Yousel 500

For The Kraftwerk (Rework)

Lemon 8 - Model 8 (remix 1993)

Laurent Garnier - Bang (The Underground Doesn't Stop) - Full Track

DOWNLOAD IT on BANDCAMP: https://skyboymusic.bandcamp.com/track/rs-dont-stop-no-sleep-belooshis-bill-clinton-in-detroit-re-edit

ALREADY SUPPORTED and downloaded by Mano Le Tough, 50Weapons crew, youANDme, Christian Prommer, Krystal Klear, James Teej, Romare, Ripperton, Alex Niggemann, Dirty Channels, Andrea Di Rocco, Marcel Knopf, Black Loops...

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John Belooshi strikes back with this amazing piano-chord-claps-rides-crashes re-edit of the zupatrack by Radio Slave "Don't Stop No Sleep" out now for Non Series.

It seems to see Bill Clinton saying "Please, Don't Stop" to Monica during a convention in the 90's in DETROIT!
xxx

DL on Bandcamp

Radio Slave - Don't Stop No Sleep (Belooshi's Bill Clinton In Detroit re-edit)

Pulsations

Aril Brikha - Groove La Chord

Grab your copy here: https://hanssin.bandcamp.com/track/get-down-extended-edit

Get Down [Extended Mix]

FINNEST music presents Chilezzine by Mōiqe and Kleinfinger from Mexico. Chilezzine and 4Luv are two incredible tracks that will surely become essential in your collection. 

ENJOY!

Chilezzine

Beatport

Mōiqe & Kleinfinger - Chilezzine (Original Mix)

Floorplan - Baby, Baby

Detroit’s KING CHEETAH is here with his debut 12” for Light Body Works.  Growing up in the haze of late 90s Detroit record shopping brought about the inspiration for this record.

“I wanted to capture that moment when you put the needle down on that record that gave you goosebumps, the find you were looking for… you only hear 2 seconds and you know its for you”

King Cheetah finds the appropriate space in between sounds and harmonies, rather than all the focus on the actual sounds, all while exercising a subtle rhythmic action that can be heard down the block.

Welcome to Light Body Works.

KING CHEETAH - WATER MAZE [LBW 001]

KMS 30th Anniversary EP

Idyllic

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.