Kreem ‎– Triangle Of Love
Label: KMS ‎– KMS 007
Released: 1987

Kreem - Triangle Of Love - My Story 003

Nick Berlin-Gimme Some A

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Full stream of 'Armour,' the new LP from Reeko under his Architectural moniker, out now on Wolfskuil Records.

@reeko
@darko-esser

Architectural - Delicatezza

Fierce banging tracks on the a-side of this Multivalence Volume 1, and two winning acidic techno tunes with a bit of an early Detroit, Belgium rave vibe on the flip side. Strong release on Kevin McHugh (Ambivalent/LA-4A) new series of various artist ep's on his Valence imprint.

3 Avalon Emerson - Glider Gun

Buy: https://fanlink.to/DIREC006

New York’s Marcos Cabral steps up for his first full release on Dimensions Recordings, with the Nature Walk EP. Following on from his epic Prochainement masterpiece on Dimensions 002, the EP provides a glimpse into the mind of a well-established and hugely respected artist. 

Nature Walk is a broad EP that demonstrates just why Marcos’s records have been finding their way into a multitude of DJs’ bags for the last fifteen years. From his work with Jacques Renault as Runaway, and his coveted Hamilton Dance Records output to his more recent deeper and darker leanings for leading labels such as Clone, L.I.E.S. and Mule Musiq, 
Marcos has quietly and studiously worked at developing an impressive catalogue which most folks who have brushed with house and techno will have heard…whether they know it or not. 

The EP provides a snapshot of some of the tastes and styles that Marcos has experimented with over the years, the rolling, energetic and optimistic sounding, not quite house, not quite techno of Wishful gives way to the brooding, dub techno of title track, Nature Walk. Cape Cod sees Marcos in classic, house mode with a cut that could easily have dropped on NYC’s Nu Groove Records, whereas Rice A Roni is a no nonsense nugget of twisted, grinding, acid. The EP rounds off with Let’s See How The Light Goes Through It, a spacey hypnotic workout for the late hours and a fitting end to a stand out EP from the self proclaimed, Hardest Working Man!

Nature Walk EP

B1 Marcos Cabral - Cape Cod

Sei A - Mangle

Buy on Bandcamp: https://tremorsglasgow.bandcamp.com/

Follow on SoundCloud:

https://soundcloud.com/tomlivingstonmusic
https://soundcloud.com/jamesshinra
https://soundcloud.com/tremorsglasgow

Follow Suprematic Sounds:

✖ Facebook ▸ https://goo.gl/vwLvQV
✖ SoundCloud ▸ https://goo.gl/C15UAE
✖ YouTube ▸ https://goo.gl/5H9ERG
✖ Spotify ▸ https://goo.gl/KnHfPL

Buy on Bandcamp

PREMIERE: Arctor — Memory Gene (James Shinra Remix) [Tremors]

Taken from edition eight of XLR8R+, an initiative to support independent music and culture, released January 2018.

Get the tracks: http://bit.ly/XLR8Rplus008

@levonvincent

XLR8R+008

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XLR8R+008: Levon Vincent - Dance With Me

OUT NOW DIGITALLY: http://lnk.to/jameswelshPH95

James Welsh continues his run of exemplary club singles on Phantasy with another powerful and uncompromising two-track release, Sitting/Rubber Dog. The record follows D974, which earned support from DJs including Laurent Garnier, Charlotte de Witte and Luke Slater.

Sitting enforces precision rhythm with a rolling, dystopian bass line alongside a hypnotic and memorable vocal sample. As the tension increases, the track’s clinical feel is unexpectedly flipped on its own head, blossoming into an intoxicating and emotive synth melody.

Meanwhile, Rubber Dog stays true to its absurdist title, as Welsh dials his analogue assistance to a head-spinning maximum, pulping out an unwieldy jam that blends industrial and electro influences to riveting and darkly psychedelic effect.

Sitting/Rubber Dog

Rubber Dog

LASMO is a Polish duo composed of Jaroslaw Smolny, well-known to everyone from previous house music projects performed together with Catz'n Dogz or SLG and his friend Tomasz Lachowski, currently taking bold steps in the world of techno music.
They made their first moves on the native music scene in 2017. In April, they conducted and played on the TECHNO Conference in Lodz and continued on the second edition of Lodz Electronic Music Festival DOMOFFON, performing alongside Jonas Kopp, Anthony Rother, Dopplereffekt and others.
Their joint enthusiasm and energy pushed them towards taking action in the studio, resluting in a dozen of fresh and strongly energetic techno tunes. They do not intend to let the grass grow under their feet and continue their work on a new music material. The result of their cooperation was a brand new label called Interval Records.
Limited 12" 140gr black vinyl / mastered at Gagarin Studio / artwork Pawel Giza
Buy: https://lobsterrecords.co.uk/products/lasmo-mf-please

https://soundcloud.com/lasmomusic

Listen On YouTube

PREMIERE #943 | Lasmo -  Fabric Body [Interval] 2020

Mastered by Justin Drake / The Bakehouse Studio
Artwork by Benjamin Prescott

Lupe - Daddy

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.