Awesome “And Justice...” Metallica vibe!

The guitar sound (especially the duophonic FX) soars to new heights... tremendous work.

Gives me Steve Vai or Joe Satarini vibes. Love it the guitar harmonies

epic rock, great guitars, awesome sound. play on. (<:

Fabulous melodic metal rock immersed in hot vibes! Wonderful instruments and arrangements. Perfect guitars, bass, drums, synths... Precious composition!

This sounds great, it's brutal, wonderful guitars.

Fantastic songs from excellent musicians - and some of my own compositions and collabs.
Thanks to Tim Gouw for his nice photo (Pexels).

Splendid tracks by the end of 2021 (several genres)

A STREET OF LIFE
Written, Performed, Produced & Mastered
by Andrew Borderick Coptright AB Music 2021
https://youtu.be/NMqa5s3WLUo

WE'VE ALL MESSED ABOUT
MAY'BE BEEN THE FOOL
SOMETIMES TAKE A CHANCE
AND BREAK ALL THE RULES

TIMES  CHANGED SO FAST
JUST LIKE LIFE IT SELF
IN A BLINK OF AN EYE
THEN I SAW YOU

REMEMBER THE WAYS OF THOSE DAYS

I DON'T BELIVE IN MUCH
AND WHAT'S ABOVE
UNTILL THAT STAR
FELL UPON YOU
(chorus)
LIVING IN A STREET OF LIFE
LIVING IN THIS WORLD
GROWING IN A STREET OF LIFE
(break)
SOMEDAY WE'LL BE GREY
ROCKING IN THE SHADE
LOVING EVERYDAY
I HOPE IT'S WITH YOU

LIFE IS FULL OF LUCK
THEN YOUR NUMBERS UP
DON'T WISH FOR MUCH
IF YOU HAVE LOVE
(chorus)
LIVING IN A STREET OF LIFE
LIVING IN THIS WORLD
GROWING IN A STREET OF LIFE
I'M TAKEN TO THIS WORLD
LIVING IN A STREET OF LIFE
LIVING IN THIS WORLD
GROWING IN A STREET OF LIFE
TAKE ME

A STREET OF LIFE

A STREET OF LIFE (see info for video link)

This recording is an overdubbing of my guitar playing on the work "Lover's Prayer" by Lisha Nandi.
https://soundcloud.com/lisha-nandi-124733328/lovers-prayer
--------------------------------------------------------
When I first listened to Lisha's this work, I was completely fascinated by it. I think the vocals, lyrics, composition, and performance are all excellent, and the balance between them is wonderful.When I suddenly returned to myself, I was holding my Les Paul, and have started recording with it.

The original work released by Lisha can be thought of as a completed "acoustic version".If I think the purpose of adding and releasing my guitar playing to it is to promote and disseminate the existence of that wonderful "acoustic version".

＊If you are practicing playing the guitar, please use it to master the performance of "C # m Pentatonic Scale".I think there are several ways to practice playing the guitar with this song, this time I mainly played and recorded it using the "C # m pentatonic scale".

If the foundation is neglected, there will be no future development. Those who neglect their proficiency in the pentatonic scale and act as if they have mastered not only the pentatonic scale but also the blues scale will most hope that listeners will misunderstand that their guitar playing is good. .. It's a very dangerous adventure.

I eagerly want anyone to get out of that dangerous situation as soon as possible.Any guitar player who hasn't mastered it can't get out of the "beginner". I think.

If you know that it is used in the following representative songs, everyone who has not used it before will surely say "Oh, is that a pentatonic scale?"

The Beatles --Let It Be
This song has different solo performances on the single version and the album version, but it is a guitar solo called "A minor(C major) pentatonic scale textbook" from the time it was released.

Led Zeppelin --Stairway to Heaven
Even in this song, a guitar solo will appear at the end of the song. This is a solo performance using the "A minor Pentatonic Scale", which is a little more difficult than the above.

Eagles --Hotel California
A very famous guitar solo will be developed at the end of this song as well. Since it is a twin lead, it is a more difficult solo performance. The "B minor pentatonic scale" is used.


**[Materials for those who want to know about Pentatonic Scale]
junzo.seesaa.net/article/484819091.html?1639535452


The guitar playing that I layered on the original sound source is very simple. Some may say it's too simple.However, it doesn't make any sense to crush the sound of vocals and other instruments to make only the sound of the guitar.

There is no guitar solo in this attempt, and I didn't play the chords and tried to accompaniment phrases. This is because it is meaningless unless the listener can easily listen to vocals and other performances. Therefore, I think it is easier to practice the scale using the guitar.

PS
There are quite a few artists I would like to collaborate with someday. Lisha has long been one of the representatives, and I have long waited for the opportunity to come. Recently, I have actually had the opportunity to dramatically improve the collaborative environment. Even with an already completed sound source, it is impossible to completely separate it for each instrument, but now it is possible to separate files into several major parts. 

In this work, even if the volume is set a little louder to maintain the sound quality of the guitar, the vocals are cut out from other parts, so the volume and sound quality of the vocals could be sufficiently maintained. That is one of the major backgrounds that made it possible to release this recording
(I've uploaded a version here that matches the genuine Apple earphones for the iPhone, so  it's a good idea to set up an equalizer for your listening environment).

