2.5 Hours of Progressive and Techno bangers to kick off the new year x

Kev Wright - Sublime XXV (January 2020)

From spinning early breakbeat/rave tracks in Edinburgh’s institute of dance music ‘The Venue’ (RIP) in September of 1990,on to residency’s at Edinburgh's seminal tech trance club night 'Sublime',The Venue,Beatroot@Ego, Pivo Cafe and Low Gravity@The Liquidrooms, Kev's unique fusion of deep & driving tech-styles has led him to become one of the respected figures within the Scottish clubscene. 
Since 1993, his radio shows & guest mixes on Forth 1, Kiss FM, Beat 106,Fresh Air,BBC Radio Scotland, Clyde 1 & Dex FM (Sydney) have given him the opportunity to push his sound to an even wider audience.Having played over 30 guest mixes on East/Central Scotlands premier station Forth 1 between 1993-95,he eventually moved on to present his own Saturday night show on Forth in 2002 and is currently in residence on Beat 106 Scotland.
He has released under his KPAXX guise & Kev Wright since 1999 ,with vinyl releases on Well Wicked, Addictive records & Plastic Fantastic,moving into the digital age & the realms of Beatport with remixes and releases on Plusquam,Black Hole, Avanti, Plastic Music,Adjust Recordings, Audiablo Records,Fixate,Beat Therapy & Quanza from 2007 through to present day.

Bookings,production and promo: beatlaundry@gmail.com

I've been listening to electronic music since I was old enough to tune into the John Peel show on Radio 1. Peel first introduced me to Chicago House, Detroit Electro and Rap. I would listen to an entire show with my finger hovering over the record button of my 'tape-recorder' close to the radio speaker just to record whatever 3 electronic imports he would play each night. I wish I'd kept those recordings.
From the moment I first heard 'Roxanne Shante' I sought out everything I could ranging from Kraftwerk, Mike Oldfield, Kurtis Mantronik, Africa Bambata, Grandmaster Flash, Gorgio Morodor, Axel-F, Jean Michel Jarre and just about anyone who used a synth to make music! With the arrival of House in the mid-late 80's the likes of Marshall Jefferson, Frankie Knuckles, Farley Jackmaster Funk, Steve Silk Hurley, Adonis and many more American underground House producers, the music had developed into a new, seriously exciting phenomena.
Music progressed at pace with House and Acid imports driving change, the UK in particular underwent an epiphany of sorts in the 80's and 90's. From Break-Dancing to New Romanticism, the music developed, finally morphing into the early genres of Acid Trance, Techno and Progressive Trance. Heavily influenced by American and underground Dutch and German artists and with the advent of clubbing and non-speaking mixing DJ's, it opened up a Pandora's box of new music, influences, sounds and styles. What that amounted to for me (and most others like me) was an ever-growing range of electronic music that was continually breaking free from pigeon-holes and mainstream pop culture. Electronic music had become the new classical music of a generation.
I can only say that electronic or computer music has evolved beautifully in the past 40 years and I love it as much now as the day I first heard John Peel play fantastic American imports.
I'm not anything more than a bedroom DJ and electronic music enthusiast. I have the greatest admiration for those who DJ publicly and seek to build a following or career from DJing, but that’s not a path I’ve tried to follow. I do love to put together great tunes, so for me using this sort of platform for sharing music is perfect for me. I do mixes both on my decks and using Ableton, as sometimes I find it easier to create a journey through that medium. 
As for making music, I’m slowly finding my way around Ableton in order to bring life to the musical ideas rolling around my head. 
Anyway, I hope you enjoy the mixes I post, please give me some feedback and if nothing else, support the artists themselves and buy their music.

Angrish

I like to create mixes of atmospheric progressive house, with the occasional bit of techno thrown in too. I always strive to make every mix a proper journey, hopefully ebbing and flowing whilst balancing dark and light, throughout. 

