Artifact...

Official remake of the soundtrack in de_train from the Golf 4, Enjoy!

de_train CS2 REMAKE

My lyrics that inspired Glen to produce this track are listed below.
Vocals, Melody, Mix and all Music by Glen Granthem

MANY SONGS WRITTEN
ABOUT THE WATER
MOST HAVE BEEN FORGOTTEN
DIDN'T SEEM TO MATTER

SOMETHING ABOUT A GOOD TIME 
SPLASHIN' AROUND IN THE WATER
BEIN' ABLE TO UNWIND
NOTHIN' MUCH BETTER

(CHORUS)
IT'S NOT A GOOD DAY
IT'S AGAINST THE LAW THEY SAY
TO GO IN THE WATER
I'M IN MY PRIME
IT'S SPRINGTIME
WHY CAN'T I GO IN THE WATER
I WANT TO GO IN THE WATER

I DON'T REMEMBER THE BEACHES
EVER BEIN' CLOSED 
IF YOU GO IN THE WATER 
YOU'LL PAY THE CONSEQUENCES

WE'RE ALL IN IT TOGETHER
PRAY THE FUTURE WILL BE BETTER
STAY OUT OF THE WATER
CURFEW'S REALLY DO MATTER

(REPEAT CHORUS)

2020 © Lyrics by Tony Harris (BMI)

Why Can't I Go In The Water - Lyrics by Tony Harris - Featuring Glenny G's "One Man Band" Original

Decided to take the road less traveled, at least for me. I think in these times people sure wish for something like magic to take these troubles away, but as with anything that we don't understand there is a great potential price to pay in these arcane experiments. Enough with the jabbering, take a listen and really hoping all is as well as circumstantially possible in your life.

bandcamp

Magic Stones

Arfur Tab's Grand Day Out

Katie Mason - Tumble Down ( evol mix )

All sounds created and produced by The fudge nuts

Continue The Sound [Single]

From Within The Plasma (2006) (Free Download)

Thanks to Rick for the idea and organisation and to all collaborators. I like every section. Here's Rick's description (please read):

* written and produced by 
0:00- *Rick Shearer 
soundcloud.com/rix-shearer-ism/tracks
0:16- *Jonathan Howard 
soundcloud.com/jonny-5ive/tracks
0:38- *Still 
soundcloud.com/still-audio/tracks
1:09- *RiZLiX 
soundcloud.com/rizlix/tracks
1:40- *DM 12 
soundcloud.com/dm-12/tracks
2:07- *Mario De Fazio/My Own Therapy

2:36- *Andrew Doyle 
soundcloud.com/andrew-doyle-32194121/tracks
3:06- *LED-M/Mototsugu Endo 
soundcloud.com/user-96978190/tracks 
3:34- *Greg/Swim the Current 
soundcloud.com/user-699521979/tracks
4:05- *Spotnickdacat 
soundcloud.com/spotnickdacat/tracks
4:40- *Christian Levitan 
soundcloud.com/user-872366230/tracks
5:00- *Khaki Green Gills/Ian West 
soundcloud.com/khakigreengills/tracks
5:27- *Pablo DMF 
soundcloud.com/pablo-d-m-fontana/tracks
5:44- *Rick Shearer (Linear Collaboration 1 concept/director/design)

Description: In March of 2020, I was curious how a collaboration could sound if the collaborators didn't know who each other were and what they would create. I wanted the collaboration to be created in a straight (linear) path, not mixed, re-mixed and layered over, as most collaborations are created. 
So there I was, sending this invitation to various Sound Cloud artists I follow:
"LINEAR COLLABORATION" is the name of my new project!!
Would you like to to volunteer as a collaborator? ....and it goes like this:
As the concept coordinator, I will tie a collaboration in one linear path starting with my 20- 30 sec. secret/anonymous untitled instrumental. I will pass that secret track to the next person. The next person will create a 20-30 sec. untitled instrumental which they think might sound good right after the secret/anonymous track they received from me. When completed within a week, that person will send their newly created 20-30 sec. untitled instrumental to me. only. When received, I will send that anonymous segment (only) to the person next in line who's style I think will sound as a nice follow-through or an interesting contrast to the secret track they received. The only part of the project you will know is the one anonymous track sent to you. That instrumental will be the one right before your's in the final collaboration track. If needed, the only changes I might make is volume levels and/or shortening the length via fade-in/fade-out. You are the sole writer and producer of your composition. Even if the collaboration track might "sound better" by rearranging the order, I will not change the order in which the tracks are sent and received. I want it to be an honest linear path with unpredictable continuity, contrasts and surprising results. Once the project is complete, I will post it. That is when you will discover who created that anonymous secret track you received. You will also discover who received your anonymous track as inspiration. Best of all, you will finally know who your fellow team members are and how the whole game played-out!
How The Game Played-out! :
On the whole, what you hear is what I got,
What I got was a wonderful result from 12 other collaborators who didn't know what the other's were creating and mixing individually! This comprehensive track clearly represents the personality, style and creativity of each artist. Every contributor has made this process thoroughly enjoyable! As a result, sometime before the end of this year, next in line is Linear Collaboration 2 . How many collaborators and who are next in line? 
... I don't know yet...perhaps one might be you!
- Rick Shearer / rixSHEARERism

13 Collaborators*  -  Linear Collaboration 1 (Rest in Peace Mario De Fazio)

Pending

It took 4 of us to complete this musical graffiti.  Fran and Fatya supplied great vocals – in that order. Mark gave outstanding bass – a foundation and highlight. All other instruments were mangled by yours truly with sounds thrown around for good measure, including percussion. A unique DNA splash zone. You get the picture.
- Hverheij

Notes for this track:
Harry Verheijen @Hverheij – original music composition – most instruments & percussion
Mark Kelley – added music composition – bass guitar
Fran & Fatya – vocal phrasing

Red, Gold & Brown (c) Hverheij + M. Kelley

Red, Gold & Brown

Red, Gold & Brown - Hverheij & M. Kelly - feat Fran + Fatya

Well, probably the last track for the Rotherweird project. It's been fun...

Calx Bole (Into The Hole)

I create seamless fusions of just about everything. All visceral, atmospheric and psychedelic with hidden depths upon closer inspection. The flow is also important. It exists on a continuum with micro-variations and subtle evolutions along the way.
The music can range from low down heavy darkness to softer and more positive, higher-vibrational new age. Yet even at it’s most crushing and industrial never succumbing to nihilism and instead feeling warm and inviting.
Very often humorous (in the form of deliberate cinematic pastiches), freaky and surreal. Inspired by dystopian sci-fi. Retro-futuristic.
I often wear my influences on my sleeve like Kraftwerk and Tangerine Dream but at my core I’m still self-referential with my sound. It operates at my own personal frequency.