Lil'Louis & The World 'Club Lonely' (Shield Re-Edit)

Released 3-23-2011 on Shaboom. Not my song but deserves to be on Soundcloud.

Taka Boom, Chaka Khan - Groove Like That (Onionz Remix)

Theory of Light EP

Photon (Deetron WP Dub)

out now on vinyl and https://www.beatport.com/de-DE/html/content/release/detail/386730/Starblazer

Starblazer

Out now: https://orcd.co/REKIDS257

Tiger Stripes appears on Radio Slave’s Rekids for the second time, following up his ‘I Heard It Through The Bassline’ EP with the ‘All Night Long’ EP this February. For title track ‘All Night Long’, an anthemic vocal calls to action as infectious sub-bass drives a snappy groove. It’s the kind of House Tiger Stripes does best, with follow-up ‘Goddess’ chugging along with more deep low-end while eﬀective sampling breaks up the arrangement throughout.

Strange Idols’ Tiger Stripes is a prolific producer, remixer, and DJ active since the early 2000s. He’s collaborated with artists like Kerri Chandler and Jerome Sydenham and released music via heavyweight underground imprints, including Hot Creations, Get Physical, and Rekids, where his ‘I Heard It Through The Bassline’ EP won support from artists like Solomun, Laurent Garnier, Seth Troxler, Honey Dijon, HAAi, and more.

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Tiger Stripes - All Night Long

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🛒 Buy from:  https://www.beatport.com/release/warping-ep/5186154

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The BeatBoy's Warping Minimal Deep Tech track is straight-up club ammo

There’s no messing around here. The BeatBoy’s just dropped Warping and it’s a full-send moment for the Minimal Deep Tech heads.

This one comes hot off the press from Moan Recordings, a label that knows its way around a proper groove. You can smell the smoke machines and feel the Funktion-One hitting your chest already.

The BeatBoy’s are a Barcelona-based duo with roots in Latin America and Spain, and they’ve been quietly cooking up heat on labels like Deeperfect and Take Notes. You might’ve caught their tunes rinsed by the likes of Marco Carola, Wade, and Jamie Jones at clubs like Amnesia, Space Miami, and Hï Ibiza. If you know, you know.

Warping is all slinky basslines, percussive swagger, and glitchy textures that wiggle just right. It’s the kind of cut that makes people lock in, lose time, and forget where the exit is. Perfect for basements, rooftops, and all those sweaty warehouse moments we live for.

This premiere is your first taste of their debut Warping EP, and trust us, the whole thing slaps. Big energy, sharp production, and that unmistakable Moan groove.

Hit play, stream it loud, and grab your copy on Beatport. You’re gonna want this one in the bag.

Buy from Beatport

The BeatBoy's - Warping [MOAN]

💥 Ninth release under the BOO project.
“MY KIND OF GIRL” brings a hypnotic blend of techno rhythms and bass house energy, built for dark rooms, big speakers, and wild nights.

This one’s for the kind of girl who owns the floor. Just pure groove.

▪️ BPM-driven
▪️ Club-ready
▪️ Ghost-certified

Turn it up and let the bass do the talking.

MY KIND OF GIRL

Traumer - Azure (Original Mix)

Support from - Maya Jane Coles, Doorly & Shadow Child

Release Date :
17/06/16 - Beatport
01/07/16 - General

Cera Alba returns to MadTech this June with the ’89 EP, comprising two original compositions, a dub interpretation and a remix from Montel.

Liam Jones, better known to most as Cera Alba has become a driving force for underground house and techno from the UK over the past few years with releases on Hot Creations, AVOTRE, Lost Records and of course Kerri Chandler’s MadTech imprint where he returns to here.

Kick starting the release is title cut ‘‘89’ which lays down a dark and brooding groove via weight percussion and bubbling dub stabs before gradually unfolding into a crescendo of bright piano chords and soul infused vocal lines. ‘Solitary Nights’ follows and retains the eerie aesthetic of the preceding record, laying the focus on menacing bass drones, tension building atmospherics and rumbling subs, while subtly evolving percussion and sporadic vocal licks ebb and flow throughout.

Montel steps in to remix ‘’89’ next, bringing shuffled rhythms, chugging bass swells and swirling delayed snippets from the original vocal and piano into the limelight to create a unique twist on the original number. A ‘Dub’ of ‘’89’ from Alba then shapes up the package.

Cera Alba89'89Solitary NightsMontelMadtechKerri ChandlerSummerIbizaHouseTech HouseDeep HouseTechno


Cera Alba - '89 (Original) - Madtech Records - Out Now

Brand new track from Kevin Saunderson as E-Dancer out on KMS Records

Into The Future

Into The Future - Kevin Saunderson As E - Dancer

DJ Skull - Fly

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.