To The Only One

Welcome Electronic clubbing lovers!
This profile is here to share & support quality music and artists.

 Melodic House & techno | Techno | Progressive & Deep House


Mixing and mastering services.

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All material on this channel is posted with the explicit consents of the artist/labels and no copyrights are violated in any way.

Dark breakbeat. Analog chaos. Aggressive vintage energy from Sofia. Welcome to the Unison's beats.

All tracks are free for download.

Energy for bodies in motion.
Frequency for minds with many doors.
Vibration for whole souls.

Music Prod. & Promos. 
All Genres.
✔ |Follow|DM For Repost

I'm a bass guitarist and I'm thrilled to welcome you to my channel, where the soothing magic of the bass guitar comes to life.
Join me in exploring a world of unique and relaxing music, all crafted using only the bass guitar's deep and resonant tones.

Here at 4 Strings Vibration, I'm on a mission to redefine relaxation through my musical creations. From tranquil melodies to mesmerizing grooves, each composition is a testament to the endless possibilities of this incredible instrument.

If you're seeking a sonic escape, a moment of serenity, or just something extraordinary, hit that subscribe button, and let's journey into the realm of bass-infused tranquility together. Stay tuned for a new kind of musical experience – this is BassGroove Oasis, and I can't wait to share it with you.

One good thing about music is when it hits you,you  feel no pain..
Beat maker from SL - riddin n shit
 Inquiries: dilip.udaya27@gmail.com

Work/Produce/Mix/Master/Selector/Beat Maker/Collaborator     HI all I've been with the rave music since the start of it and feel blessed to be a part of the uprise of a lot of different genres of music witch I had a passion for going to the early Acid House free parties in fields squats abandon warehouses peoples house and Garages and then when it split into different beats like Jungle Tekno ,Jungle, House , Ambient,Trance , Dub ,Dub Reggae Ragga I decided to follow Jungle Tekno ,Jungle and then to follow Drum n bass going to the big raves from back then normally the same line ups Fabio, Grooverider ,Micky Finn ,Elis Dee ,Carl cox ,Jumping jack frost,Top Buzz,Ratpack,and normally you would here the same white label dropped about 10 times in different mixes through the night ,the after parties sometimes turned into 3 to 4 days of raving on a beach or abandon warehouse or derelict buildings or a squat and plus there were so many record Labels back then with some awesome classic tracks from back in the day like Reinforced records ,Shut up and dance records, Warp Records, Moving Shadow, suburban bass Records, Boogie Times, Production House, Xl Recordings, Network Records, Ibiza Records, Strictly Underground Records, Strictly Hardcore, Kickin Records, Lucky Spin Recordings, Dee Jay Recordings, Basement Records, Formation Records, Absolute @ Records, FFRR, Slammin Vinyl, Urban Shakedown, Jumping & Pumping, Rubeboy Records .....I could go on and on there were soooooo many and again I feel blessed to have been apart of that going to the records shops in different towns and cities going through the white labels and getting to know the branded labels and trying to work out the bpm of the wax ....so many good memories were had and i still have a love a passion for Jungle first and foremost and Drum n Bass ....and all music Thanks for Reading this maybe we could share some old school and new stories some time just hit me up in the messages....One Love Big Love to all old and new People in the Dance , Production, DJs ,Big Ups Massive Blessssssss  
 Also I like  Produce Jungle and Drum n Bass... Love all music
@Spotify junglist1972@gmail.com spotify:artist:0m3AIejjoLurKuvHQTbdXq

Born in 1980 under the name KRT, the band began its journey in the raw energy of live shows — in Spain, including a memorable concert in Burgos, and in Brussels at the Teatro. Those early years, intense and furious, were wiped away overnight: all archives, tapes, posters, and memories stolen in a single car theft, as if someone had tried to erase history itself.

By the late ’80s and early ’90s, the group found shelter in the former RKM studio on Avenue Molière in Brussels, under the demanding ear of artistic producer Jean-Claude Maury. From those sessions emerged Fast Beat and The Ballad of the Mouse and the Bird, defining tracks that carved NUR’s sound into stone — dark, restless, untamed.

After a split and years of silence, the band resurfaced under the name NUR, carried this time by the new promise of the digital age. The music could no longer be erased; it was destined to survive.

But fate struck again: the passing of one of the founding members closed the collective chapter. Today, NUR rises once more, as a solo incarnation. More than a project: a resurrection. A flame still burning, more than forty years after its first spark.

I follow everyone but remove unfollowers, so don't waste your time if you don't intend to follow me

I am the NTT. Stranded Alien is my synth rock project.

I have a side project called the NTT's Funk Odyssey. I have started posting these tunes here with the precursor label - The NTT

Good grief savage cosmos—there he goes again. Some kind of strange audio beast crawling through the digital underbrush with a head full of acid and a suitcase full of vinyl. Fifteen years this sonic deviant has been terrorizing dance floors from Ibiza to the alkali flats of Black Rock City with his peculiar brand of audio hallucination they call "techno."

I first encountered this rhythm junkie in the back room of Amnesia, where Sven Väth was conducting some kind of Germanic tribal ceremony for 2,000 Spanish teenagers and a handful of British tourists who looked like they'd been awake since the fall of the Berlin Wall. Our subject was there, of course—eyes like silver dollars, hands moving across the equipment like a man defusing a bomb while simultaneously conducting an invisible orchestra.

The man is EVERYWHERE. Like some kind of rogue cultural anthropologist with a pathological addiction to bass frequencies. One weekend he's serving dark, hypnotic soundscapes to the leather-clad deviants at Panorama Bar alongside Gerry Reed, the next he's in Brazil, standing next to Sasha and Renato Ratier at Warung Beach while 500 beautiful mutants writhe in the sand like creatures from some Jacques Cousteau nightmare about the future of human evolution.

And then there's Burning Man—SWEET SAVAGE INFINITY—where he's become a fixture at the Mayan Warrior, that rolling monument to technological excess and questionable decision-making. There he stands, this audio desperado, conducting a symphony of synthetic noises for dust-covered freaks whose perception of reality has been chemically adjusted to the point where they believe they're receiving transmissions from another dimension. AND MAYBE THEY ARE.

His production style is the audio equivalent of a Hieronymus Bosch painting—intricate, terrifying, and somehow beautiful in its depraved complexity. Underground to the bone. The kind of sounds that make record executives break out in hives and reach for their heart medication. But to the night people—those strange nocturnal creatures who live for the moment when the kick drum aligns with their heartbeat—it's a siren call they cannot resist.

This is not a man playing records. This is a shaman conducting mass exorcisms through frequency manipulation. A sonic psychiatrist treating collective trauma with carefully calibrated vibrations. A renegade physicist exploring the relationship between sound waves and human consciousness.

He continues his relentless global crusade, expanding his discography with the fervor of a man who knows that somewhere, in some sweaty basement club or desert festival or abandoned warehouse, there are people waiting to have their neural pathways permanently rewired by his particular brand of audio alchemy.

"When the going gets weird, the weird turn pro," I once wrote in a moment of clarity between bourbon shots. Well, this professional weird-turner has made a career of navigating the strange edges of club culture, transforming darkened rooms into temporary autonomous zones where time dissolves and only the rhythm remains.

By all cosmic forces. He shows no signs of stopping.​​​​​​​​​​​​​​​​

“ Hunter S Thompson AI on KidIsLive “