JKindie December Playlist

Winter2019/20

JAN'20

Hot-Like-2020-Vol-I

Choices Of The Grasshopper January 2020

Slithering Truth

KhruangBin

Con Todo El Mundo

Cómo Te Quiero

Fort d’avoir remis au goût du spritz la variété italienne en France, Alex Rossi revient le temps d’un album intemporel et définitif (signé par Kwaidan records et accompagné d’agnès b) sur ses origines transalpines, de Lucio Battisti à Pino D’Angio et sur sa déviance pour l’Italo-Disco. « Domani è un’altra notte », c’est son titre, sortira à l’automne aux premiers jours de l’été indien réalisé par « La Famiglia » aka ses amis Arnaud Pilard et Romain Guerret (Dondolo, Aline). 
6 ans après « L’ultima canzone » (sorti chez Born Bad), Alex Rossi « le plus italien des chanteurs français » ne pouvait pas rester que sur ce succès.
« Tutto va bene quando facciamo l’amore » est le premier extrait de son testament rital où tout est résumé en une seule phrase. Gimmick fédérateur qui donne envie de faire l’amour « con piacere » n’importe où et n’importe quand et où se balancent pendentif et gourmette dorés sur un tube humide accompagné par la chanteuse Jo Wedin qui lui souffle « J’adore le sax » joué par Laurent Bardainne (Poni Hoax, Limousine). 
Si, tutto va bene!

After having blown a refreshing breeze of Italian pop over France, Alex Rossi is back with a timeless and authoritative album (released on Kwaidan Records with the help of agnès b) centered around his Italian roots, from Lucio Battisti to Pino D’Angio, and for his Italo-Disco leanings. Entitled “Domani è un’altra note”, the full-length, which was produced by “La Famiglia”, aka his pals Arnaud Pilard and Romain Guerret (Dondolo, Aline) will be ready just in time for Indian Summer.
Six years after “L’ultima canzone” (released on Born Bad), Alex Rossi, “the most Italian of French singers” could not simply rest on his laurels.


“Tutto va bene quando facciamo l’amore”, the first single from this Italian testament, sums it up in one neat sentence. A unifying, gimmicky ditty that makes everyone feel like making love “con piacere” (anytime, anywhere) swings like a heavy gold chain and matching bracelet over a sweaty number featuring singer Jo Wedin, who coos “J’adore le sax”, played by Laurent Bardainne (Poni Hoax, Limousine). 
Si, tutto va bene!"

Composed by Arnaud Pilard & Julien Barthe 
Arranged by Romain Guerret 
Lyrics by Alex Rossi
Backing Vocals by Jo Wedin 
Produced by Arnaud Pilard & Romain Guerret
Mixed by Julien Galner 
Mastered by Shawn @Precisemastering
Photo By Marco Dos Santos
Published by Kwaidan
Artwork& design by MotoPlastic
KW 125 - P&C Kwaidan Records

Follow the artist
Facebook: bit.ly/2uJa32j 
Insta: bit.ly/2K4Glzi 
Bandcamp : bit.ly/2FZ1F5g

Follow the records label
Facebook : bit.ly/2pYzvyx 
Website : www.kwaidanrecords.net/

Alex Rossi  - Tutto Va Bene Quando Facciamo L'amore

Mary Always

Hasta El Cielo (Con Todo El Mundo In Dub)

Sisters & Brothers

Four of Five

Listen to my new track "Good Days" On spotify/soundcloud!!!!!

Buttercup Jack Stauber // cover (feat. Sophie Wood)

It’s Easy Then

It's Easy Then

'Networker' (Release Date: November 1, 2019) 

Spotify: https://u.subpop.com/2YQKrNz
Apple Music: https://u.subpop.com/2yIPSTY 
Sub Pop Mega Mart: https://megamart.subpop.com/releases/omni/networker

Bandcamp: https://omniatl.bandcamp.com/
Facebook: https://www.facebook.com/omniatl/
Instagram: https://www.instagram.com/omnideluxe/
Twitter: https://twitter.com/omniatl
On Tour: http://www.subpop.com/tours/omni

Sub Pop Records: http://www.subpop.com
Twitter: https://twitter.com/subpop
Facebook: https://www.facebook.com/subpoprecords
SoundCloud: http://soundcloud.com/subpop
MegaMart: https://megamart.subpop.com/
Podcast: http://subpop.fm/

