patrick - Part 1

Envelopes

PommRing

Inverted Particles

Machine lernt

Care For Me

Poison

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The Same Old Heart

The Same Old Heart (Extended Mix)

Superchumbo - This Beat Is (Peace Division's Deeper Mix)

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Radio Slave readies a double A-side to mark the 100th release on Rekids this February.

Having recently celebrated ten years, the consistency of music on Matt Edwards’ Rekids is indisputable with releases from Nina Kraviz, Mr. G, David Morales, Peggy Gou and DJ Deep to name a few. Aside
from his A&R abilities Edwards’ extensive understanding of electronic music is evident in his various pseudonyms. Amongst these Radio Slave is easily his most illustrious and most fitting for the seminal label’s milestone 100th release.

“I had to make these tracks. It’s what we do and it’s the perfect release for Rekids 100” – Matt Edwards

Containing all the hallmarks of a Radio Slave production, ‘Another Club’ merges looped vocals with thudding kicks as echoing stabs and infectious hats work their magic. On the flip, ‘Feel The Same’ is a
funky slice of Detroit inspired house.

A. Radio Slave - Another Club

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Following on from the success of the debut release on his own TNC imprint, a slow burner rapturously received by a host of DJs from The Black Madonna to Fatboy Slim and Artwork, Lemmy Ashton finally returns to the pressing plant for a second installment, delivering another trio of irresistible underground anthems that shoot for maximum dancefloor fulfillment. 

Silver Suitcase is a sprawling, disco informed and refreshingly unpretentious odyssey, holding the tension and staying respectably fabulous over nearly ten minutes of Paradise Garage guitar licks, ricocheting toms and teasing breakdowns that speak directly of the London DJs well known love of vintage filter house. Quite simply, there are no Braxe to be put on this jam.

As comfortable in the role of 808 provocateur as feel good disco king, Lunaire gives the EP its name and bristling centrepiece, via. a raw, acid flecked jam. An expertly executed hardware trip, it will chime gleefully true with those who have had the pleasure of experiencing Ashton's surprisingly sleazy, willfully hedonistic streak, one honed in sweat drenched late night discoteques scattered across London.

On the flip and ably rounding off this succinct, three track excursion, Amsterdam pays tribute to Europe's crate digging capital with a rolling jam that blends an utterly infectious bassline with a capochanony of cinematic samples. Each delivers a short, sharp burst of tongue in cheek dance floor drama, all atop a rhythm you could ride for days. 

Upfront, underground and ever so slightly OTT, The Lunaire EP is the sound of a DJ and producer rooted in the booth, hooked on the studio and utterly determined to make you move. Po faces need not apply. All credit to the dancers.

- John Thorp

Silver Suitcase

Big Fun

Till We Meet Again (Carl Craig Remix)

Little Black Book Remixes

Love Sweet Sound (Kölsch Remix)

Ulysse-sometimes

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Green Velvet - Answering Machine (Coyu Remix)

The Lyman Woodard Organization Don't Stop the Groove

Theme in Search of a Sportspectacular

My Name Is Beuys from Telekraft

My Name Is Telekraft

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Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Till We Meet Again (Carl Craig Remix)

Kevin Saunderson

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