Kevin Saunderson @ CODE 10 Anniversary 23 Nov 2013 (Fabrik Club Madrid)

Kevin Saunderson live set  @ CODE 10 Anniversary 23 Nov 2013 (Fabrik Club Madrid)

Tresor (German for safe or vault) is an underground techno nightclub in Berlin and a record label.

History:

The club was founded in March 1991 in the vaults of the former department store Wertheim at Leipziger Strasse 126-128 in Mitte, the central part of East Berlin, next to the Potsdamer Platz. The history of the club goes back to 1988 when the electronic music label Interfisch opened the Ufo Club in Berlin. Ufo was the original centre of Berlin house and techno, but due to financial problems that club closed in 1990.
After Ufo closed, Interfisch's head, Dimitri Hegemann, and some investors in the club found the new space in East Berlin. This was advantageous timing, as it was only a few months before Germany unified. The vaults under the Wertheim department store proved to be the perfect location for a club, and Tresor quickly became the place to be in Berlin. Tresor continued to be a popular club, having expanded and reconstructed continuously several times to include an outdoor garden area, and a second "Globus" floor. The Tresor floor in the basement was reserved specifically for hard techno, industrial and acid music, while Globus was featured mainly more mellow house sound. The record label Tresor Records was founded soon after the club first opened, in October 1991. Featured artists on the label include Jeff Mills, Blake Baxter, Juan Atkins, Robert Hood, Drexciya, Stewart Walker, Joey Beltram, DJ Surgeon, Pacou, Cristian Vogel and many others.
In 2004 the documentary "Tresor Berlin: The Vault & the Electronic Frontier" was released. Directed by Mike Andrawis, it features interviews with Hegemann, Carola Stoiber, and DJs & artists associated with the club & label. The film covers the period from Hegemann's involvement with the Fishladen and UFO clubs in Berlin-Kreuzberg to the final months prior to Tresor's closure.
Tresor closed on 16 April 2005, after several years' prolonged short-term rent. The city sold the land to an investor group to build offices on the Leipziger Straße location. It was open for each night of April 2005, with the final event starting the Saturday night with queues stretching all the way down the road, and still going Monday morning.
Tresor reopened on 24 May 2007 in the decommissioned southern tract of the combined heat and power plant Heizkraftwerk Berlin-Mitte in Köpenicker Straße. 
Since November 2019 the club has a subsidiary in the city of Dortmund called Tresor.West. 
In September 2022, Tresor published a photobook, Tresor: True Stories, to document the past 30 years of its history.

3 Decks & Drummachine

Jeff Mills Live @ Tresor, Berlin Germany 14-12-2000 Part 1

Your listening to the full 3-hour closing set of BEN KLOCK (@ben-klock) B2B MARCEL DETTMANN (@marceldettmann) on Sunday of 909 FESTIVAL 2024 which took place the weekend of 1 & 2 June in Amsterdamse Bos.

You can find the video recording of this set on our Youtube channel | www.youtube.com/909FestivalAmsterdam

909 Festival Weekend is back next year for our 15 year anniversary! Stay in the loop and be the first to know when tickets drop for 2025: 909.nl/pre-register!

See you next year!

Much love,
909 crew

BEN KLOCK B2B MARCEL DETTMANN ▪ 909 FESTIVAL 2024

SEDUCTION

noisecore

Kevin Saunderson Live @TIMEWARP 2012

Rinse FM Podcast

Download

Kevin Saunderson Presents Origins (Movement Detroit Special) 17th May 2018

► Octave One made a full-power return with their inimitable live setup at Boiler Room x Ballantine's True Music Hybrid Sounds show in Valencia.
► Follow us on SoundCloud: http://blrrm.tv/subscribe-sc

Octave One Boiler Room x Ballantine's True Music Valencia

More of Derrick May:

Soundcloud: soundcloud.com/derrick-may
Facebook: www.facebook.com/derrickmayday

Derrick May @ DGTL São Paulo 06.05.2017

More of Ben Klock:

Soundcloud: @ben-klock
Facebook: www.facebook.com/Ben-Klock-60928281674/

Ben Klock [House set] @ DGTL Festival 2019 20.04.2019

Master of minimal techno Robert Hood, recorded live at London's Printworks in December 2019.

Photography: Jake Davis (http://www.hungryvisuals.co.uk)

For more information head here: https://www.factmag.com/2020/04/04/robert-hood-printworks-live/

FACT Mixes

Robert Hood live from The Hydra at Printworks, Dec 2019 (full set)

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.