Octave One - Tiers (Level A) out now: https://lnk.to/4WDG764A
New album coming soon.

Octave One drop the first of their new 2023 dance single ‘Tiers’ on their own 430 West Records. Debuting as part of their live set in 2022, first single ‘Tiers’ is already well sought after by clubbers and DJs worldwide. The fresh and future-facing 'Tiers' gets you on your toes as slick bass and sleek drum programming race on a warm wave of soulful techno.

Techno is in the genetic pulse of the Octave One brothers. Hailing from Detroit, Lenny and Lawrence Burden have been vanguards of the genre since its early innovation and continue to set the standard for dance floors. Their electrifying live performances showcase to audiences just what techno is made of: the synthesis of man and machine. The duo’s astounding array of analog gear, a mighty rig they call “The Mothership,” acts as a vessel of funk grooves, house riffs, and irresistible rhythms as they take dancers on a trip through musical literacy. With each live set, the formidable force accomplishes a feat few can conceive of in the studio, and even fewer are able to recreate live. This is why Octave One is techno’s unrivalled live act.

Music Programmed by: Lorne Burden, Lenny Burden, & Lawrence Burden
Produced by: Octave One
Written by: Lenny Burden, Lawrence Burden, Lorne Burden
Published by: Munchman Music BMI
Mix Engineer: Ollie Knight

Octave One

Tiers (Level a Edit)

Tiers (Level A Edit)

Mixmag Presents ANNA: In Session (DJ Mix)

Acid Dip (Mixed)

Well, I think I've finally found my lane and I'm sticking to it. This is the first track I am completely happy with, so expect much more of this from now on... Quite frankly, I like it. Hope you Like It too.

Like It


It always brings us great pleasure to welcome new artists to the label, especially when it's with a 2-track EP that showcases fresh talent in full color! Not Yurs has gifted us two carefully crafted tunes that have both captivating melodic ideas with a postmodern toughness pulsing underneath. The A-side uses a unique Chicago-style stab, while the second track ramps up the grit with vocals, broken beats & pure edginess. It feels like this duo can do anything!

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BEATPORT

Not Yurs // Polaroid Minds (Original Mix)

Knowledge is a tool. and like all tools. its impact is in the hands of the user. ARTS WHITE was born to give a platform for every single player in the game that has high-level tool skills in Techno. the focus is primarily dedicated to useful and chirurgical direct functional material. All on White label style. Black and White 12”. Out on the 27th of April on Vinyl, Digital one week after the release, and special issue at our bandcamp.

A1. Awdha - This Fvcking Groove All Over My Head (Rave Mix)

Ponderous

Pn27

I Want You (Alan Fitzpatrick Remix)

Out now on Rekids: https://lnk.to/REKIDS159

Radio Slave returns to his Rekids imprint with the explosive ‘Stay Out All Night’.

As the artist behind ‘Grindhouse’, ‘Don’t Stop No Sleep’, ‘Another Club’, and many other timeless cuts, Radio Slave’s knack for crafting Herculean club tracks is unlike any other. ‘Stay Out All Night’ could be one of his biggest yet. With its cleverly arranged breakdowns, it's a high-octane track built on syncopated drums, lively breaks and chopped-up vocals. An absolute bomb. On the flip, ‘Wait A Minute’ thuds onwards with deafening kicks, rattling percussion, and an infectious stuttering vocal exclaiming the track’s title.

Proving to be one of the Berlin-based Brit’s most fertile years, the renowned producer continues to drop a broad range of releases and remixes on Rekids and beyond, including his three-part ‘Radio Silence’ album.

Radio Slave - Wait A Minute

The Struggle / Save the Children

Save the Children (Detroit Mix)

Clocks / Low Life / Go

Low Life

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.