Being considered relatively known on the international scene, Marseille based DJ and producer Matt Sassari has suitably proven his strength in both the studio and behind the decks. With releases on notable labels such as CR2 / Truesoul / Panterre Musique / Terminal M / Intec / Relief. Matts unique blend of Techno and Tech House made his first top 1 overall beatport chart with 'Put A Record On' in 2019. Followed by his newest 'Give it to me' record an official adaptation of Timbaland’s 2007 Hip-Hop classic and US Billboard #1 + #1 UK Singles Chart, featuring Nelly Furtado and Justin Timberlake. ‘Give It To Me’ has been recently certified Gold Disc. Implementing his effortless live style on stage, Matt’s productions have proven to be popular and resulted in over 12 million monthly Spotify listeners and taking him across the globe. With continued support from likes of Carl Cox, Adam Beyer, Joseph Capriati, Chris Leibing, Nicole Moudaber. This is just the beginning for Matt Sassari.

Respirando música desde quando veio ao mundo graças a sua família de músicos, Elvinho Sircili é o nome por trás de Duckhandz. 
Desde sua infância atua em bandas de rock e descobriu a música eletrônica na adolescência. Elvinho é multi-instrumentalista, vocalista, produtor e atua na cena eletrônica desde 2006 com apresentações pelo exterior e por todo o país em grandes núcleos como Green Valley, Kaballah, Pink Elephant, The Garden, Soulvision, Fishbone.
Já recebeu suporte de grandes nomes como Vintage Culture, Victor Ruiz, Liu, Gabriel Boni, Dubdogz, Vinne, Gustavo Mota, Gabe, Malaa, Sebastién Léger, TJR. 
Com lançamentos em grandes gravadoras como Universal Music, Sony e Som Livre, suas músicas já alcançaram TOP 9 da Rio Music Conference, TOP 9 do iTunes, TOP 4 das 50 Virais do Brasil no Spotify. Com mais de 12 milhões de plays em streamings, ele despertou a atenção de grandes festivais como o Electric Zoo, que escolheu sua música como trilha sonora oficial da edição brasileira.

duckhandzmusic@gmail.com

Submit demos: https://www.label-worx.com/demo/dirtybird
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Claude VonStroke created a small underground record label called Dirtybird in 2005 and grew it into a full-fledged events, clothing and music brand over the last 15 years. During this time, he has also managed to release 4 artist albums and some of the most iconic house music tracks of the last two decades. 
 
Most people know Claude VonStroke for his smiling DJ persona touring every major city, festival, and basement after-party around the world. But Claude has also influenced the very fabric of the dance community, A&Ring an impeccable roster of acts like Justin Martin, Fisher, Shiba San, Catz n Dogz, Riva Starr, Tim Green, Breach, Eats Everything, Walker & Royce, Shadow Child, and countless others. (And even naming a few of these artists.) Today, his Dirtybird label continues to surprise and innovate in the underground dance scene, releasing an enigmatic combination of house, funk, dirty bass, and electronica.
 
VonStroke has released four original artist albums, a remix album, and a live album recorded when he closed the famed Movement Festival in his original hometown of Detroit, Michigan. Some other music highlights include working on records with Bootsy Collins, Rihanna, Disclosure and Kevin Saunderson, as well as a few #1 and #2 hits on Beatport.  His partnership with Green Velvet as “GET REAL” has been one of the most rewarding friendships as Claude originally modeled his career off the quirky enigmatic style of his mentor and now good friend from Chicago. 
 
In 2015, VonStroke brought his first festival to light called Dirtybird Campout, a unique boutique festival based on the games and activities associated with American Summer camp mixed with the best underground house and bass music in the world.  He continues to innovate and curate new events with 2 additional multi-day festivals mirroring his Birdhouse radio show in Los Angeles and Chicago, and his record BBQ event series that has been going since 2003!
 
VonStroke also loves art; most notably pop-surrealist artwork that he has commissioned for the last 7 years on Dirtybird for all of the releases.  Each year he hires a new artist and has had the pleasure of working with renowned artists such as Jeremy Fish, Dulk, Graham Carter, Dan May, Charlie Immer, Raoul Deleo and Felicia Chiao. Walking through the Dirtybird HQ in Los Angeles is like walking through an art gallery in the Wynwood district of Miami. 
 
A lot of his success can be attributed to a good attitude. Claude does not scowl or look mean while he DJs. He does not pretend to know everything and he truly loves his fans. He is grateful to be curating, creating and performing music for a living and he knows that the reason people go to parties is to shake their booty and have fun.

Deko-ze, dubbed 'Canada's hardest working DJ', has been setting the standard in the Canadian music scene for nearly 20 years. Promoter, radio show host & producer, promo pool reporter, magazine columnist and record store music purchaser are some of the hats he has worn over the years. While burning up the decks across Canada, as well as in the US, Mexico, UK, Germany and Taiwan, he is renowned for his ability to seamlessly meld genres (house, tech, tribal and techno) into his own signature vibrant and energetic mix.

With tracks, compilations and remixes on Deported, Hotboxdigital, Pacha, KULT, Coraza, Natura Viva, Tactical and Hi-Bias Records and with the launch of the Jungle Funk label with co-conspirator Jerome Robins, you'll be hearing a Lot more from Deko-ze!

pre-save Jaded EP :P https://deadmau5.ffm.to/jaded

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

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