Kevin sanderson

Kevin Saunderson - My Story

trey song

sets

Kevin Saunderson Mix

Tecno History

KevinSaunderson

knowledge is power and music is the.........A.... .;-)

---MUSIC ED---

EDM Meets Funk/House

Reese ‎– Rock To The Beat
Label: KMS ‎Records – KMS 022
Format: Vinyl, 12", 33 ⅓ RPM 
Released: 1989


Reese - Rock To The Beat - My Story 001

Little Louie Vega, Junior Vasquez & Danny Tenaglia -, Sounds Of The New York Underground  94

The first remix, my first remix, here's the story of Wee Papa Girl Rappers - Heat It Up

Label: Jive ‎
Format: Vinyl, 12", Promo 
Country: US
Released: 1988
Genre: Electronic, Hip Hop

Wee Papa Girl Rappers - Heat It Up - My Story 004

SvanSikh - Lose Control

The Reese Bass - My Story 005 featuring the Reese track - Just Want Another Chance (Original Mix).

The Reese Bass - My Story 005

The Reese - ‎Inside Out Vinyl - My Story 006

Format: Vinyl, 12", 45 RPM 
Country: US
Released: 1991
Genre: Techno

Reese ‎– Inside Out Vinyl - My Story 006

E-Dancer My Story 008

http://www.mixmag.net/feature/carl-craig

The Detroit ace delivers an hour-long master class

In Session: Carl Craig Detroit Love

Kevin Saunderson in Da mix 1

Kevin Saunderson in Da Mix #2

A concept mix of some recent Fred P, FP Oner and FP197 tracks. Hope you enjoy listening to this as much as I did mixing it. Recorded live in NYC over Vinyl and Digital with a RaneMP2015.
Tracklist: 
FP Oner - The Law of Correspondence - Mule Musiq
FP197 - Comes with Fries - Finale Sessions
FP Oner - Infinite Love - Mule Musiq
Fred P - Wave Patterns - Rex Club Music
FP Oner - The Art of Regeneration - Mule Musiq
Alex Danilov - Unknown Numbers (Fred P Reshape) - Arma
Fred P - Reach - A Harmless Deed
Fred P - It Is What It Is - Strength Music 
Fred P - Electric Bridge - Mule Musiq
FP Oner - The Relm Of Possibility - Mule Musiq
Fred P - Splitting Particles - The Corner
Fred P - Emotive Vibrations - Finale Sessions

Present Sonics VIII: Black Jazz (All Fred P Mix)

Fred P (Soul People Music)
Date / Friday 16 December 2016
22:00 - 06:00
Venue / Breakfast Club
Rothschild 6, Tel Aviv,
Israel  Israel

TASCAM DR-100MK2

Fred P At Breakfast Club (Tel Aviv)

Tresor.Klubnacht
Date /
Saturday
4 February 2017
23:59 - 12:00
Venue /
Tresor
Köpenickerstrasse 70; Mitte; 10179 Berlin;
Germany  Germany
Cost /
tba
Members attending /
48
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Event admin /
TresorClub
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Promotional links /
Tresor Berlin
FB Event

Line-up /
Globus:
Live: Kuniyuki (Mule Music/ JP)
Fred P (Soul People Music, UQ/ US)
Laurine & Cecilio (Slow Life/ Berlin) 
John Dimas (Elephant Moon/ Berlin)

Tresor:
Roman Poncet (Tresor Records, Deeply Rooted/ Paris)
Oliver Deutschmann (Vidab/ Berlin)
Mario Berger (Tresor.Berlin)

FRED P @ TRESOR  BERLIN (Germany)

Legendary Detroit DJ Ken Collier, Live at Club Heaven

Ken Collier - Club Heaven, Detroit (Early 90s) Pt.1

Pt 2 of Legendary Detroit DJ Ken Collier, Live at Club Heaven

Ken Collier - Club Heaven, Detroit (Early 90s) Pt.2

Kevin Saunderson Live @TIMEWARP 2012

We Can Play House (pretty ricky voice)

Boiler Room Broadcasts: Dollop's Detroit Series w/ Kevin Saunderson, Factory Floor (Live), Boddika, Bradley Zero, Flora Yin-Wong & Dollop DJs

[Broadcast on 13th July 2012]

Tracklist & video at http://boilerroom.tv

Kevin Saunderson 120 min Boiler Room Broadcasts DJ Set at Dollop Detroit Series

Pre-Order Dreams & Nightmares (In Stores 10.30) on iTunes right here: http://bit.ly/MeekMillDandNPreOrder

The "Intro" to Meek's highly anticipated debut album.  

http://www.meekmilldreamteam.com

Dreams and Nightmares

White Chocolate & Dantiez Saunderson - Logarythm (Original Mix) [PREVIEW]

"What are the origins of your sound, your influences, and how they shaped your early recordings?"

What were the differences between Chicago & Detroit in the late 80s, and what were the key venues?

"How did techno and house develop in Detroit, Chicago, and NYC within the black community?"

"What caused the black audience to move away from techno and house towards hip-hop and R&B?"

How can the next generation keep connected with the roots of techno and keep it relevant?

'89-'91: The KMS studio began in downtown Detroit, which lead to the birth of KMS Records. 

Here's the story behind it.

-Kevin

How KMS Got Started

This audio is taken from Kevin's set during a very special digital only event with Mixify dubbed "The Saunderson 3", which featured opening sets from his sons Damarii and Dantiez.

Read more about the event here: http://bit.ly/112mVax

Kevin Saunderson LIVE on Mixify - May 14, 2013 - FULL SET

http://detroitsound.org/artifact/ken-collier-mixtape/

Ken Collier: 82 83 84 Mixtape

Chris Brown ft. Aaliyah - They Dont Know

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.