Hollis P Monroe - I'm Lonely (Original Mix)

Released 3-23-2011 on Shaboom. Not my song but deserves to be on Soundcloud.

Taka Boom, Chaka Khan - Groove Like That (Onionz Remix)

Debbie's Groove (Robert Hood Remix)

RS057 - Wallace - 2. Breaking Up

Pre-order/save at https://fanlink.tv/PD6007

German producer ACRAFT delivers an awesome score for a club scene with the tech house banger Club Scene X. Part of our Play at ADE 2025 collection.

Hear more ACRAFT at https://soundcloud.com/acraftmusic

Our annual collection of music for the Amsterdam Dance Event, Play at ADE 2025 drops the first week of October with an incredible selection of house, techno, tech house, and progressive house bangers.

Play at ADE 2025 includes new works by ACRAFT (Germany), Andy Leech (UK), beat.pacific (USA), Bismu & Kris Brain (Poland), Deat Marotta (Germany), Dispar (Mexico), Hectic (UK), Jayson Miro (St. Maarten), Maik D (Italy), OWASSA (USA), Ozzy (USA), PartyBooze (Netherlands), Tech Us Out (USA), and Tweaken (Belgium).

Play it on repeat for an Amsterdam vibe.

Play Records - https://playrecords.net

Play at ADE 2025

Club Scene X

PRE-ORDER/SAVE

[PREV] ACRAFT / Club Scene X

Right Now

Buy on bandcamp

Red Richards - Right Now (Long play)

Brand new track from Kevin Saunderson as E-Dancer out on KMS Records

Into The Future

Into The Future - Kevin Saunderson As E - Dancer

Outlander The Vamp (Revamped) (Frank De Wulf Remix)

Out now on vinyl & digital release - lnk.to/REKIDS132

UK techno legend Mark Broom returns to Rekids in February to release four uplifting cuts in the form of his ‘Break 97’ EP.

Mark Broom’s musical career is certainly something to behold – with over 150 releases over the past 25 years, on top of regular gigs across the world’s most renowned institutions, there’s no doubting his work ethic and his influence upon the scene. A prolific artist and true pioneer in the techno world, having worked with revered labels such as Warp, R&S, Ifach and Soma, and in more recent times Blueprint, EPM Music, Red Sonja Records and his own Beard Man Records, his ‘Break 97’ EP kick-starts 2019 for Radio Slave’s Rekids as the imprint adds yet another outstanding name to its roster following the likes of DJ Deep, Sebo K, DJ Spider and more.

‘Break 97’ sets the tone of the EP with a fusion of techno and disco, delicately blending funk-infused chords and resonating kicks amongst groove-filled vocals, before ‘Heart’ delivers inspiriting disco samples, punchy low end and elevating strings to reveal an effervescent aesthetic throughout. ‘EFB’ takes things up a notch, offering a dancefloor focused cut balancing rattling highs, vibrant synth flutters and a muffled vocal line, until ‘G Theme’ rounds out proceedings armed with robust percussion, electrifying vocals and undulating, euphoric keys.

Break 97

Mark Broom - Break 97

Out now on Rekids: lnk.to/REKIDS153

Beard Man label boss Mark Broom returns to Radio Slave’s Rekids with a swinging techno focused four-tracker entitled ‘Raver EP’

Since the early 90s, renowned UK artist and DJ Mark Broom has been cherished for his consistent output of rhythmically charged techno and energy spiking performances with releases on Warp, R&S, Soma, Hardgroove and Blueprint alongside collaborations with artists such as Baby Ford, James Ruskin, Discrete Circuit and Gary Beck. ​A regular on Rekids, Broom's contributed numerous releases and remixes to Matt Edwards' label - notably last year's massive 'Break 97 EP' - and his next outing sees the prolific producer return with four more versatile club-focused cuts.

‘Raver’ opens with boomy kicks, splashing cymbals and aggressive stabs until ‘Insta’ trembles the floor with rolling snares, driving rides, distorted claps and arpeggiated synth patterns. On the flip, ‘Midnight’ takes retro sounding keys and adds peak time drive with lofi drums, distant vocals and a sleek funk line sample before ‘Hear Me’ electrifies with a tease of classic 90s-esque lyrics, bouncing toms and elated chords.

Mark Broom - Midnight

Following the release of her debut Album 'Skylines, City Lights' Cinthie returns with 'Just Us'

Cinthie 'Just Us'

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.