This one is hella soothing to listen to yo

Nice and interesting journey. The vibes are full of mystery

Welcome to the carnyzx experience this i super floaty and beautiful man great great t👊

Really nice Athmosphere. Reminds me a little of Jon Hassell

track to cover art this is amazing, such a beautiful vocal!

Cool Ambient 24

WE MUST REGENERATE

Voice, lyrics  and music by Spacey Panda

(French)

C'est aux frontières de l'inexpliqué, que se sont dissociées, raison, et émotions.
Sont entrées en collision, l'imagination et les sensations.
Une attraction, dépassant la compréhension.
Un magnétisme, défiant toute explication.

Les âmes se frôlent, dans l'éther d'une autre dimension,
Là où les mots laissent place à la musique, et où naît l'intuition.
Un mystère s'épanouit, dans l'infini des passions,
Éternel tourbillon, d'une irrésistibe fusion.

Translation:

It is at the borders of the unexplained, that reason and emotions dissociated.
Imagination and sensations collided
An attraction, beyond understanding
A magnetism, defying explanation.

Souls brush against each other, in the ether of another dimension,
Where words give way to music, and where intuition is born.
A mystery blossoms, in the infinity of passions,
Eternal whirlwind, of an irresistible fusion.

L'Autre Dimension

Umrandungen, Vol. 1

Umrandungen-01-14 (Remastered 2025)

Carnyx

Get the lossless version on Bandcamp: telquelsounds.bandcamp.com/album/decaying-lull

Decaying Lull

Endless Horizons (Ambient Version)

Written, performed & produced by Stephen Caulfield
Recorded at Parkview Studios
Mixed & mastered by Stephen Caulfield
Artwork and photographs by Stephen Caulfield

The Blue Currents EP is the second part of a double album project that I am releasing across four EPs over the next year or so. The album will follow a drop of water as it makes its way from being frozen on a glacier all the way down to the depth of the ocean. The Blue Currents EP tells the second part of the story. Musically it is primarily within the ambient genre with elements of classical contemporary, experimental electronic, lo-fi, drone and downtempo.

Blue Currents

Composition copy variation of Gladiator's 'The Wheat'.

Hans Zimmer, Gavin Greenaway, Lisa Gerrard.

This track is my Spanish electro Acoustic guitar with added effect.

The Wheat (Spanish Guitar) Copy

2 Jabs - Oziumpoet & Robert Grigg

Heartbeat

2025-07_ethereal-swell_78BPM_03m30s_CC.WIP

The third of a four-part suite incorporating, re-orchestrating and expanding the themes originally written for my 2022 track "Year in a Day". This features a quote from Holst's "Jupiter".

Summer to Autumn

Titre : Notre Afrique en nous
Artiste : Aya Aminata
Label/Collectif : Beyond & Before Music

Description :

Plongez au cœur d'une célébration électrisante avec "Notre Afrique en nous". Ce morceau Afro-Tribal House puissant, porté par la voix passionnée et anthemique d'Aya Aminata, est un hymne à la jeunesse, à l'héritage et à l'avenir vibrant de la Côte d'Ivoire.

Inspiré par les rythmes ancestraux, le son emblématique du balafon tisse à la fois des mélodies envoûtantes et des motifs rythmiques entrelacés avec une percussion tribale profonde, des shakers et des chants en langue ivoirienne. Sur une base solide de kick 4/4 à 125 BPM, l'atmosphère est énergique, unificatrice et résolument festive.

Laissez-vous emporter par le mouvement, ressentez la connexion avec la terre et les ancêtres, et dansez pour un futur radieux. La jeunesse ivoirienne s'avance, et sa force rayonne.

Credits :
Paroles & Voix : Aya Aminata
Production : Beyond & Before Music

Tags (Mots-clés) : #AfroHouse #TribalHouse #CotedIvoire #IvoryCoast #Balafon #AfricanMusic #HouseMusic #AfroTribal #Danse #Unity #Celebration #Ivoire #AyaAminata #BeyondAndBeforeMusic

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Title: Notre Afrique en nous (Our Africa Within Us)
Artist: Aya Aminata
Label/Collective: Beyond & Before Music

Description:

Immerse yourself in an electrifying celebration with "Notre Afrique en nous". This powerful Afro-Tribal House track, driven by the passionate and anthemic vocals of Aya Aminata, is an hymn to the youth, heritage, and vibrant future of Côte d'Ivoire.

Inspired by ancestral rhythms, the iconic sound of the balafon weaves both hypnotic melodies and intricate patterns, layered with deep tribal drums, shakers, and chanting in an Ivorian language. All anchored by a solid four-on-the-floor kick at 125 BPM, the atmosphere is energetic, unifying, and utterly celebratory.

Let the movement take you over, feel the connection to the land and the ancestors, and dance for a brighter future. The Ivorian youth is stepping forward, and its strength is shining.

