Chicago House Classics & 102.7 WBMX (Old school house, acid, techno, freestyle, disco, High-energy, - Part 1

Chicago House Classics & 102.7 WBMX (Old school house, acid, techno, freestyle, disco, High-energy, - part 20

Detroit Techno  - part 2

Chicago House Classics & 102.7 WBMX (House music, old school, acid, techno, freestyle, high-energy, disco, r&b, soul, B96 wbbm, 107.5 wgci 88.1 wcrx, 90.5 wcyc, Chicago Hot mix 5)  - Part 1

ICE MC - CINEMA

Can't Get Enough [Explicit Version]

S&S Records, Inc. (and S&S Chicago, Inc.) was established in 2005 by 4-time GRAMMY® nominated producer Steve "Silk" Hurley and global DJ/Producer Shannon "DJ Skip" Syas. Silk and Skip merged Hurley's worldwide commercial success and Syas' strong global following to form S&S Records. S&S Records has accumulated a catalog of over 500 records and album projects from artists such as: Syleena Johnson, CeCe Peniston, Ann Nesby, DJ Skip, Paul Johnson, Kym Sims, Chantay Savage, J.M Silk, Jamie Principle & Steve "Silk" Hurley, just to name a few.

House Music and Remix Pioneer Steve "Silk" Hurley has remixed, produced and / or written over 200 records, with at least 50 of them reaching the Billboard® Dance Charts, and dozens reaching R&B and Pop Charts. He has countless Platinum, Gold, and Silver records, and his Productions have sold so far in the millions that it is difficult to calculate how many. Through the 90's until today, Silk's production and remixing services have been utilized on everyone from Michael Jackson, Prince, J-Lo, Madonna, Janet Jackson, R. Kelly, Mary J Blige, to Paula Abdul, Lionel Richie, and even Liza Minnelli. Silk is now a 4-Time GRAMMY® Nominated producer as well.

"Jack Your Body" was Steve "Silk" Hurley's first song released under his name as the artist, but not really the first (or the last) he released. It became one of the landmark records in the history of House music. Written and produced by Hurley, Jack Your Body became a major hit on the UK singles chart, reaching #1 for two weeks in January and February 1987. This was the UK's first house music #1, showing it was possible for house music to cross over. It paved the way for the acid house sound popular there during the late 1980s.

Now, with the new remixes of "Jack Your Body" years later by (Doorly, Ki Creighton & Olav Basoski), Steve "Silk" Hurley collaborates with today's hottest DJ / Remixers  in the dance world to reinvent the sound that made Chicago and House Music famous. This package features exclusive 1986 master four track versions.

Steve Silk Hurley - Jack Your Body (1986 Club Mix)

Dance Number 1's

Touch Me (All Night Long) (Touch This Mix)

Selections From The Original Soundtrack The Woman In Red

Love Light In Flight

Depth Charge 4

Re-synthesize

Intersteller Fugitives

Aquatacizem

Maroon

Mirage

Something Happened on Dollis Hill

The Lost Tapes: Tony Humphries Strictly Rhythm Mix

Move Your Body (feat. LaVette) [Radio Mix]

Now That's Family Reunion Music

Boogie Oogie Oogie

Tyree cooper kool rock steady - turn up the bass fast eddie house mix

The Sound (Power Mix) / The Groove That Won't Stop

The Groove That Won't Stop (Extended Remix)

curated by Jorge Cruz, mastered by Nate Oberman
released 31 July 2012 

"Review: Still treated with reverential awe, some 25 years after the label first got jacking, Trax keeps the summer popping with this excellent compilation of Chicago house and acid classics. After a short intro from the compiler, Jorge Cruz, you'll be treated to 303 masterpieces like Jack Frost's "Clap Me", Maurice Joshua's "I Got a Big Dick" and others from Adonis, Nic Sarno, Phortune and Farley "Jackmaster" Funk." - junodownload.com

Waiting On My Angel (Club Mix) Jaimie Principle

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.