techno

More Songs About Food and Revolutionary Art

At Les

Cultural Variance - DJ Bone

DOWNLOAD IT on BANDCAMP: https://skyboymusic.bandcamp.com/track/rs-dont-stop-no-sleep-belooshis-bill-clinton-in-detroit-re-edit

ALREADY SUPPORTED and downloaded by Mano Le Tough, 50Weapons crew, youANDme, Christian Prommer, Krystal Klear, James Teej, Romare, Ripperton, Alex Niggemann, Dirty Channels, Andrea Di Rocco, Marcel Knopf, Black Loops...

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John Belooshi strikes back with this amazing piano-chord-claps-rides-crashes re-edit of the zupatrack by Radio Slave "Don't Stop No Sleep" out now for Non Series.

It seems to see Bill Clinton saying "Please, Don't Stop" to Monica during a convention in the 90's in DETROIT!
xxx

DL on Bandcamp

Radio Slave - Don't Stop No Sleep (Belooshi's Bill Clinton In Detroit re-edit)

1. Phillip Sollmann - Phasing Out (edition en/off, unreleased)
2. In Sync - Storm - Evolution II E.R.P. Reinterpretation 
4. Efdemin - Oben (unreleased)
5. Efdemin - i-clid (unreleased)
6. Reel By Real - Fate
7. AnD - Embryonic 
8. Untitled Track
9. Ventress - Typhon (Abdulla Rashim remix)
10. Efdemin - Unten rechts (skit, unreleased)
11. Marco Shuttle - Spaziale
12. Jeff Mills - Running through Time
12. Dvs 1 - S.o.S.
13. Staffan Linzatti - The Contraption
14. Andre Kronert - Into the Zone
15. Acid Jesus - Radium (Naiif 006 promo)
16. Developer - In Pure Form
17. Terrence Dixon - Innocence 
18. Johannes Volk - Glare
19. Harold Budd - Afar


Electric Deluxe Podcast Efdemin

GPMCD078 - DJ T. pres. 25 Years of DJing - 1988-2013 (One Track Per Year) - Part 2	

E-Dancer - Heavenly

B2 - J. Theory

2nd-Hand Bassline

2nd-Hand Baseline

Rainbow Delta

трип are on an outrageous run lately. "I Wanna Go Bang" is the ubiquitous slammer we all know, Bjarki himself one of the tight coterie of hitherto-unheralded acts Nina has helped put on an international stage; gathered up on the label's 2xEP compilations. As well as the youngbloods, some more well-worn faces beloved by the boss have snuck their way onto the comps: and so it proves on TRP005, which sees the second cut from Detroit veteran Kelli Hand in as many releases.

K-HAND's "Sound 6" is, in short, an acid ripper. Resolutely mean and linear, the corrosive 303 pelts forward over a snapping beat with little pause from start to end. It harks back to the height of vintage Djax, another 90s Detroit stalwart; like we say, it rips.

Catch K-HAND's first ever Boiler Room in her native Detroit tonight (15th Nov) here.

K-HAND "Sound 6" - Boiler Room Debuts

The ancient haruspex used to read chicken liver in a bid to predict the future and foresee natural disasters. Taking influence from this technic, Fango embarked on a long insular trip, reflecting down till the depths of his own soul. The outcome of this arcane ritual is "Viscera", a series of 3 EP's focused on the pure essence of Fango’s artistic delirium.
 
Here is the first of the series, Viscera 1/3
 
TRACKLISTING:
A1 - Vena Cava
B1 - Valvae
B2 - Rectum

Fango - Rectum

KMS 30th Anniversary EP

Idyllic

► Answer Code Request returns to the holy Boiler Room Berlin halls to celebrates the release of his new album for Ostgut Ton.
► Follow us on SoundCloud: blrrm.tv/subscribe-sc

Answer Code Request Boiler Room Berlin DJ Set

Rockets compilation launches its 3rd edition. This very special VA series brings together new talent as well as established acts under the same project.

http://tibiza.eu

Before The Beginning (Original Mix) [Tronic]

In order to celebrate the milestone of reaching 2m plays on Soundcloud a few weeks back I’ve decided to give a track away by way of thanks. The track is called ‘Save Our Culture’ and was something I’d aimed to give to fabric during that campaign but, sadly, couldn’t finish it in time. 

With that in mind, please take a moment to check out Bassiani’s fundraising page as they’re going through something similar and I believe fabric are now putting their knowledge and resources into this situation so it seems apt to mention it :  https://bassiani.com/donate/

Ben Sims - Save Our Culture (FREE DOWNLOAD - MASTER)

207 planetary assault systems - booster-ktmp3

20 to 20

The Bass

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Idyllic

Kevin Saunderson

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