Credits:
Lyrics & Vocals: Aya Aminata
Production: Beyond & Before Music

Tags: #AfroHouse #TribalHouse #CotedIvoire #IvoryCoast #Balafon #AfricanMusic #HouseMusic #AfroTribal #Dance #Unity #Celebration #Ivoire #AyaAminata #BeyondAndBeforeMusic

Content & Meaning:
This song is a powerful and proud anthem for the youth of Côte d'Ivoire (Ivory Coast). It is a declaration of identity, unity, and purpose. The lyrics weave together deep connections to the land, ancestral heritage, and traditional culture—embodied by the sounds of the drums and the balafon—with a forward-looking, ambitious vision for the nation's future.

The central theme is the inseparable link between the past and the future. The youth are portrayed not as abandoning tradition but as carrying it within them ("The ancestral drums speak through our voice"). This inherited strength fuels their drive to build a united, strong, and vibrant country ("To build a strong nation, our only mission"). The song is a call to action, emphasizing that the time for the youth to lead and shape their destiny is now ("our time is now").

Mood & Atmosphere:
The mood is overwhelmingly empowering, celebratory, and unifying. It evokes a sense of collective joy, pride, and unstoppable energy. The constant references to dance, rhythm, and music create a vibrant, almost tangible atmosphere that feels both tribal and modern. It's a song that you can imagine being performed at a massive, joyous gathering, full of movement and shared spirit. The tone is hopeful and fervent, brimming with confidence and an unbreakable sense of community and cultural pride. It is less a gentle ballad and more a rousing, rhythmic call to unity and progress.

Notre Afrique en nous

Wild Flower

made in a little less then 2 hours for some quick practice and atmosphere

with love <3

https://open.spotify.com/track/4GpR2HV8PiKfmYAOuQN8aA?si=7d4ce833be07494a

dashing~reprieval*

"Can I Be’s Smoke" is a hypnotic journey that feels like 60 BPM while pulsing at 120. Driven by heavy kick and snare, it blends industrial tension with psychedelic, dreamy textures. The result is a slow-burning, modern darkwave track — both floating and grounded, melancholic yet cinematic. Music for nights of smoke, steel, and strange reflections.

Can I Be's Smoke

A therapeutic journey into a mix of jazz, classical, and a blend of types of electronica.  And a wry, gradual observation that promotion tends to only go as far as you push it.  At least I make my fellow musicians laugh a little.

Good grief savage cosmos—there he goes again. Some kind of strange audio beast crawling through the digital underbrush with a head full of acid and a suitcase full of vinyl. Fifteen years this sonic deviant has been terrorizing dance floors from Ibiza to the alkali flats of Black Rock City with his peculiar brand of audio hallucination they call "techno."

I first encountered this rhythm junkie in the back room of Amnesia, where Sven Väth was conducting some kind of Germanic tribal ceremony for 2,000 Spanish teenagers and a handful of British tourists who looked like they'd been awake since the fall of the Berlin Wall. Our subject was there, of course—eyes like silver dollars, hands moving across the equipment like a man defusing a bomb while simultaneously conducting an invisible orchestra.

The man is EVERYWHERE. Like some kind of rogue cultural anthropologist with a pathological addiction to bass frequencies. One weekend he's serving dark, hypnotic soundscapes to the leather-clad deviants at Panorama Bar alongside Gerry Reed, the next he's in Brazil, standing next to Sasha and Renato Ratier at Warung Beach while 500 beautiful mutants writhe in the sand like creatures from some Jacques Cousteau nightmare about the future of human evolution.

And then there's Burning Man—SWEET SAVAGE INFINITY—where he's become a fixture at the Mayan Warrior, that rolling monument to technological excess and questionable decision-making. There he stands, this audio desperado, conducting a symphony of synthetic noises for dust-covered freaks whose perception of reality has been chemically adjusted to the point where they believe they're receiving transmissions from another dimension. AND MAYBE THEY ARE.

His production style is the audio equivalent of a Hieronymus Bosch painting—intricate, terrifying, and somehow beautiful in its depraved complexity. Underground to the bone. The kind of sounds that make record executives break out in hives and reach for their heart medication. But to the night people—those strange nocturnal creatures who live for the moment when the kick drum aligns with their heartbeat—it's a siren call they cannot resist.

This is not a man playing records. This is a shaman conducting mass exorcisms through frequency manipulation. A sonic psychiatrist treating collective trauma with carefully calibrated vibrations. A renegade physicist exploring the relationship between sound waves and human consciousness.

He continues his relentless global crusade, expanding his discography with the fervor of a man who knows that somewhere, in some sweaty basement club or desert festival or abandoned warehouse, there are people waiting to have their neural pathways permanently rewired by his particular brand of audio alchemy.

"When the going gets weird, the weird turn pro," I once wrote in a moment of clarity between bourbon shots. Well, this professional weird-turner has made a career of navigating the strange edges of club culture, transforming darkened rooms into temporary autonomous zones where time dissolves and only the rhythm remains.

By all cosmic forces. He shows no signs of stopping.​​​​​​​​​​​​​​​​

“ Hunter S Thompson AI on KidIsLive “

Carnyx

KidIsLive

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