Disco Gnome

Disco Gnome (Tale Of Us Remix)

Hot Since 82 vs Joe T Vannelli - The End (feat. Csilla)

Order now at http://www.hotsince82.com & get the mix instantly!

Buy on iTunes: smarturl.it/HS82LBB 
Buy on Beatport: bit.ly/LittleBlackBookBeatport 
Buy on Amazon: bit.ly/LittleBlackBookAmazon 
Buy limited edition 2CD notebook: www.hotsince82.com

Available on Download/CD/Vinyl Sampler/Limited Edition 2CD Notebook

http://www.hotsince82.com
http://www.facebook.com/hotsince82
http://www.facebook.com/thisismodablack

Hot Since 82: Little Black Book

1. Hot Since 82: Shadows (feat. Alex Mills)
2. Hot Since 82: Planes & Trains
3. Hot Since 82: Chords
4. Rudimental: Right Here (Hot Since 82 Remix)
5. Green Velvet: Bigger Than Prince (Hot Since 82 Remix)
6. Hot Since 82: Hot's Groove
7. Shadow Child: So High (Hot Since 82 Remix)
8. Hot Since 82: Hurt You (Lee Curtiss Remix)
9. Hot Since 82: Insane I Know
10. Hot Since 82: Transitions
11. Hot Since 82: Things You Do To Me (feat. Thomas Gandey)
12. Hot Since 82: Cry Mumbai
13. Hot Since 82 vs Joe T Vannelli: The End

The End

Poem for the Planet

Poem for the Planet (Steve Bug Remix)

Built on a foundation of a deep, rounded kick, a static hi-hat, and a sub-heavy bassline, the journey begins in a state of pure potential. Layer by layer, the unseen is drawn into form: a grainy atmospheric pad, a random crystalline ping, a percussive sequence like a hidden code, and ghostly, whispered incantations.

This is microhouse at its most meditative and intelligent. The magic is in the trance, the bliss is in the groove. Let the hypnotic state guide you.



Unicorn

From 2022.
1 WIP every day for 1 year starting NOV1ST 2025, ending NOV1ST 2026

MOUSE 5 (14/11/25)

London Grammar Sights - Dennis Ferrer Remix  (EDIT)

Pre-order here http://www.theghostlystore.com/products/mouth-to-mouth-10

Audion - Mouth To Mouth (Guy Gerber Remix)

In the summer of 1996 I bought a CD called In Order To Dance 5.
The music was intriguing to say the least. It was an introduction to all kinds of techno, from experimental, hard or minimal, to soulful and warm.
One of the tracks that stood out for me was Mengs Theme by Point Blank AKA Secret Cinema. It was a 7,5 minute intense musical trip with overwhelming repetitive melodies and hunting percussion.
Mengs Theme remained one of my very favorite tracks since that summer.
Re-releasing it on Green with my own remix is nothing but a big honour.

Buy on Beatport

Point Blank - Mengs Theme (Joris Voorn Remix)

M.A.N.D.Y. vs. Booka Shade - Oh Superman

Oombah

Oombah (THEMBA's Herd Remix) [feat. Virus J]

Beanfield feat. Bajka - Tides (Ripperton Mix)

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.