Shlomi Aber & Guy Gerber -  Sea Of Sand (Cocoon)

House Music Box (past Present No Future) - Remixes

The Electrifying Mojo (Roman Flügel Remix)

"Around 3 years ago I became a father and that changed my life. This series is about my son’s world seen through my eyes: the inner sleeve artwork was made by him and the mouth on the label is his. All the titles of this second chapter are also taken from Carlo’s own dictionary: “E Dee” is the first sound he used to make trying to communicate, it could mean many things. “Babu” is the evolution of “Babuke” (in the first volume) Dad, “Didda Dae” is a kind of song that he invented, “Allullu Azzo” is the name used by Camilla to call Carlo." - Fango

BUY on BANDCAMP

PREMIERE : Fango - Allullu Azzo

33 Tours Et Puis S’en Vont

Laurent Garnier "Reviens La Nuit"

Aril Brikha - Winter

KMS 230 FOUNDATION

It's been over 17 years since the last E-Dancer release with it's critically acclaimed "HEAVENLY" LP.

Well he's back.... Kevin Saunderson as E-Dancer brings that iconic sound back with his upcoming release "FOUNDATION" set for the summer of 2015 out on KMS Records.

Kevin Saunderson as E-Dancer - Foundation

Latin house track, summer, mojito and sun.

Que rico suena - Nico Cardone

Beatport: https://pro.beatport.com/artist/yotam...
Traxsource: http://www.traxsource.com/title/51646...
Juno Download: http://www.junodownload.com/…/yotam-avni-this-i…/2881510-02/
iTunes https://itun.es/us/ZGgU9

Israeli producer Yotam Avni is back with a fresh cut of uplifting, inspirational dance-floor music, along the same lines as some of the killer cuts he's produced for the likes of Robsoul, Be As One and Osunlade's Yoruba records imprint. Weaving elements of Detroit techno, jacking Chicago house and deep atmospheres, Yotam Avni's productions - either under his own name or pseudonyms - Avadon and Jersey Real Estate - are guaranteed to keep the midnight oil burning, no matter the crowd. It's with this reputation that Ovum Recordings welcomes the passionate producer to it's ever-swelling ranks.

Yotam's debut for Ovum Recordings is of the same quality and ilk that weve come to expect. The title track's original mix is proud and uptight, bursting in with a clipped but swollen kick drum, fat around the edges and deep in it's descent, before a vocal snippet chimes in through a mesh of bass gradually stomping its way into earshot with a gentle canter before those bass tones become a full on wobble and the driving rhythm to the track is notched up on the break, mixing Yotam's trademark uplifting house with galvanized, toughened techno beats. 

On the remix we welcome the Dutch bastion of techno Mr. Steve Rachmad, who delivers a superb rework under his darker and deeper Sterac alias. Jacking, rolling and pumping, his remix focuses on the filters. Dry flanges, acid stabs and filtered analogue synths sit atop a frenetic hi hat for a bass-less but high impact smasher. 

Closing the EP is the intriguingly titled Bbbooy Skat, that runs with a hypnotic, wavering acid synth lines and muted, clipped kick drums - reminiscent of his live looping techniques when Djing - before igniting into progressively building techno roller, adding elements of percussion atmosphere and melody, never once shifting focus from that hypno-top line. A subdued but effective midnight roller that offers an endless conclusion to another triumphant set from the Ovum Recordings crew. 

Huge Support from: Marcel Dettmann, Dubfire, Martinez Brothers, Mano Le Tough, Adam Beyer, Kolsch, B Traits,Danny Tenaglia, Rolando, Doc Martin, Blawan, and more!!!!


Yotam Avni - This Is How (Original Mix)

Hugg & Pepp - Snabeln

Vinyl & Digital available here: https://lnk.to/4WDG720

Musically we are exploring the ‘power or powerlessness people feel over the things that shape their world’

Building on the success of Vol 1, Detroit pioneers Octave One now serve up Locus of Control Volume 2, continuing their journey of exploration of power or powerlessness over what moves one’s world. 
This EP comes after a busy series of shows for the most famous live act in all of techno, with them recently having played everywhere from Piknic Électronik Montréal to Movement to Dimensions Festival and many more. The show is an all new audio-visual experience for 2019 and continues to keep them at the forefront of the scene despite more than 30 years of experience. Locus of Control Part 2 follows a remix of Giorgia Angiuli and lands on their own 430 West label once more. 

This EP series takes its name from a psychological concept that refers to how strongly people believe they have control over the situations and experiences that affect their lives. Part 1 showcased euphoric piano stabs and uplifting drum lines, and Part 2 explores more propulsive techno. 

Up first, ‘Afrotech’ is a seven minute techno adventure. It’s built on sleek, crisp drums with twisted synths writhing about up top. The devil is in the detail and the way the synths are subtly tweaked throughout to make for a most dynamic journey once more from these brillaint brothers. 

The excellent ‘Detune’ is a futuristic track with layers of shiny metallic drums and taught synth riffs that make for a tense and thrilling ride. Big drums power things along and the whole thing is the sort of sensory overload that will blow up even the biggest warehouse parties and festival stages. 

These are two more powerful tracks from the ever essential Octave One.

Buy Vinyl & Digital

Octave One - Detune

Boris Werner - Set It Off (Makam Orchestra Drama Mix)

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.