Kevin saunderson

Supernatural

Oasis

Stephen Brown and Fossil Archive, aka Roberto, team up for ‘3D World EP’ this April.

Following his acclaimed debut album ‘Tungsten’ on Kneaded Pains in 2021, as well as the recent ‘Motionless EP’ in February 2022, London based DJ/producer Fossil Archive, aka Roberto, joins forces with Edinburgh’s Stephen Brown, an artist whose work has appeared on Subject Detroit, Djax-Up-Beats, Echocord Colour, and more throughout his illustrious career.

Leading the release, ‘Control C’ sees the duo effortlessly weave syncopated stabs, knocking percussion, and rattling hats together for a suitably trippy start to the EP. Title cut ‘3D World’ follows with dense, emotive pads intertwined into sleek, building arrangement, one for the early hours. ‘More House’ bring pounding kick drums under swathes of FX and flowing chords before the final track, ‘Travel’ brings the tempo down for a hypnotic journey built for eyes-closed moments on the dancefloor.

Founded by Roberto in 2015, the Fossil Archive label has released music by artists such as Voiski, DJ Rolando, Sterac aka Steve Rachmad, Roman Lindau, Robert Owens, and many more, including Roberto himself. As a DJ, Roberto has played at the likes of fabric, Tresor, Berghain and more.

Fossil Archive ‘Motionless EP’ drops on 25th February via Fossil Archive.

https://fossilarchive.bandcamp.com/album/stephen-brown-and-fossil-archive-3d-world-ep-fauk012

https://soundcloud.com/stephen-brown
https://soundcloud.com/fossil_archive_rmk

3D World EP

PREMIERE: Stephen Brown & Fossil Archive - More House [Fossil Archive]

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Boiler Room Chicago: Phuture (Live), Kevin Saunderson, Gene Hunt, Paul Johnson, and Glenn Underground.

Broadcasted on February 26th 2014.

Kevin Saunderson Boiler Room Chicago DJ Set

Faxid (Tiga & Jesper Dahlbäck) - Faxman [Turbo 227]
Stream & Buy - https://turborec.lnk.to/Faxman

"Faxman" was originally released as a vinyl-only white label 12” in 2005 under the ‘Faxid' moniker, later revealed to a small group of elite tastemakers as an alias for longtime collaborators Tiga and Jesper Dahlbäck.

The timeless 303-laden bomb harnesses a signature off-kilter Tiga vocal hook, steeped in light-hearted yet deadly serious imagery about a master of the one-time revolutionary technology - the Faxman.

The track was abruptly thrust back into the spotlight following a rinse on Tiga’s recent Boiler Room set in Montreal, with the shockingly entitled techno masses calling for a long-overdue digital release (these were their actual demands; it had to be both digital and long-overdue). We’re happy to answer that call and ride Faxman Fever straight into the inevitable technological utopia that awaits us all.

And having learned a bitter lesson about what our fans seem to think they deserve, we are also including the even more underground Tiga/Jesper track “Acid in My Head.” But please remember this for future reference: you are in no position to be making demands. 

Subscribe to Turbo World News: http://bit.ly/turboworldnews

Connect:
http://www.turborecordings.com/​
http://www.facebook.com/turborecordings​
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Stream & Buy

Faxid (Tiga & Jesper Dahlbäck) - Acid In My Head

Label: Uranus (3) ‎– KW333
Format: Vinyl, 12", 180 Gram 
Country: Germany
Released: 2013
Genre: Electronic
Style: House, Techno

Kris Wadsworth - 333b

Per QX and Zoo Brazil Give It Up

Sometimes you just gotta give in to the classic and oldschool sounding vibes and that's exactly what
happened when we heard this brilliant piece of house music from Per Qx & Zoo Brazil the first time.
“Give It Up” will take you back to late 80s house and hopefully put a smile on your face when you listen
to the feel good vibes thats been placed all over this track.
We reached out to one of the legends behind the late 80s house-wave revolution Kevin Saunderson for a
remix of this gem and he teamed up with his son Dantiez and delivered 2 completely different remixes.
One 90s inspired house remix and a more nuschool tech house remix. And as if that wasnt enough we
also got some superb late night bangers from the techno-favourites Pig&Dan with and without the vocals
for your pleasure.
We are honored to be able to release this incredible package on Noir Music.

01. Per QX and Zoo Brazil - Give It Up (Original Mix)
02. Per QX and Zoo Brazil - Give It Up (Kevin Saunderson and Dantiez Saunderson Organ Remix)
03. Per QX and Zoo Brazil - Give It Up (Kevin Saunderson and Dantiez Saunderson Tech Remix) 
04. Per QX and Zoo Brazil - Give It Up (Pig&Dan Remix)
05. Per QX and Zoo Brazil - Give It Up (Pig&Dan Remix Dub)


<a href='https://theartistunion.com/tracks/2df890'>Download for free on The Artist Union</a>

Download

02. Per QX And Zoo Brazil - Give It Up (Kevin Saunderson And Dantiez Saunderson Organ Remix)

Minimalismo chirurgico, tensione contenuta e un'estetica sonora che taglia come un bisturi. 
Dj Phiil firma il nuovo disco su Modus Vivendi Group con Skip the rest .
Un viaggio preciso al cuore della Melodic Techno piu sobrio e mentale.

DJ PHIIL - SKIP THE REST

Summer Haze

Floorplan - Baby, Baby

Intacto Records was founded in Amsterdam in 2004 under the collaborative genius of Shinedoe and 2000 and One. Its catalogue is a melting pot of influences to surprise you each time. From techno to house...

Hybrasil - Rassor [INTACDIG064]

KMS 30th Anniversary EP

Idyllic

The "The Melting Point" mini compilation, featuring the track "Throwing Elbows" by @kink, will be out on December 01st through @dame-music. More info: bit.ly/MeltingKink

The Melting Point

Info

KiNK - Throwing Elbows

God Bless

Our Nation (Original Mix)

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Idyllic

Kevin Saunderson

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