minimal soft progressive very not bad tune. Is a piece of tune.

Re-Explode 47

Hope you enjoy the Electronic Flow of my track "Honey" a fusion of a few styles.

Honey

Umrandungen, Vol. 1

Umrandungen-01-01 (Remastered 2025)

The Power Over Me

Your Special

HEAVY PETTING

Awesome new song with amazing vocal, total banger.

The Stars - (Radio Mix)

00:00:00 Vintage Culture, Bruno Be & Öwnboss - Intro (Rework) feat. Ashibah [Remix]
00:03:54 Cedric Gervais - Do It Tonight (Dance Mixes) (Tom Staar Extended)
00:06:05 Purple Disco Machine, Alison Goldfrapp - Dream Machine 
00:08:37 The Human League - Don't You Want Me (Purple Disco Machine Extended) 
00:13:14 Purple Disco Machine, Hurts - Wonderful Life '25 
00:14:42 Sugar Hill - I Love You So 
00:17:45 Max Styler, Sidepiece, Diplo,  Ferreck Dawn - You Stay on My Mind vs. I Know You Want To (MSK Mix)
00:19:54 The Shapeshifters - Lola's Theme Recut (Purple Disco Machine Remix)
00:21:20 The Shapeshifters, Tripolism - Lola's Theme (Tripolism Remix) 
00:26:45 Kevin McKay, CHAN (US) - Emotion (Extendes) 
00:31:34 Sugar Hill - Shingaling  (Extended) 
00:34:31 Mark Lower, Fleur De Mur - Burn For Love (Extended) 
00:36:51 Yvvan Back, Christian Ghinati - New Love (Extended) 
00:38:46 Moreno Pezzolato - Smells Like Teen Spirit 
00:43:03 ARTY, Mryn - Taking Me Higher (Extended) 
00:45:35 Vintage Culture, Max Milner, Layla Benitez - Nirvana (Original Mix) 
00:49:55 Chris Lorenzo, High Jinx - California Dreamin' feat. High Jinx 
00:53:33 Babert, Mell Hall - Can't Stop Now (Extended Mix) 
00:57:48 Rivo, Hayden James, Mark Hoffen, AR/CO - We Could Be Love (Rivo & Mark Hoffen Extended Remix) 
01:01:21 Steve Angello, KREAM - Tivoli  (KREAM Remix) 
01:04:49 Chris Lake, Abel Balder, Odd Mob - Ease My Mind (MSK REMIX)
01:07:49 Ose, Max Styler - Need You Tonight (Original Mix) 
01:11:00 Pawelo - Holding Back The Years (VIP Extended Mix)
01:12:29 Funkdoobiest, Cloonee - X-Rated (Original Mix) 
01:13:58 The Magician, Purple Disco Machine - All My Life (Extended)
01:19:58 Sofi Tukker, DubDogz, Öwnboss - Summer in New York (MSK Remix)

It's Summer__in New York

My take on an old favorite and song that will live in my head for the rest of time. 

Pumped up Kicks (NoBeats Flip) <Free Download>

Your Smile Will Save The World For A While

Schöppou@Podcast(05.06.2025)

Make u Feel (prod by @xpatvb)

Stream/Buy: https://fanlink.tv/hhypnotize
Listen on Spotify:
https://open.spotify.com/album/0y7c9N4qAzhPmhzU4XMc0I
Watch on YouTube: 
https://www.youtube.com/watch?v=DKvSuwLlAG8

Follow Me:
Spotify: open.spotify.com/artist/6iJssSwlfABvWKmYrR9Cn3
Apple Music: music.apple.com/ua/artist/avrx/1718591883
Instagram: www.instagram.com/avrxsound/
TikTok: www.tiktok.com/@avrx.sound
YouTube: www.youtube.com/@avrxsound
Soundcloud: @avrxsound

Hypnotize

Stream/Buy

AVRX - Hypnotize

Beatport

Industrial Swagger

“Make It” is my fourth-month milestone track in my music journey — a melodic vocal house single with a touch of afro influence and layers of cinematic synths.
It tells the story of someone chasing their dreams, refusing to give up. While the vocals are from a female perspective, the message is universal — it could be anyone striving to find their place in the world.

