Dj Rolando - Knights Of The Jaguar (Alec Lino Edit)

The Same Old Heart

The Same Old Heart (Extended Mix)

Out now: https://orcd.co/REKIDS256

Legendary House don Harry Romero joins Rekids for the first time with the ‘Nice To Meet You’ EP comprising two massive tracks with classic NY House DNA with the sort of modern twist Romero’s become synonymous with throughout his two-decade-plus career. The Bambossa Records founder now lands on Radio Slave’s flagship label following an impressive 2024, which featured releases on Faith, Nu-Groove, Cécille Records, and Defected.

“Rekids has always been on the top of my list as a DJ, and I have always wanted to have a release on such a dope label. We have a similar approach to music in that we always blur the lines between Techno and House music. This is a proper bucket list release for me, and I am beyond excited for everyone to hear these two tracks. They both really
exemplify where I am and where I have always been musically.” - Harry Romero

After his appearance on Rekids’ podcast series in August, House hero Harry Romero starts the label’s 2025 with the ‘Nice To Meet You’ EP . First up is the title track, a uniquely hypnotic cut with a bold kazoo melody and raw, club-ready low-end that shines on the breakdowns and high-impact drops. ‘Danny’s Groove’ is next, a track with real Romero energy, its rhythm carefully layered with an organic drum shuﬄe at the centre, an ear-catching whistle melody in the back, and plenty of synth hits in between - the ‘Nice To Meet You' EP is a masterclass in building and releasing energy on the dancefloor.

Buy/Stream

Harry Romero - Danny's Groove

Buy/stream: https://kompakt.fm/releases/speicher_134

When a new RAXON release drops it’s always strongly recommended to firmly hold your socks and pants as they might get blown off. And oh dear… We caught him in an extraordinarily randy mood for his 4th outing on our prestigious Speicher series. “Acid Call” is a positively rude high energy funk beast, ready to take dancehalls of any size or color to pieces. With “Don’t Cry Pluto” Raxon turns into a punk version of the legendary Pied Piper, graciously luring us away from this boring village into a world of fun-fueled madness. What a guy, this Raxon!


Acid Call

Raxon - Acid Call

Ashee's latest EP features three tracks of loopy and late-night magic... 
Ashee has mastered the art of crafting high-impact club tracks that are never safe but always characterful. They get the dance floor's attention and keep it with an electric blend of techno, acid, rave, house and garage always served up with a raw punk ethos. As well as high profile Radio 1 support and sets everywhere from Off Sonar to Gottwood, he has landed on labels like Circoloco and Life And Death as well as Aus back in late 2022 with his Shifty EP.
Joseph explains that this EP was "my way of exploring the underground ‘afterparty’ sound. Patient bubblers that don't hinge around a bit moment. Influence from 90s Warp Records, Berlin minimal, UK post-dubstep. Always looping but always changing."
Opener 'Falsetto' brings cosy backroom mischief with a tightly coiled bassline infused with acid and menace vocal mutters. It's the sort of low-key and sleazy sound that gets lips curled and fists pumping in mock disgust. The deep and driving 'Forever' keeps the freaky feels flowing with a swaggering bassline and stripped-back drums that get asses wiggling. It's got plenty of old-school garage attitude but with future-facing synth motifs that bring a cosmic twist. Finally, the brilliantly charming 'Dustin' rides on clipped and funky kick drums that bounce along beneath silky pads. The big fat bassline is cheeky and irresistible while trippy melodic details and subtle vocal fragments all flesh out this most colourful house sound.
Ashee's Falsetto EP arrives on 2nd May, with the single 'Falsetto' dropping on 11th April 2025.
A1. Falsetto
B1. Forever
B2. Dustin

Dustin's Falsetto

Dustin's Falsetto EP

Ashee - Falsetto

Geht's noch?

Butch’s newest offering ‘Retechno 2’ is a bass-heavy, dark, two track techno delight. The kick drums are intense, the samples interesting and the synths apparent – Butch’s quirky style of production can be heard throughout. Magnetic, holding a futurist edge with it’s spaceship sounds, cuts a deep groove with eager crescendos and heavy drops. Antimatter is packed with energy, a driving bass line and fierce drops. Butch’s productions are raw, powerful and robust - a release not for the faint hearted.


Butch - Magnetic - Drumcode Limited - DCLTD17

KMS -105 Kevin Saunderson MIX 

out now on Beatport

http://www.beatport.com/release/the-orb/884463

Kweku Saunderson - The Orb (Kevin's Saunderson  Mix)

20 to 20

Superfreak (Freak)

“Feel The Rhythm” es una pista enérgica con elementos que suman intensidad a cada beat. Presenta un sample vocal que, además de darle nombre al track, complementa muy bien la base sólida de una canción con claro destino de pista. Son casi seis minutos con un inteligente juego de elementos que desembocan en una bajada y posterior drop para desatar la locura.

La nota completa en www.DJMAGLA.com

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Suara

PREMIERE: Deadwalkman "Feel The Rhythm" (Original Mix)

Green Velvet - La La Land (Layton Giordani Remix

Green Velvet - La La Land (Layton Giordani Remix)

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.