Omni - Sincerely Yours

Milkweed fills the field
Out the way from where i live
All the wings have long died off
It’s a little too late not enough
Reaching out to touch my face
Turn from it to spite your gaze
Sorrows deep-it seems to stay
Matter what you do or say
It’s a sea without blue
A sea without blue
A sea and you
Don’t forget me
Don’t forget
Have a good thing but we let it slip
Throwing out hearts over one bad night
Regret we will for the rest of our lives
Days are long but they’re never with you
Hustling on while our love turns blue
I do it for you, you do it for me
Damn it’s lonely makin good on our dreams 
Make a choice if you want to stay
Then look at me and communicate
Forgive for real when you say you do
Don’t say i’ll make it up to you
You never do
It’s a sea without blue
It’s a sea without blue
It’s a sea without blue
Me and you
Don’t forget me  
Don’t forget
Have a good thing don’t let it slip
Throwing out hearts over one bad night
Regret we will for the rest of our lives

When We Stay Alive

Sea Without Blue

A meeting of legendary musical innovators as dub pioneer Lee "Scratch" Perry collaborates with polymath Brian Eno. A radical dub re-work overseen by Adrian Sherwood, re-configuring the track “Makumba Rock” from this year’s ‘Rainford’ album for the forthcoming dub companion LP 'Heavy Rain'.

Buy / Stream ~ on-u-sound.ffm.to/dreads

Lee "Scratch" Perry - Here Come The Warm Dreads ft. Brian Eno

Uneventful Days

Out on 12" LP / Digital on December 6th, 2019 

It’s been a few short months since Badge Époque Ensemble released their self titled debut, an ambiguous collection of woozy, narcotized funk. And yet already we have Nature, Man & Woman - a simmering new platter containing 3 songs, producing 26 minutes of dank flute-oriented atmosphere. 

The disco-sleeved 12” EP provides a revealing glimpse of a musically omnivorous approach. On Badge Theme we find the group upping the ante of the sound of their debut, unspooling 14 minutes of sensual Ike Hayes indebted oomph, sure to thrill future generations of loop diggers (cut live off the floor no less!). 


The A side contains 2 songs, which seem to hint at diverging future directions this eclectic combo might take moving forward. Opener “Zealous Child” comes as something of a sequel to the debut LP’s sole vocal featuring track “Undressed In Solitude”. This go round BÉE have teamed up with Toronto singer Dorothea Paas to ruminate on notions of spiritual wisdom overtop a progressive and climactically bombastic homebrew. Title track “Nature, Man & Woman” closes out the side with 6 ominous minutes of mysterious provenance. Somewhere between a live performance and a collaged tapestry, the group make more explicit than ever before their affinity for beat-centric loop music. Sounding like Lonnie Liston Smith gone trip-hop for a broadcast prohibited episode of Law & Order, BÉE posit themselves here as amongst the moodiest of contemporary instrumental collectives. Little wonder that library music enthusiasts around the world have made emphatic note of the Ensemble.

Badge Époque Ensemble - Badge Theme

Big Crown Vaults Vol. 1 - Lee Fields & The Expressions

Don't Give Up

ATTENTION!

Lake Tahoe

Desensitize

DOWNLOAD

Disaster Party

ALIENS

This Time Of Year

@jeanorjuan back at it with 'Don't Forget Me'!

Check it with similar songs in our weekly updated playlist: soundcloud.com/soaverecords/sets/pool-party

Follow Soave.
@SoaveRecords
@SelectedTunes
@SelectedDusk
@SoaveRadio
@SoaveMusique

www.soaverecords.com
Facebook.com/soaverecords
Twitter.com/soaverecords
Youtube.com/soaverecords
Instagram.com/soave.records
Spotify: bit.ly/soavespotify

Stream/Buy

Jean Juan - Don't Forget Me

Taken from Gavilán Rayna Russom - The Envoy LP/Download [ELP047]

• Solo debut album of pulsing, beat-less urges by NYC transdisciplary artist Gavilán Rayna Russom
• Includes guest appearance by industrial and downtown figures Cosey Fanni Tutti and Peter Zummo 
• Cut at D&M, Berlin

Transdisciplinary NYC artist Gavilán Rayna Russom beautifully comes into her own with a distinguished solo debut album statement including the voice of Cosey Fanni Tutti and brass arrangements by downtown legend Peter Zummo

After decades exploring her sonic personality in various projects inspired by her deep immersion in NYC’s club and avant-garde scenes, Rayna uses ‘The Envoy’ as a vessel to firm up and convey her personal conclusions on intersections of gender and electronic music. Enriched with complex human experience and key influence from sci-fi writer Ursula K. Le Guin’s novel ’The Left Hand of Darkness’ - a book that strongly resonated with her due to its descriptions of an alien race with multiple sexual characteristics - the album is intended to realign misconceptions of Russom’s prescient early work such as 2005’s ‘The Days of Mars’ LP for DFA, which arguably foreshadowed a rise of beat-less and more ambiguous urges that are now commonplace in contemporary dance music, yet were at the time lumped in with retro-fetishist trends. With ‘The Envoy’ Russom returns to a 2019 music scene that’s better prepared with the politics of an emerging new world, and thus readied for her ideas to take hold in the public consciousness.

