Charles Fenckler - Gewitter

DVS1 - "Black Russian"
KW13 - Klockwork
Release date : 16 July 2014

READ THE FULL ARTICLE : http://www.traxmag.fr/dvs1-black-russian-interview

FULL ARTICLE ON TRAX

DVS1 - Black Russian

Red 1

Protective Custody (2023 Remaster)

Nevermind

Roboto

Ace in the Sky

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Track: Shake (Original Mix)
Artist(s): David Lowe
Record Label: Issues
Release Date: 5th September 2025
Buy: https://www.beatport.com/release/shake-ep/5211920

We’re excited to premiere the lead track from David Lowe’s latest release on Issues. The London-based DJ and producer has been steadily carving out a reputation in the UK underground with his trademark blend of heavy-hitting drums and dark, infectious basslines. His music has already landed on labels like Mindshake, No Bad Fridays, Roush, Muse, DPE, and Techords. Now he returns to Issues with a cut designed for the floor.

'Shake' is as direct as it comes. Punchy percussion drives the rhythm while a relentless bassline keeps the tension high. It’s a track made for peak-time sessions, stripped back yet full of character, with the kind of energy that cuts through any system.

The release also features 'Max Effort', another dark and functional roller that leans on crisp drum programming and an unrelenting groove. Both tracks show Lowe’s focus on no-nonsense minimal tech with maximum dancefloor impact.

Having first appeared on Issues in 2023 with 'Like This', Lowe is back with a sound that feels sharper and more assured. With early support from selectors already building, this release looks set to underline his rise as one of the UK’s most promising underground names.

David Lowe
https://www.instagram.com/davidlowe_music
https://open.spotify.com/artist/52dT7EHXa4b74ozIjFISzD
https://soundcloud.com/daveyy95

Issues
https://www.instagram.com/issues_label
https://soundcloud.com/issueslabel

David Lowe - Shake [Issues]

Oxia - Bouni

Heavenly Revisited EP1

Savage & Beyond

Circuit Breaker: Overkill (1991) PRO02

Out now on Rekids: lnk.to/REKIDS165

Techno pioneer Robert Hood debuts on Rekids with a blistering release entitled ‘Nothing Stops Detroit’ ahead of an album this winter.

Over the last three decades the Underground Resistance alum has continually been at the forefront of the techno genre whilst releasing on many of electronic music’s finest labels to boot. In recent years his solo outings have appeared on a select few labels such as Dekmantel, Music Man Records, not to mention his very own M-Plant. Having made appearances on Rekids in the past remixing label boss Radio Slave - both as Robert Hood (‘Don’t Stop No Sleep’) and Floorplan (‘Feel The Same’) - the Detroit originator now drops a four track release in his official debut on the label.

With its machine aesthetic, ‘Nothing Stops Detroit’ is unmistakably Hood from start to finish. Precision kick drums propel the title track forward as stuttering effects and deep stabs work alongside a march band rhythm. ‘7 Mile Dog’ is next with its grainy synths and scintillating pads, making way for the meandering bassline, rattling atmospherics and trippy, oscillating top line of ‘Ignite A War’. Finally, ‘The Cure’ is a cacophony of twisted percussion and rumbling low-end that energetically concludes matters.

Robert Hood - Nothing Stops Detroit

Protein Valve EP

A.M. Track

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.