Including "Spektre Remix", "Lutzenkirchen Remix", Balthazar & JackRock Remix" :: n.01 on BEATPORT TOP DOWNLOAD HARD-TECHNO CHART, n.32 on BEATPORT TOP DOWNLOAD RELEASE CHART

ANDREA FRISINA, IRREGULAR SYNTH - DUB CITY (ORIGINAL MIX)

BEK006 - Gary Beck - Hands In Mine

Victor Vera - Pressure (Dani Sbert Remix) [UNITY RECORDS]

Currently in heavy rotation by the likes of Maceo Plex, Adam Beyer and Sven Vath 

Cut from DCR720 – Drumcode Radio Live - Adam Beyer live mix from Resistance at Ultra, Santiago 
https://soundcloud.com/adambeyer/dcr720-drumcode-radio-live-adam-beyer-live-mix-from-ultra-santiago 

► IDJunkie 
https://soundcloud.com/idjunkie 
https://youtube.com/idjunkie 

If an artist, label or stakeholder has an issue with an upload please message or email (idjunkie@hotmail.com) and it will be removed immediately.

Run DMC vs. Jason Nevins - It's Like That (Raxon Edit)

The Same Old Heart

The Same Old Heart (Extended Mix)

Out now: https://orcd.co/REKIDS257

Tiger Stripes appears on Radio Slave’s Rekids for the second time, following up his ‘I Heard It Through The Bassline’ EP with the ‘All Night Long’ EP this February. For title track ‘All Night Long’, an anthemic vocal calls to action as infectious sub-bass drives a snappy groove. It’s the kind of House Tiger Stripes does best, with follow-up ‘Goddess’ chugging along with more deep low-end while eﬀective sampling breaks up the arrangement throughout.

Strange Idols’ Tiger Stripes is a prolific producer, remixer, and DJ active since the early 2000s. He’s collaborated with artists like Kerri Chandler and Jerome Sydenham and released music via heavyweight underground imprints, including Hot Creations, Get Physical, and Rekids, where his ‘I Heard It Through The Bassline’ EP won support from artists like Solomun, Laurent Garnier, Seth Troxler, Honey Dijon, HAAi, and more.

Buy/Stream

Tiger Stripes - Goddess

Butch’s newest offering ‘Retechno 2’ is a bass-heavy, dark, two track techno delight. The kick drums are intense, the samples interesting and the synths apparent – Butch’s quirky style of production can be heard throughout. Magnetic, holding a futurist edge with it’s spaceship sounds, cuts a deep groove with eager crescendos and heavy drops. Antimatter is packed with energy, a driving bass line and fierce drops. Butch’s productions are raw, powerful and robust - a release not for the faint hearted.


Butch - Magnetic - Drumcode Limited - DCLTD17

Andrea Toma - Master Loop

Big Fun

Till We Meet Again (Carl Craig Remix)

Countach

Countach (Original)

Green Velvet - La La Land (Layton Giordani Remix

Green Velvet - La La Land (Layton Giordani Remix)

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.