Octave One - Tiers (Level A) out now: https://lnk.to/4WDG764A
New album coming soon.

Octave One drop the first of their new 2023 dance single ‘Tiers’ on their own 430 West Records. Debuting as part of their live set in 2022, first single ‘Tiers’ is already well sought after by clubbers and DJs worldwide. The fresh and future-facing 'Tiers' gets you on your toes as slick bass and sleek drum programming race on a warm wave of soulful techno.

Techno is in the genetic pulse of the Octave One brothers. Hailing from Detroit, Lenny and Lawrence Burden have been vanguards of the genre since its early innovation and continue to set the standard for dance floors. Their electrifying live performances showcase to audiences just what techno is made of: the synthesis of man and machine. The duo’s astounding array of analog gear, a mighty rig they call “The Mothership,” acts as a vessel of funk grooves, house riffs, and irresistible rhythms as they take dancers on a trip through musical literacy. With each live set, the formidable force accomplishes a feat few can conceive of in the studio, and even fewer are able to recreate live. This is why Octave One is techno’s unrivalled live act.

Music Programmed by: Lorne Burden, Lenny Burden, & Lawrence Burden
Produced by: Octave One
Written by: Lenny Burden, Lawrence Burden, Lorne Burden
Published by: Munchman Music BMI
Mix Engineer: Ollie Knight

Octave One

Tiers (Level a Edit)

Tiers (Level A Edit)

KiNK - Cloud Generator

🔥 Out Now 🔥

Pre-release Bandcamp:- techhouseharper.bandcamp.com/album/body-control

Lose yourself in stripped-back grooves, heavy basslines, and hypnotic rhythms. This album brings pure underground energy straight to the dancefloor—raw, dark, and relentless. Perfect for DJs and true house lovers.

Groove Reactor

👉 Please show some ❤ and repost.

As Amsterdam Dance Event returns in full swing, Tanzgemeinschaft drops a timely and tightly curated compilation: ADE 2025 – Melodic Drift. More than just a showcase, this release is a statement—celebrating the label’s vision of melodic house, techno, and progressive sounds with a genre-blurring edge.

Across its vibrant tracklist, Melodic Drift connects the dots between rising talents and trusted names in the Tanzgemeinschaft family. Fresh voices like Nex Coper, Pedro Aviles, Maikol Beach, and Lupe Republic bring new textures and rhythms to the forefront—lush pads, evolving basslines, and emotionally tuned melodies built for both headphone journeys and dancefloor moments.

Returning favourites—Pedro Mercado & Karada, DJ Andy De Gagé, and Yves Eaux—anchor the compilation with signature grooves and refined production, each track reflecting the depth and maturity of their craft. Add in hypnotic contributions from Twilight Music Sculpture, LackOfAffekt, and Pedro Sanmartin, and you get a compilation that flows like its title promises—steadily, melodically, and with purpose.

Designed to soundtrack ADE and beyond, Melodic Drift is a fitting reflection of our label's DNA: forward-thinking and committed to showcasing global talent. Whether you're discovering new names or reconnecting with familiar sounds, this VA is your entry point into the Tanzgemeinschaft universe.


Favour to ask. Please follow the label on Beatport. It means a world to us. Much love.
https://www.beatport.com/label/tanzgemeinschaft/73641



ADE 2025 - Melodic Drift

Magic Garden (Original Mix)

Buy / Stream

DJ Andy de Gage´ - Magic Garden (Original Mix) [Tanzgemeinschaft]

Virton Upgraded (Ben Klock Remixes)

Virton Upgraded

Heavenly Revisited Album

Into The Future

Joey Beltram - Slice (Carl Cox Remix)

Nostalgik.3

Spastik (Dubfire Rework)

DJ Rolando aka The Aztec Mystic-Knights Of The Jaguar

Victorious

Spin

THE BELLS / PURPOSE MAKER / JEFF MILLS / AXIS - Jeff Mills flagship track from Kat Moda was one of the finest techno releases of the 1990's.  It's pretty much Holy Grail.  So first things first, I've been spending most of my free time making music.  Sometimes I get lucky.  In fact if this version didn't excell while I was creating it, I would have simply walked away and left it alone.  But it began to sound really good & punchy.  I started feeling like Jeff would really enjoy it.  

I mean "Let No Man Put Asunder" is one of the most sampled vocals of all time.  But the placement of the words in this one, I heard it in an old 2011 track by Butch, and knew it would accent The Bells well.  It's really subjective but I will leave it up to you.   Enjoy.

JEFF MILLS - THE BELLS - THE 2021 FRANKIE BONES REDUX

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.