Rhythmic and uplifting, “Make It” is the kind of track that fits any moment you need motivation — whether you’re at the gym, driving with the windows down, starting your day with coffee, poolside, beach, or just a jam.

Lyrics highlight:
Looking for a lifeline.
Some way to get to cloud 9.
I don’t care if it’s overrated.
I got to make it.

This one’s for anyone who’s ever said: I’m not stopping until I get there.

Make It

Urban pulse, steel tension, neon blood. This is Lambermont. EDM meets industrial night.

Lambermont

Lambermont - KRT Production

BBAM, born within @KRTProduction (Brussels), is the vision of @FunkleAce: songwriter, composer, performer, and producer. Blending Reggae, Dub, Electro, and underground sounds, BBAM delivers immersive, powerful, and free-spirited music, where each track is a unique sonic journey.

Good grief savage cosmos—there he goes again. Some kind of strange audio beast crawling through the digital underbrush with a head full of acid and a suitcase full of vinyl. Fifteen years this sonic deviant has been terrorizing dance floors from Ibiza to the alkali flats of Black Rock City with his peculiar brand of audio hallucination they call "techno."

I first encountered this rhythm junkie in the back room of Amnesia, where Sven Väth was conducting some kind of Germanic tribal ceremony for 2,000 Spanish teenagers and a handful of British tourists who looked like they'd been awake since the fall of the Berlin Wall. Our subject was there, of course—eyes like silver dollars, hands moving across the equipment like a man defusing a bomb while simultaneously conducting an invisible orchestra.

The man is EVERYWHERE. Like some kind of rogue cultural anthropologist with a pathological addiction to bass frequencies. One weekend he's serving dark, hypnotic soundscapes to the leather-clad deviants at Panorama Bar alongside Gerry Reed, the next he's in Brazil, standing next to Sasha and Renato Ratier at Warung Beach while 500 beautiful mutants writhe in the sand like creatures from some Jacques Cousteau nightmare about the future of human evolution.

And then there's Burning Man—SWEET SAVAGE INFINITY—where he's become a fixture at the Mayan Warrior, that rolling monument to technological excess and questionable decision-making. There he stands, this audio desperado, conducting a symphony of synthetic noises for dust-covered freaks whose perception of reality has been chemically adjusted to the point where they believe they're receiving transmissions from another dimension. AND MAYBE THEY ARE.

His production style is the audio equivalent of a Hieronymus Bosch painting—intricate, terrifying, and somehow beautiful in its depraved complexity. Underground to the bone. The kind of sounds that make record executives break out in hives and reach for their heart medication. But to the night people—those strange nocturnal creatures who live for the moment when the kick drum aligns with their heartbeat—it's a siren call they cannot resist.

This is not a man playing records. This is a shaman conducting mass exorcisms through frequency manipulation. A sonic psychiatrist treating collective trauma with carefully calibrated vibrations. A renegade physicist exploring the relationship between sound waves and human consciousness.

He continues his relentless global crusade, expanding his discography with the fervor of a man who knows that somewhere, in some sweaty basement club or desert festival or abandoned warehouse, there are people waiting to have their neural pathways permanently rewired by his particular brand of audio alchemy.

"When the going gets weird, the weird turn pro," I once wrote in a moment of clarity between bourbon shots. Well, this professional weird-turner has made a career of navigating the strange edges of club culture, transforming darkened rooms into temporary autonomous zones where time dissolves and only the rhythm remains.

By all cosmic forces. He shows no signs of stopping.​​​​​​​​​​​​​​​​

“ Hunter S Thompson AI on KidIsLive “

Your Special

KidIsLive

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