All my mixes contain a blend of propulsive, driving tracks, coupled with deeper, more emotional productions. There is so much amazing music out there, and I always aim to do it justice, and put any track in a context that will give it maximum impact - whilst still fitting perfectly with the mix as a whole. 

I know when the time is right to record a mix, as I feel an absolute compulsion to do so. Everything uploaded to this page has come about as a result of that. I hope they all convey the overall feeling, and warmth, that I was striving for.

I am immensely proud of all of the mixes I have uploaded to my page, and the many others that are hosted elsewhere on this site - all of which can be found my playlists. I very much hope that any of you kind enough to take the time to listen, enjoy them.

I was a resident for Progressive House UK from 2020-21, and all the mixes that I recorded for that excellent site, and many others not on here, can be found at: 

https://www.mixcloud.com/steviereid/

In addition, I was a winner in a mix competition judged by Quivver in 2017, a hugely proud moment. I have also done guest mixes for Gai Barone's Patterns show, Il Modo, PFG, Saturo Sounds, 21C Progressive House and Melodic Distraction.

A bit about me: I am Edinburgh born and bred, I feel incredibly lucky to call this beautiful city home. Growing up, the house was always full of music thanks to my parents. I was also lucky enough to be exposed to some fantastic music thanks to my older brother's exemplary taste.

When branching out on my own, of a wide variety of genres, Depeche Mode were the band that spoke to me the most - with honourable mentions to New Order and The Smiths. 

Even as a young child, the dark atmosphere of their tracks resonated with me, and that has been the biggest influence on the kind of progressive house that I play in my sets.

It was early 90s rave music that first got me into dance music, but it was hearing the bassline on Orbital's 'Halcyon' for the first time in 1995 that made me realise that such music could move you in many, many more ways. 

Seeing Leftfield live in 1996 at the Barrowlands in Glasgow remains the most incredible music experience I've ever had. I was a regular at some seminal Edinburgh clubs in the late 90s and early 2000s, but it was at the legendary Taste where I truly found my clubbing utopia. 

In 2006, thanks to the generosity of Mark and Brian at a Taste afterparty, I had a shot of CDJs for the first time. Later that year, thanks to the advent of virtual DJing, I began recording mixes. I've never really stopped since.

In terms of influences from the world of progressive house, there are too many to mention - but Quivver is my all time favourite producer. As such, when my December 2017 mix was picked out by him for a mix competition he was running, it was among the proudest moments of my life.

I would always consider myself to be a bedroom (or living room!) DJ first and foremost, but I have been lucky enough to play at some fantastic clubs and venues.

I made several appearances at Karnival in Edinburgh, the undoubted highlight of which was appearing on the same bill as Inner City. I was also lucky enough to play at (the sadly now defunct) Kinfolk in Brooklyn NYC, with two of my closest friends.

If DJing was something I never thought I'd end up doing, making music most certainly wasn't - but thanks to Edinburgh legend Kev Wright, I have co-produced numerous tracks that have been released since 2011.

Through Kev I was also lucky enough to tag along with he, Gary and the Beat Laundry crew - and playing live streams during lockdown, with that amazing community, managed to put so many special times into an era that was so challenging for everyone.

My true happy place has always been playing at parties in my living room, or at a friend's house, with a great group of people. 

Those opportunities are few and far between now since my amazing daughter Anya was born in 2023 - but I'm at a different stage of life now, and I am blessed to have this amazing addition to an already phenomenal family.

Making mixes will never leave me though, and I very much hope to still continue to do so, as much as I can, going forward. As much as it's amazing playing in front of a crowd that you're in sync with, I love the permanence of a recorded mix.

There is no better feeling than receiving messages from someone you haven't met, on the other side of the world, letting you know that they are enjoying something that you have created.

As long as I feel compelled to keep putting them together, I will most definitely do so. 

(Very well done if you read this far!)

@TartanTechno overspill account - for reposting DJ mixes, mainly Scottish locals with international guests in clubs here, guest mixes and sets from Scottish labels. See the main track reposts account bio for more Scottish artists to follow.