Distant Echoes returns to non series with his second solo ep on the label on a stunning, deep and hypnotic 5 tracker ep.

Distant Echoes - Lopsidedness [non052]

Klasse Wrecks is happy to welcome new Berlin-based producer Jotel California to the family. The emerging young artist provides a strong and varied EP that introduces his deft production skills and understanding of balanced sonics. 'Borrowed Time' traces the lines of traditional electro but stirs the pot with new flavours and the result is something that is both unique and powerful. Late 90s Techno is referenced on the title track, a dark and haunting driver that emerges into euphoria later on in the journey. While the A1 features the cut up vocals of Babyblade and takes the listener on a pulsing trip that thrashes back and forth before restlessly settling down

B1. Borrowed Time

I've Heard A Lot About Harmony

Skin Confessions (Intellectual Version)

After some time I finally recorded a mix again. Besides hot new tracks from upcoming artists, it contains a lot of tracks from the techno era of 2010. It was this sound that made me start listening to techno and I am still hooked and searching for it today.


Oscar Mulero – Same Shoes Different Streets [Warm Up Recordings]
Jeroen Search – Escape Velocity [Symbolism Ltd.]
Skøza x Nicolas Vogler x RLK18 - Haubitze (Slone Remix) [NYXII]
Anika Kunst – Sin Rodeos [Symbolism]
Nima Khak - All Ways [Parabel]
Nina Kraviz – IMPRV [!K7 Records]
DVS1 – The Five Aggregates [HUSH]
Joton – N.E.X.O. [New Rhythmic]
Exos – Nuclear Red Guard [Plast Trax]
Cari Lekebusch – Drum Conductor [H. Productions]
DVS1 – Creeping [Klockworks]
Ignez – Oceanid [Token]
Oscar Mulero – Stimulated Reflex [PoleGroup]
Kaiser – Touching the Past [Voxnox Records]
Orbe – Rebirth PCT [nosignal Records]
Ø [Phase] – Alone in Time? (Floor Mix) [Token]
Jorge Fons – Sentence [SYXT]
BLANKA - Trip [SYXT]
Klint – Knot Theory [Molecular Recordings]
Dold – Rider [Fuse Imprint]
Kameliia – 120 Miles An Hour [SK_eleven]
Thomas Kunkel – Saucer [Subsequence]
EOYYV – Lo Que No Veo Lo Siento [SYXT]
Altinbas – Spirit Moves [Token]
Phil Berg – Sinara [SK_eleven]
Tom.Healey Strangers [SYXT]
Marcal – Bionic Jungle [Enemy Records]
Shcuro & Vil – Rumble The Funk (Blasha & Allatt Remix) [Paraiso]
Inox Traxx – I Got To Try [Symbolsim]
Inox Traxx – Obstacles [Overbalance]
Setaoc Mass – Sket [SK_eleven]
Kr!z – Evil Eye [Blueprint]
Reeko - Phenomena Arise [Warm Up Recordings]
Biemsix – The Proof [Symbolism]

Causalities

Télépathe OST 5

awaken the machine

The Ocean’s Battlefield

Infused

World Of Deep (feat. Virus J)

ARTIST - Kirill Mamin
RELEASE - MISTRESS 11
CAT. NO: HU-MR11-SH

VINYL Release Date: March 1, 2019
Distribution by HARDWAX. 
Available soon at all proper vinyl shops.

DIGITAL Release Date: April 1, 2019
Available here: www.dvs1mistress.bandcamp.com

More Info: www.facebook.com/Mistressrecordings

If you purchased the vinyl, just send a photo of yourself holding the record and you'll also get the download codes of entire release! 

Contact: sebastian@hushsound.com

B1. Kirill Mamin - Silent Prayer (SNIPPET)

Tbili orgia presents new single; Zroxa DJ - (წვიმაში)

Zroxa DJ - (წვიმაში)

Mix Series 001 by @bloody-mary
The mix was recorded Live in NY 
At The Lot Radio on the 14/12/2019

Mix Series 001 - BLOODY MARY

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.