a French electronic institution, before launching his own label.

Now numerous releases and three albums into his career (two solo productions and one collaboration as Trunkline with Yann Lean), Madben is a steady pair of hands both behind the decks in clubs such as Berghain (Berlin), Printworks (London), Awakenings and De Marktkantne (Amsterdam) or as a producer on labels such as Astropolis, Maceo Plex's Ellum, Skryptom Records, Fedele's Obscura and Berlin based Mobilee.

Following last summer's "We Hit Drums EP" alongside Kosme, Madben continues his alliance with EPM, highlighting that techno not only needs clubland raw power but also that all important groove.

Kick-starting with a rattling break, "Groove On" builds into a club busting roof-raiser, complete with strings, stabs and a party call to arms! "Celebration" wraps itself around a melody that is sonically stamped with Motor City DNA throughout, whilst "My Groovy Animoog" toughens the beat with dark industrial undertones that echo '90s European techno. Closing out we have the hypnotic crunch of "Don’t Mess With My G", where sinister beats meet the darker side of the Windy City.

Living in the shadows between techno and house, "Groove On" draws from Detroit, Chicago and rave culture with equal measure. The very essence of Madben.

Madben - Groove On [Epm music 122]

A litte Medicine V2 (Dutch Import)

Soul Shine (at 42,000 ft)

Retrospective Collection

Face It

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.