magic disco and a bit funk minimal progresion, good dance

dope stuff!  nice percs/movement, dope vibez 🌊🌊🌴🌴

Very good track ! the guitars are hypnotic

Some real psychedelic shit I can get down with. 🤙

AtTwo (Cecil B2B BLD) - House DJ Set

Classics #House classics

The Power Over Me

HEAVY PETTING

Dont Forget About Me Baby

Take Me To Paradise

'GeT\UP' is a straight-up party banger! With elements of house, disco, funk, and breakbeat, the track is driven by a relentless, pounding beat, and bouncy bassline. Catchy vocal hooks, synth riffs, stabs, and funky guitar samples are seamlessly curated in a way that will make you want to GeT UP and DaNCE!

GeT\UP

Leandro Caceres - Walking in he Sky
Fedi Pais - Bendingo
J. Wiltshire - Sunflower at Day
KZA - Gothenergy (The Revengee Remix)
DJ Koze - XTC
Jelly for the. Babies - Faded Memories (DAVI Remix)
Bonobo - Circus
Assonances - Evals (Petar Dundov Remix)
Cornucopia - Emotional Tourist (Marino Montori Edit)
Jon Anderson - Amor Real (Global Communication Remix)
Klartraum - What I Am
Kostya Outta - Breathe (Andrew Case Remix)
Mia Mendl & Thomas Gandey - Sibuna
Minor Crime - Calumet (Framewerk Remix)
Nox Vahn & Marsh - Come Together (Matthias Meere Remix)
Jamie Stevens & Zankee Gulati - Low Tide
Robert Babicz - Pink Trees
Alan Cerra - Leap of Faith (Tonaco Remix)
Ben Bohmer. - Fade to Blue (Matador Remix)
Guy J - Drifting Memory Part 1 (Maze 28 & Aman Anaud Remix)
Martin Roth - Beautiful Life
Paul Keeley feat. Natali Peris - Disco Belle (dub - Maxi Zamac Edit)
Foals - Into the Surf (Hot Since 82 Remix)
Jim Rivers - Cosmos
Dosem - Origin (Christian Smith Remix)
Gypsy - I Trance You
Because of Art. - You
Fioretti - Soave
Sasha & Photek. - Aviator
Skatman - Save Me (Tal Fussman Remix)
Island 9 - Moody (Chris Micali Mix)
The Phantom's Revenge - Charlie
Andronicus - Make You Whole (Dusky Remix)
Love Inc. - RESPECT
Leftfield - Pulse
Way Out West - Northern Lights
Joy Orbison & Overmono - Blind Date
Eli & Fur - You're So High (10 Years on) (Sasha Extended Mix)
London Elektricity - Vasquez
Bungle - 25th Floor
Air - Alone in Kyoto
Lycoriscoris - Stella (Ryan Davis Rethink)
Carbon Based Lifeforms - Accede
King Unique - Sugarhigh (Seismic Remix)
Ulrich Schnauss & Jonas Musk - Asteroid 2467
Bicep - Drift

Explorations 162 (June 2025)

Sat-nam-na-na-ni 2

Feyra [Minimal Groove Concept]

Drava [Minimal Groove Concept]

Good grief savage cosmos—there he goes again. Some kind of strange audio beast crawling through the digital underbrush with a head full of acid and a suitcase full of vinyl. Fifteen years this sonic deviant has been terrorizing dance floors from Ibiza to the alkali flats of Black Rock City with his peculiar brand of audio hallucination they call "techno."

I first encountered this rhythm junkie in the back room of Amnesia, where Sven Väth was conducting some kind of Germanic tribal ceremony for 2,000 Spanish teenagers and a handful of British tourists who looked like they'd been awake since the fall of the Berlin Wall. Our subject was there, of course—eyes like silver dollars, hands moving across the equipment like a man defusing a bomb while simultaneously conducting an invisible orchestra.

The man is EVERYWHERE. Like some kind of rogue cultural anthropologist with a pathological addiction to bass frequencies. One weekend he's serving dark, hypnotic soundscapes to the leather-clad deviants at Panorama Bar alongside Gerry Reed, the next he's in Brazil, standing next to Sasha and Renato Ratier at Warung Beach while 500 beautiful mutants writhe in the sand like creatures from some Jacques Cousteau nightmare about the future of human evolution.

And then there's Burning Man—SWEET SAVAGE INFINITY—where he's become a fixture at the Mayan Warrior, that rolling monument to technological excess and questionable decision-making. There he stands, this audio desperado, conducting a symphony of synthetic noises for dust-covered freaks whose perception of reality has been chemically adjusted to the point where they believe they're receiving transmissions from another dimension. AND MAYBE THEY ARE.

His production style is the audio equivalent of a Hieronymus Bosch painting—intricate, terrifying, and somehow beautiful in its depraved complexity. Underground to the bone. The kind of sounds that make record executives break out in hives and reach for their heart medication. But to the night people—those strange nocturnal creatures who live for the moment when the kick drum aligns with their heartbeat—it's a siren call they cannot resist.

This is not a man playing records. This is a shaman conducting mass exorcisms through frequency manipulation. A sonic psychiatrist treating collective trauma with carefully calibrated vibrations. A renegade physicist exploring the relationship between sound waves and human consciousness.

He continues his relentless global crusade, expanding his discography with the fervor of a man who knows that somewhere, in some sweaty basement club or desert festival or abandoned warehouse, there are people waiting to have their neural pathways permanently rewired by his particular brand of audio alchemy.

"When the going gets weird, the weird turn pro," I once wrote in a moment of clarity between bourbon shots. Well, this professional weird-turner has made a career of navigating the strange edges of club culture, transforming darkened rooms into temporary autonomous zones where time dissolves and only the rhythm remains.

By all cosmic forces. He shows no signs of stopping.​​​​​​​​​​​​​​​​

“ Hunter S Thompson AI on KidIsLive “

The Power Over Me

KidIsLive

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