Uno de los reyes negratass del panorama del Techno 🔥🔥🔥😜

Hey Kevin Saunderson This needs more likes and reposts I also like this track too Kevin Saunderson and E-Dancer - Oombah(go viral and get exposure now) visit http://mixtapeslots. com/ (get seen get heard today)

Techno

Bandcamp

Baby You Can

Ned Bennett - Engineered Movement

Pascal F.E.O.S. - I Can Feel That

2000 and One - Tropical Melons (Original Mix)

https://pro.beatport.com/track/pong-ben-klocks-bones-and-strings-rework/705700

Kerri Chandler - Pong (Ben Klock's Bones & Strings Rework)

Friends Forever / NA•RO Remix

bit of a dark edge to this one, progressive style

Gravity

Mutter

Playground

Teo Techno

Out now on vinyl & digital release - lnk.to/REKIDS132

UK techno legend Mark Broom returns to Rekids in February to release four uplifting cuts in the form of his ‘Break 97’ EP.

Mark Broom’s musical career is certainly something to behold – with over 150 releases over the past 25 years, on top of regular gigs across the world’s most renowned institutions, there’s no doubting his work ethic and his influence upon the scene. A prolific artist and true pioneer in the techno world, having worked with revered labels such as Warp, R&S, Ifach and Soma, and in more recent times Blueprint, EPM Music, Red Sonja Records and his own Beard Man Records, his ‘Break 97’ EP kick-starts 2019 for Radio Slave’s Rekids as the imprint adds yet another outstanding name to its roster following the likes of DJ Deep, Sebo K, DJ Spider and more.

‘Break 97’ sets the tone of the EP with a fusion of techno and disco, delicately blending funk-infused chords and resonating kicks amongst groove-filled vocals, before ‘Heart’ delivers inspiriting disco samples, punchy low end and elevating strings to reveal an effervescent aesthetic throughout. ‘EFB’ takes things up a notch, offering a dancefloor focused cut balancing rattling highs, vibrant synth flutters and a muffled vocal line, until ‘G Theme’ rounds out proceedings armed with robust percussion, electrifying vocals and undulating, euphoric keys.

Break 97

Mark Broom - EFB

Head High - Rave (Dirt Mix)

Ponderous

Vinyl & Digital available here: https://lnk.to/4WDG720

Musically we are exploring the ‘power or powerlessness people feel over the things that shape their world’

Building on the success of Vol 1, Detroit pioneers Octave One now serve up Locus of Control Volume 2, continuing their journey of exploration of power or powerlessness over what moves one’s world. 
This EP comes after a busy series of shows for the most famous live act in all of techno, with them recently having played everywhere from Piknic Électronik Montréal to Movement to Dimensions Festival and many more. The show is an all new audio-visual experience for 2019 and continues to keep them at the forefront of the scene despite more than 30 years of experience. Locus of Control Part 2 follows a remix of Giorgia Angiuli and lands on their own 430 West label once more. 

This EP series takes its name from a psychological concept that refers to how strongly people believe they have control over the situations and experiences that affect their lives. Part 1 showcased euphoric piano stabs and uplifting drum lines, and Part 2 explores more propulsive techno. 

Up first, ‘Afrotech’ is a seven minute techno adventure. It’s built on sleek, crisp drums with twisted synths writhing about up top. The devil is in the detail and the way the synths are subtly tweaked throughout to make for a most dynamic journey once more from these brillaint brothers. 

The excellent ‘Detune’ is a futuristic track with layers of shiny metallic drums and taught synth riffs that make for a tense and thrilling ride. Big drums power things along and the whole thing is the sort of sensory overload that will blow up even the biggest warehouse parties and festival stages. 

These are two more powerful tracks from the ever essential Octave One.

Buy Vinyl & Digital

Octave One - Detune

Release: 
17.03.2020 (VINYL)
24.03.2020 (DIGITAL)

FJAAK 006

GET IT!

FJAAK -  Breath

Nostalgik.3

Spastik (Dubfire Rework)

Out now on Rekids: https://lnk.to/REKIDS159

Radio Slave returns to his Rekids imprint with the explosive ‘Stay Out All Night’.

As the artist behind ‘Grindhouse’, ‘Don’t Stop No Sleep’, ‘Another Club’, and many other timeless cuts, Radio Slave’s knack for crafting Herculean club tracks is unlike any other. ‘Stay Out All Night’ could be one of his biggest yet. With its cleverly arranged breakdowns, it's a high-octane track built on syncopated drums, lively breaks and chopped-up vocals. An absolute bomb. On the flip, ‘Wait A Minute’ thuds onwards with deafening kicks, rattling percussion, and an infectious stuttering vocal exclaiming the track’s title.

Proving to be one of the Berlin-based Brit’s most fertile years, the renowned producer continues to drop a broad range of releases and remixes on Rekids and beyond, including his three-part ‘Radio Silence’ album.

Radio Slave - Wait A Minute

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Ponderous

Kevin Saunderson

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