Stainless

Tačno

Tačno (Cat​.​06)

Viels releases "Intus Vacuum" EP on Attic Music. Monument premieres the title track of the upcoming release, which will be out on the 16th of September.

Artwork: Fabio Milito

@viels
@attic-music

MNMT Premiere: Viels - Intus Vacuum

Read more about Harry Romero and Josh Wink on THUMP: http://bit.ly/1hcZAA7

Taken from Josh Wink's "Are You There" Remix EP, out April 14 on Ovum Recordings.

Josh Wink - Are You There (Harry Romero Remix)

Luke's Anger is someone we've wanted to release for a long time. He's an act whose playful production style has been wiggling our ears for nearly 20 years, through releases on Don't, Uglyfunk, Sneaker Social Club, Tigerbeat 6, his own Bonus Round, and many more. Wearing various influences on his sleeve - Neil Landstrumm, Paul Johnson (RIP), Daniel Bell, DJ Hyperactive, Thomas Bangalter, Subhead, Jerome Hill - the "Rear Wiggle EP" is Luke's ode to bleep techno at its intersection with swinging '90s Chicago. But it's more than that too. Over 5 tracks he encompasses many elements that modern techno needs more of: shuffle, screaming riffs, phat pumping bass, FUNK, hypnotism, the list goes. No matter what your taste, there's likely to be a dancefloor detonator here to make your night a memorable one. Big release from Luke, which we're very excited to put out. 

https://soundcloud.com/lukes-anger  

Pre-order: https://earwiggle.bandcamp.com/album/lukes-anger-rear-wiggle-ep
Artwork by Gavin O'Brien 
Mastering by Simon at The Exchange

Catalogue: EAR032
  Format: Digital / 12”
 Released: April 21st (digital & black vinyl)

A1. Luke's Anger - Floop The Pig 
A2. Luke's Anger - Het Up
B1. Luke's Anger - Double U-Turn
B2. Luke's Anger - Slave To The Rytm
B3. Luke's Anger - Bendy Time

A2. Luke's Anger - Het Up

TRACKLIST: 
Cosmic Anomaly - 548 Cycles and Still
Cosmic Anomaly - Altered Engram
Cosmic Anomaly - Basolateral Amygdala
Cosmic Anomaly - Behavioral Response
Cosmic Anomaly - Three Chamber Test
Cosmic Anomaly - Basolateral Amygdala (Hektor Legion Remix)


"The changes in behavior are a result of an individual's response to stimuli in their environment”.

Beneath every observable behavior lies a complex system of signals traveling from one corner of the brain to another, often influenced by an imperceptible subconscious that materializes into perfectly observable and actionable actions: dancing at 140 BPM in a pulsating club, rolling eyes in frustration, perspiring under the hypnotic strobe lights... and this amalgamation of responses is what we know as “Overt Behavior”.

In this remarkable debut EP, the producer and psychology enthusiast, Cosmic Anomaly, grants us a captivating glimpse into the inner workings of his mind. The EP is an incredibly original creation, produced entirely with modular synthesizers, showcasing an exquisite mastery of technique that serves as an ideal launching pad for his discography.

Within the tracks, you'll find shattered rhythms, fierce percussions, and synthesizers that seem to penetrate the very essence of being, making their way to the core of the listener's consciousness. The cohesiveness and sonic maturity achieved by this twenty-three-year-old artist is astonishing, showcasing a profound presence in our music scene with much to express.

Mastered by SCHRZØ
Artwork by @fausto.jpg

Buy Now

Cosmic Anomaly - Altered Engram

After teaming up with Sawlin to deliver a series of spacy “Texture” works, dubbed ‘Foreign Awake Pt.1 & Pt.2’, Subjected returns to Electric Deluxe this time in searing solo guise. Known for his thundering, no-holds-barred basement style, which until ‘Foreign Awake’ was kept purely to his cloistered Vault Series outlet, with ‘Dolor’ we see the industrial edges polished smooth in this rotund and rolling three-track EP. “Krupp” opens in typical rumbling Vault fashion that builds into a gargled mechanical reprieve and back again. On the B-side, “Dolor” applies Subjected’s rusted signature to a groovy subzero bassline and blue-note melody, the EP’s duly crowned peak-time lead. “Wute” then
concludes with the sort of venomous hypnotism followers of Electric Deluxe should be familiar with by now, albeit this one has a more scuffed and tarnished appeal. Then for the digital fans, “Zopiklona” presents a slightly cleaner, bleepy bonus track with one killer charged drum crescendo.

Subjected - Wute

Premiere of "Polaridad" by Joton & Lidvall, taken from "Retroalimentación" EP, forthcoming on Newrhythmic Records  

Pre - Order: 
https://newrhythmic-records.bandcamp.com/

Label: Newrhythmic Records
Artist: Joton & Lidvall
Title: Retroalimentación EP
Track: Polaridad
Catalogue Number: NRDR184
Format: Digital 
Release Date: January 10, 2024

Retroalimentación is the fresh new EP from JOTON & LIDVALL, packed with four tracks that bring their unique vibes together. You’ll find two originals from each artist, plus two tracks they cooked up together in Joton’s studio, all crafted with analog machines for that raw, authentic feel.

This EP captures the magic of their studio sessions—pure creativity and energy, blending their individual styles with the hands-on warmth of hardware gear. Retroalimentación is all about feeding off each other’s ideas and letting the machines do the talking.

Folllow Newrhythmic Recs: 
SC: https://soundcloud.com/newrhythmicrecords
LT:  https://www.instagram.com/newrhythmic_recs/

Follow Joton:
SC: https://soundcloud.com/joton
IG: https://www.instagram.com/joton_/

Follow Lidvall: 
SC: https://soundcloud.com/lidvall 
IG: https://www.instagram.com/artem_lidvall

Follow Techno Cartel:  
Linktree: 
https://linktr.ee/technocartel
Youtube: 
https://www.youtube.com/c/CartelTechnoCartel
Instagram:
https://www.instagram.com/techno_cartel
Facebook Page:
https://www.facebook.com/TechnoCartelX/ 
Facebook Group: 
https://www.facebook.com/groups/661159060713083

Retroalimentación EP

Pre - Order

Joton & Lidvall - Polaridad [Premiere I NRDR184]

MDR 14.1

MDR 014.1. - Ryan James Ford - Arthure Iccon

Heavenly Revisited Album

Uptempo

Release Date: November 1, 2017
Digital
WUPSD1
Oscar Mulero
Pattern Series compilation
warmuprecordings.bandcamp.com/

1. Epley Maneuver
2. Gravity
3. Particle Repositioning
4. Balance and Acceleration
5. Pain
6. Kinesthetic Sense
7. Lights
8. Arcade
9. Echoes
10. Form
11. Texture
12. Color

Oscar Mulero - Arcade

‘Rise And Shine’, the first full Ostgut Ton solo release by Substance (aka @Peter-Kuschnereit), sees him fusing his deep, industrial aesthetic with the resonant bass-heavy leanings of his alter ego DJ Pete, as evidenced on the title track’s off-kilter metallic riddims and multiple, interlaced SH-101 and Prophet 5 melodies. From there, potential set-closer “Countdown” blasts off with relentlessly rattling, scraping breaks, hissing German vox and big chords. The compact explorations of “Bird Cave” and “Distance” offer a more atmospheric take on bass and rhythm, while EP closer “Cruising” re-explores the uncanny, Berlin deep techno cosmos Kuschnereit has helped define, this time in denser form.

Rise And Shine

Cruising

Buy 12"

Substance | Cruising

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.