Lisha approved my this attempt to be published here. I thank her sincerely for her generosity.

JUNZO KOWASHI

Lover's Prayer

Lisha Nandi - Lover's Prayer ft.JUNZO on electric guitar

https://soundcloud.com/paco-ray: chord set, guitars, drums.
https://soundcloud.com/ruizzoidman21centurions: bass, lyrics, vocals, pocket sax, production.

Letra  /  Lyrics (Adaptation from a poem I wrote around my 15thBD)

SIEMPRE QUE TE VEO  /  WHENEVER I SEE YOU

Pasma al mirar tu serena  /  Astounds looking at your serene
faz y tu largo cabello,  /  face and your long hair,
y observar rostro tan bello,  /  and observe such a beautiful complexion,
más que asombrar, me enajena.  /  more than astonishing, it alienates me.
Cuando en mi oído resuena  /  When in my ear resonates
tu cálida voz, espero  /  your warm voice, I hope
girarme y verte, pues quiero  /  to turn around and see you, because I want
hacerte saber, mi amor  /  to let you know, my love
que te amo, y mi calor  /  that I love you, and my warmth
ofrecerte por entero.  /  offer to you completely.

Siempre que te veo, intento,  /  Whenever I see you, I try,
con mi mirada, expresarte  /  with my gaze, to express to you
que te quiero. Mi sustento  /  that I love you. My livelihood
es tu sonrisa, son tus ojos  /  is your smile, are your eyes
y tu cara de indecisa.  /  and your indecisive grin.
Si te miro, sonriendo,  /  If I look at you, smiling,
si te sigo, pues queriendo  /  if I follow you, as wanting
poseerte, tengo prisa.  /  to possess you, I’m in a hurry.

Quisiera mirarte, grácil,  /  I’d like to look at you, graceful,
bella y extraña cual hada.  /  beautiful and strange like a fairy.
Cual si no pasara nada,  /  As if nothing was happening,
mirarte, pero no es fácil.  /  to look at you, but it’s not easy.
Quisiera hacerlo con casi,  /  I’d like to do it with almost,
casi inhumano ardor,  /  almost inhuman ardour,
y contemplar con fervor  /  and watch with fervour
tus excitantes y sabios  /  your exciting and wise
pasos, y encender tus labios  /  steps, and turn on your lips
con tiernos besos de amor.  /  with tender kisses of love.

Siempre que te veo…  /  Whenever I see you...

Siempre Que Te Veo (with Paco Ray)

Last Rites

Late hours (A nocturnal chant)

What a wonderful splash!

Mediterana (Guitar solo)

This is a song that Computart came up with and passed on to me. It was just some ambient synth and a very simple beat when I got a hold of it, but it did have a really cool feel. I took it, and added five string fretless bass, electric guitar, piano, and organ. I then asked Tez (Llanpsych) to work his mix magic on it, which he did very expertly, as always. We hope you like it.

The Shining (with Computart [Phill Chris] and Llanpsych)

Llanpsych mix of Josh’s track.
All instruments by Josh with electronic sounds by Phil

The Shining - Entheogenic Psychonaut (Josh Clary) with Computart (Phil Chris)

Kamień / Stone

Ashes of the Fallen

Gladius 8 (wip) Sep 23, 2023

I have kept myself busy for the last year, writing this, I sincerely hope you check out the album and let me know what you think about it

Beneath The Fractured Sky

The Groover

It is a gentle guitar instrument
Play with finger picking

Songwriter by KUZUESSENCE Gt
Music production year: 2020

Guitars=KUZUESSENCE Gt
(SCHECTER~diamondseries-Tempest Custom)

【YOUTUBE】
https://youtu.be/xoKm6zOaJ8I

【compilation tracks】
AudioStock
https://audiostock.jp/audio/1387275
Spotify
https://open.spotify.com/intl-ja/album/69qjneiY5ti3IPD2F1sGBO
LINE MUSIC
https://music.line.me/webapp/album/mb0000000003ea025f
Apple Music
https://music.apple.com/jp/album/pops-vol-493-instrumental-bgm-by-audiostock/1773229352

Gentle man【Demo Sound Track】

Music by Val Akey and Daniel Gómez.
All guitars (leads, rhythms, bass) played by Daniel Gómez. https://soundcloud.com/danielgoram
Drums and keyboards programming - mixing and mastering by Val Akey. https://soundcloud.com/valakey
Release date: 14 December 2020

Away From The Oasis

A hobbyist composer/producer/musician. All tracks are original.
Please also visit our joint project with my friend Daniel Gómez: https://soundcloud.com/kheopslegacy
Thank you for listening!

Original tracks from the joint project of
Ghost Zeppelin https://soundcloud.com/danielgoram       &
Val Akey https://soundcloud.com/valakey.
Thank you for visiting our site!

Away From The Oasis

𝐊𝐡𝐞𝐨𝐩𝐬 𝐋𝐞𝐠𝐚𝐜𝐲

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