Name: 12 keys on a Ring by ⓀⒼiƞk
Duration: 55 s
Description: playing with some music theory here - experimental - solo synth

Antonio Vivaldi La Stravaganza
Concerto no.2 in E minor 
La stravaganza (The Eccentricity) is a set of concertos written by Antonio Vivaldi. The set was first published in 1716 in Amsterdam. All of the concertos are scored for solo violin, strings, and basso continuo; however, some movements require extra soloists (such as a second violin and/or cello solo).


Breathtaking Vivaldi

Galagie cand taci slowed and reverb

Beastie Boys vs. Grateful Dead - TRIPLE SHAKEDOWN

⏺️Daftar di bandar domino terpercaya "Pokersakti" ❤️ 
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GHEA INDRAWARI - JIWA YANG BERSEDIH (POKERSAKTI )

Magnus Kite

Self-recorded demo from Pittsburgh trio features crunching riffs and driving rhythms.

Tarpley

Sometimes Re-incarnation

On The Rocks - Concrete Paradise
Track: 3 This business trip to Shanghai could raise more than a profit margin. This slowed down, bass boosted banger stimulates more than just the economy.

On The Rocks - 未来的情人 Future Lover

playing with some music theory here - experimental - solo synth

12 keys on a Ring

Dmitri Shostakovich Waltz No.2

Dmitri Shostakovich wrote his Symphony No. 2 in B major, Op. 14 and subtitled To October, for the 10th anniversary of the October Revolution. It was first performed by the Leningrad Philharmonic Orchestra and the Academy Capella Choir under Nikolai Malko, on 5 November 1927. After the premiere, Shostakovich made some revisions to the score, and this final version was first played in Moscow later in 1927 under the baton of Konstantin Saradzhev. It was also the first time any version of the work had been played in Moscow.

Dmitri Shostakovich - Waltz No. 2

2025 ⓀⒼiƞk All Rights Reserved. #kgink #KGink ƘƓiƞk KGiNK, kg ink, known by many names - all leading to the same well - plenty better than this lifelong musical diary of one. town idiot, court jester, among the disappointed enough to create their own!
working on 'the next'.  #ⓀⒼiƞk

i'm into musicians - far beyond singers without instruments - people that LIKE to play/record REAL instruments - played by various lips & limbs with intention - practice - improvisation on themes, ideas.
So here in wealth's commerce of sales it's an invisible compelling option - making music - not for a dime - factoring in the time, effort, costs - instruments, electricity, computers, microphones, audio inspirations - 
Thank you for listening & if u can relate - for saying so!
Just another musician in USA trying to survive. Very concern for the direction of my country and world.  Always thankful to such a chorus of artists that i just want to add my own. Thanks for all that amazing LIVE music STILL out there. 

Thanks to defenders of Human Rights, Social Rights, Secularism, Animal Rights, equality, arts of hope & talent & the hopeless untalented one's too, civility, peacemakers, humanitarians, explorers, listeners. most of all those poor art makers, like Chopin, unknown, obscure, meaningless, trying to drowned out all the violence, commercialism, weeping, anguish, poverty with anything beautiful they can create by hand or voice - but also into modern synth & creating my own home made loops, seeing art in different ways in a modern world, not copied or used but intentionally made to be different, unique, one of a kind. 
 

https://www.youtube.com/channel/UCaKQIPGKlbetkPGTNrEa0OQ (youtube page)

https://music.apple.com/us/artist/kgink/16701785 (Apple Music Page)

https://www.amazon.com/music/player/artists/B0012BG13Q/kgink (Amazon Page)


just be honest
if you like it - great - if not - well maybe next song?

&if i, we&so many others - make music or explore crafting our own arts.
use our time to make our own designs in arts we enjoy - not for & FAR from! any money or fame but to cultivate personal desires/visions - looking for an audience - to know that someone listens/likes not paid. 
Lets hope that it helped to make us better people - not only hearing & appreciating talents but in trying to be better in all the fields

12 keys on a Ring

ⓀⒼiƞk

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