list:apr:18

🎧 Spotify New Music Playlists 🎧

🔊Techno & House @ https://goo.gl/svGmhX 🔊
🔊Drum & Bass @ https://goo.gl/tkGPp5 🔊
🔊Trap & Bass @ https://goo.gl/rmd79v 🔊
🔊Dubstep & Riddim @ https://goo.gl/SsBxfi 🔊
🔊Hip Hop & Grime @ https://goo.gl/YZ3b6V 🔊
🔊Chill-Out @ https://goo.gl/kEzzmb 🔊

🎧 Spotify Classics Playlists 🎧

🔊Best Dubstep Songs of All Time @ https://goo.gl/qGQTHf 🔊
🔊Best Trap Songs of All Time @ https://goo.gl/BNrF39 🔊
🔊Best Liquid Drum n Bass Songs of All Time @ https://goo.gl/kwstGK 🔊

Playlist Featured @ https://goo.gl/jgc7V3

SPOTIFY

Top 10 Must-Hear Techno & House Music Selections 37

Listen@ https://hypeddit.com/link/klzclv

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Mastering: @GaborDeutsch

WaWaNe

Individualist - WaWaNe

Free Download

Lovebirds - Dove Sei - Sirs Cut

First track from the new Jon Hassell album 'Listening To Pictures (Pentimento Volume One)' - Out now:
http://smarturl.it/listeningtopictures

pen·ti·men·to / noun
Reappearance in a painting of earlier images, forms, or strokes that have been changed and painted over.

Forty years since its creation, Jon Hassell's Fourth World aesthetic remains a powerful influence on modern electronic music. Continuing his lifelong exploration of the possibilities of recombination and musical gene-splicing, fragments of performance are sampled, looped, overdubbed and re-arranged into beguiling unexpected shapes. Hassell applies the painterly technique of ‘pentimento’ to the arrangements, teasing out texture by the overlaying of sound upon sound, or a carefully timed reveal of the delicate bones pinning the frame of a track together.

The release of this new album also sees the launch of Jon’s own label, Ndeya (pronounced “in-day-ya”), which will be a home for new work as well as well as selected archival releases, including re-presses of classic sides and some astonishing unreleased music.

FURTHER READING ON JON HASSELL:

Fourth World in the 21st century: https://www.residentadvisor.net/features/2984
Brian Eno on Jon Hassell: https://www.theguardian.com/music/2007/nov/09/jazz.urban
https://www.jonhassell.com/

Jon Hassell - Dreaming

KMS 30th Anniversary EP2

Reveal

He's done it first => https://atupelen.bandcamp.com

https://www.youtube.com/channel/UCASrwIe4a8YMdirfsiU4OQA/featured

Unreleased Vol. 4

Silly Games [αtμ Cover]

Track for Luke Eargoggles Stilleben Records VA series, also featuring hits from Obergman, Hiltipop and T-Error.

Sof Cell

sold out on bandcamp, check your fav shop or discogs - https://www.discogs.com/Birdbone-Unlimited-Freaky-Things-We-Do-All-The-Freaks-Out-Tonight/release/11304635

SC7021

discogs

SC7021A - Birdbone Unlimited - The Freaky Things We Do

The Good in the Bad EP out now on every platform
spoti.fi/31ZpNwP

Follow me on instagram for more updates
@villagemusik
www.instagram.com/villagemusik/

<3 ya

C-R-E-W

Spotify

Beatport

Void

Get It Now: https://BigBeat.lnk.to/OTRSo
Amtrac - Old Times (feat. Anabel Englund) [Skream Remix]
 
Released via Big Beat Records
 
Big Beat Schedule 1: https://bbr.ec/bbsched1yt
 
Follow Amtrac
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@amtrac
 
Follow Anabel Englund
https://facebook.com/anabelenglundofficial
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@anabelenglund
 
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Amtrac - Old Times (feat. Anabel Englund) [Skream Remix]

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.