Entwining Russom’s perspectives on gender, the occult, and spirituality, and how they relate to the body and music’s healing properties, ‘The Envoy’ clearly yet ambiguously expresses the artist’s concerns in nine interrelated parts. Practically devoid of percussion, but full of body-moving polyrhythmic pattern, the pieces spill out of the lines of any typically imposed “grid”. Within this loose context, porous to the chaos of noise, Russom smudges a blend of analogue and digital synths to connote an elusive sense of self, encouraging the listener to navigate the music’s curves and silhouettes by instinct. 

Employing the fluid potential of electronic music at its most fundamental in a way that loops right back to the glyding suspense of her prized early work, even literally incorporating elements of long form solo recordings made in the late ‘90s in the wake of Russom’s psych/noise band Soma.

Unanchored by kicks, yet pulsing in its own ways, the album flows with an underlying elegance from Cosey Fanni Tutti’s spellbinding recital of Russom’s text in ‘Kemmer’, set to an organic, orgiastic writhe of arps and stressed noise, and on thru the free-floating organ scape of ‘Envoy’, to acknowledge more grimly industrial impulses with ‘Strength out of the Dark’ and also a towering highlight of the album in ‘Discipline of Presence’, where Russom’s throbbing mass is hauntingly illuminated by plangent brass arrangement from Peter Zummo (key Arthur Russell collaborator). The 10 minute ‘Winter’ then wraps it all up under a titular reference to Ursula K Le Guin’s novel, placing Russom as a filament of solo piano-playing light within the cold expanse of NYC.

Gavilán Rayna Russom - Kemmer (w/ Cosey Fanni Tutti)[ELP047]

Monkey business

Monkey business (radio edit) [2023 Remaster] (radio edit, 2023 Remaster)

Foyer

Suscribe to Kitsuné Musique here : kitsune.lnk.to/Suscribe
Stop searching. Discover this month's refreshing music here : https://kitsune.lnk.to/playlist

Song by Séamus
Artwork by Tianju Duan

Follow Séamus 
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https://soundcloud.com/seamusmadeit

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https://www.instagram.com/holaduan/

Spotify, Deezer, Apple Music… : kitsune.lnk.to/playlist 
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Soft

Stream 🎧

Séamus - Soft⎜Kitsuné Musique

Texas Sun

C-Side

Boys Get Hurt - 'All Over You'
Music by Boys Get Hurt & Tiago.
Vocal.Lyric by Tiago.
Artwork by recto.verso_

Release Date:
2019/12/23

Label:
VLS

Available on
Spotify,Apple Music,Amazon etc

Link:
Tiago (Manchester, United States)
https://soundcloud.com/santi007-1

recto.verso_ (Casablanca | Morocco)
https://vsco.co/recto-verso/images

All Over You

The Good Soldier

Spiderwebs

Music/All instruments by MANOLIS
http://iamMANOLIS.com

Golden

MJ is now on Instagram: https://www.instagram.com/mintjulepmusic/

LYRICS
Mistakes we make always get in our way
But what use is a life in decay
Always afraid it’ll happen again someday
No two tears fall alike or so you say

You’re your own worst enemy
When you dive headfirst
So recklessly, so recklessly
You’re your own worst enemy

Tell yourself how sure you are until it’s true
Between breaths, I’ll pause
To tell myself all night through

What's out of sight is out of mind
I’m out of time, out of time

You’re your own worst enemy
When you dive headfirst
So recklessly, so recklessly
You’re your own worst enemy



www.facebook.com/mintjulepmusic/

Mint Julep - So You Say

Free Download

ABBA - Lay All Your Love On Me (Mighty Mouse Edit)

enya sub bomb

Barcelona Boy

Weirdo

Too Much

Every Bad (Expanded Edition)

Homecoming Song

'The song is a 3 and a half minute “snap out of it!” to myself when I’m feeling low, unconfident or not myself". - Katie

Sunflower started as a voice note of a choir we heard rehearsing at a rec centre one night. Charlie chopped the clip up in Abelton to create the hook that you hear off the bat when you listen, and what I think ended up being the heart of the song. It seemed challenging and different to any other idea we’d worked on and it was intriguing.  The chorus melody came first and was accompanied with lyrics I thought were phonetic fillers but ended up being a mantra that means a lot to me now.

The Sun And Her Scorch

Sunflower

Dizzy - Sunflower

Khruangbin is a band from Texas, started in 2011 by Laura Lee (bass), Mark Speer (guitar), and DJ (drums). We like to make music in a barn. 