Silences 2014 - 2018

Check out Conchúr's solo project here - soundcloud.com/conchurwhite

Sarah and Richard of Paper Aeroplanes grew up 30 miles from each other along the coast of West Wales, in houses you could see the sea from. They spent their formative years walking on cold beaches, messing in rock pools and finding records in charity shops - a world, and two hour drive, away from the nearest music scene. Or Topshop. 

Paper Aeroplanes have been described as folky, acoustic, well-crafted, haunting and emotive -but let your ears make up their own mind.  

"great, memorable songs and a voice that'd charm a piranha" - BBC Radio Wales
"Gorgeous"  - Lauren Laverne

A feature on BBC 3 drama Lip Service as well as radio support from 6Music's Lauren Laverne, Nemone & Cerys Matthews, Radio 1's Huw Stephens'  and  Steve Lamacq & Bob Harris on Radio 2 means that the band have been very busy so far in 2012.

don't think about Pink Elephant
https://arcadefire.komi.io

Musa Mohammed Fofana  professionally Known as Mbamcf  is a Liberian / Guinean and American  songwriter and Recording Artist born on The 16th of October 1996. He is 24 years of age old

Greatest up coming rapper.

“AG Chaco Deh Legend” on all platforms.

'Big Hurt Boy' is out now: https://linktr.ee/donovanwoods

Donovan Woods was in on the joke when he named his latest release. Riffing on a lyric from a Martin Simpson song (“Never Any Good”), Big Hurt Boy is a six-song exploration of how our failures — and our fixations on them — not only shape but enlighten us.

“I write about them again and again, just hoping people will still be interested,” the acclaimed Canadian singer-songwriter says. “So the title is poking fun of myself, that I’m theoretically this big sad guy who keeps getting dumped and writing fucking songs about it.”

Or you could think of it this way: Woods’ deep curiosity about the human condition is why we so clearly hear our own stories in his. The details differ, the characters change, but at their core, Donovan Woods songs are for and about everyone.

That’s particularly apparent on his new EP, which will be released March 18, 2022. Trying to capture more of an “undone” quality, Woods wanted his latest songs to “get back to the feeling that my early recordings had.” You hear that in the spare, subtle ache of “No Time Soon,” an acoustic monologue Woods describes as “the story of my whole life.”

“These are smaller, less polished songs than the ones I’ve been putting out recently,” says Woods, winner of the 2019 Juno Award for contemporary roots album (for Both Ways) and whose global streams have surpassed 210 million.

Still, Big Hurt Boy brims with some of the luminous production touches Woods has been adding to this repertoire lately. He wrote the album opener, “I Won’t Mention It Again,” on banjo, which fades into a spectral backdrop of electronic textures and layers of lush harmonies. 

A co-write with Peter Groenwald, “Leave When You Go” simmers with an R&B vibe backed by sensuous vocals from indie-pop artist Ralph. “A Picture of Us Smiling at a Party Five Years Ago,” which reunites Woods with Katie Pruitt (who co-wrote and sang on Woods’ “She Waits for Me to Come Back Down”), untangles how our memories are often preserved by photos. “It’s about nostalgia, which is just a memory that doesn’t have any of the stress or dread or anxiety that the real-time experience had,” Woods says.

“I Hope You Change Your Mind,” co-written with David Hodges, is such an understated tearjerker that you don’t even realize the relationship is over until the last line. “That song is about that back-end portion of a relationship when everyone knows the score but no one wants to say it,” Woods says. “It’s loving someone so much that you’re not sure how to be mad at them, so you twist yourself into knots.” 

Big Hurt Boy is the follow-up to 2020’s Without People, Woods’ celebrated album he made in isolation at the height of the pandemic. Whereas those songs were recorded in a makeshift studio at his Toronto home, with collaborators working remotely, his latest release harnesses the electricity of a roomful of musicians laying down tracks live in the studio, a first for Woods.

As an in-demand songwriter whose work has been recorded by the likes of Tim McGraw (“Portland, Maine”) and Lady A’s Charles Kelley (“Leaving Nashville”), Woods has been venturing beyond the singer-songwriter scene where he first cut his teeth. Equally at home in folk and country, he has worked with songwriters such as Tom Douglas, Lori McKenna, Brandy Clark, Ashley Monroe, Dustin Christensen, Femke Weidema, Steve Robson, and Ed Robertson (Barenaked Ladies).

Each of these collaborations has highlighted a budding truth about Woods: As respected as he is as a solo artist, he’s evolving and upending our expectations of how his music sounds. His songs have grown more dimensional, emboldened by new sonic landscapes, reminding us that classic songwriting transcends genre.

PRODUCER /PHOTOGRAPHER /MEMBER OF 103RECORDS /RAPPER 

Asthmatic Kitty Records is an independent record label that was co-founded by Lowell Brams and his stepson, singer-songwriter Sufjan Stevens, in 1999. Since its founding, AKR has released albums by a variety of artists, including Lily & Madeleine, My Brightest Diamond and Helado Negro, and is currently home to Sufjan Stevens, Angelo De Augustine, Denison Witmer and The Welcome Wagon. 

Asthmatic Kitty was named after Sara, an orange and white tabby who wandered out of the woods pregnant and starving near Holland, Michigan in 1994. For fourteen years she brought joy as a beloved friend to Lowell, enjoying a happy life despite her initial hardships. Her asthma improved after moving west to New Mexico and Wyoming, where she lived out her days as an asthmatic kitty in name only.

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